MOTION PICTURE
REVIEWS
WOMEN’S UNIVKSI17 CLUB
LOS ANGCLCS.CAL/r
Vol. Ill
1932
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in 2016 with funding from
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MOTION
PICTURE
REVIEWS
THE WOMEN'S UNIVERSITY CLUB
LOS ANGELES, CALIFORNIA
JANUARY 1932
THE WOMEN’S UNIVERSITY CLUB
LOS ANGELES BRANCH
AMERICAN ASSOCIATION
OF UNIVERSITY WOMEN
943 South Hoover Street
<$xj>
Telephone DRexel 2177
<Sx8>
Copyright by
Women’s University Club
1931
WEBBCRAFT PRINTERS. 1051 ARLINGTON AVE , LOS ANGELES
Motion Picture Reviews
Three
MOTION
• PICTURE
• REVIEWS
THE
Published monthly by
WOMEN’S UNIVERSITY CLUB
LOS ANGELES BRANCH
AMERICAN ASSOCIATION OF UNIVERSITY WOMEN
Mrs. John Vruwink )
Mrs. Palmer Cook, \ Co-Chairmen
Mrs. Gerard A. Murray
Preview Chairman
Editors
Mrs. J. Allen Davis
Mrs. Palmer Cook
Mrs. Arthur Jones
Mrs. John Vruwink,
Mrs. Walter Van Dyke
Mrs. F. H. Partridge
Address all communications to The Women’s University Club, 943 South Hoover
Street, Los Angeles, California.
VOL. III. No. 1
JANUARY, 1932
10c per Copy, $1.00 per Year
FEATURE FILMS
4
BEAU HUNKS » »
Laurel and Hardy. Direction by James
Horne. M.G.M.
When Hardy’s best girl refuses him, he and
Laurel join the Foreign Legion and become
heroes through a series of blunders only possi-
ble to these incomparable comedians. The
picture follows the well known Laurel and
Hardy formula and will delight their many
followers.
Adolescents, 12 to 16 Children, 8 to 12
Excellent Excellent
0-9
CITY SENTINELS » »
Previewed under the title “Smashing the
Vice Ring”. Walter Huston, Jean Her-
sholt, Jean Harlow, Tully Marshall. Di-
rection by Charles Brabin. M.G.M.
(Seen in preview).
Honest and sincere “Fighting Fitzpatrick”
works his way up in the police force from
patrolman to Chief. He is determined to
clean up the city despite the handicaps of
politics, “writs of habeas corpus”, and medd-
ling civic committees. In this drama of
gangster activities the police are the heroes
in the unequal struggle to protect life and
property even at the cost of their own lives.
It is a fair presentation of the police prob-
lem and the crime situation, realistic and ex-
citing. Mr. Huston gives an excellent charac-
terization.
Adolescents, 12 to 16 Children, 8 to 12
Not suitable No
C+-9
COCK OF THE AIR » »
Billie Dove, Chester Morris, .Watt Moore
Written by Robert Sherwood and Charles
Lederer. Direction by Tom Buckingham.
Howard Hughes Production. United
Artists.
From a brilliant beginning this picture
simmers down into slapstick, sacrificing all
plot value in a jumble of antics. It is diffi-
cult to criticize because the production has
some charm; lovely scenes of a Venetian
carnival, other familiar and intriguing
European settings, airplane shots which are
distinctive and beautiful. But Billie Dove
is not the type for slapstick and one feels
a certain amount of embarrassment in finding
her there. It might have been a thrilling
romance exquisitely produced. Actually it is
a mediocre inconsistent comedy which man-
ages to preserve some measure of entertain-
ment.
Adolescents, 12 to 16 Children, 8 to 12
Not recommended No
Four
Motion Picture Reviews
CORSAIR » »
Chester Morris, Thelma Todd. A Ro-
land West Production. United Artists.
The whole idea of this picture involves
such preposterous ethics that no discriminat-
ing audience could possibly accept it. A
football hero, clerk in a Wall Street broker-
age, is revolted at the demand that he sell
worthless mining stock to a widow'. In order
to prove that he can make just as much
money without duping widows, he becomes a
murderous hi-jacker. Having gained the re-
spect of his former employer by his superior
cunning and brutality, he condescends to ac-
cept a fine position, satisfied with the assur-
ance that he will not have to sell poor stock
to unsuspecting victims. Fortunately the pro-
duction is neither glamorous nor well acted
enough to disguise its stupidity and not con-
sistent enough to make its bad ethics seem
practical.
Adolescents, 12 to 16 Children, 8 to 12
No No
C'KO
DANCE TEAM » »
James Dunn, Sally Eilers. Direction by
Sidney Sanfield. Fox.
The personal charm of the stars and the
appealing quality of this human little story
of the struggles, successes and vicissitudes of
two young people make this a delightfully
entertaining picture. James Dunn and Sally
Eilers are ideally cast, and the well developed
plot, spontaneous humor and clean romance
should hold great appeal for family audi-
ences.
Adolescents, 12 to 16 Children, 8 to 12
Good Probably little
interest
C-KS
DR. JEKYLL AND MR. HYDE
Fredric March, Rose Hobart, Miriam
Hopkins, Halliswell Hobbes. Direction
by Rouben Mamoulian. Adapted by
Percy Heath and Samuel Hoffenstein
from the story by Robert Louis Steven-
son. Paramount-Publix.
Fredric March gives a remarkable and
masterful presentation of the dual personali-
ty of Dr. Jekyll and Mr. Hyde. His buoyant,
impulsive doctor of the the early scenes makes
him a thoroughly likable character, which
emphasizes the contrast when he sinks to the
level of the degraded Hyde. The change is
adroitly effected by the use of sound effects
and shifting camera to indicate the reversion
of feeling that he undergoes. On the whole
the mood, the atmosphere, of the Stevenson
novel is retained in the hair-raising and blood
chilling moments, and in the working out of
the great discovery which ends in the triumph
of the lower self. The story has its super-
natural aspects, and the photography and
sound are so directed as to convince the audi-
ence even of the incredible. There are some
intimate and objectionable scenes, not in
keeping with the original story, that seem
in poor taste. It is exceptionally stirring and
will prove, for many, too much of an
emotional strain to be encompassed within
the realm of entertainment, but the excell-
ence of the production will appeal to most
adults and its real interest in retrospect will
be its spiritual significance.
Adolescents, 12 to 16 Children, 8 to 12
Too Strong Too hair-raising
C't'J
EMMA » »
Marie Dressier, Jean Hersholt, Richard
Cromwell. Direction by Clarence Brown.
M.G.M.
An unusual story, definitely constructed for
Miss Dressier, gives us the combination of
tears and laughter which we associate with
the work of this delightful artiste. It is a
theme of love and devotion, of deepest faith
in human goodness, and leaves us better for
having seen it. Even a suggestion of the
plot is unnecessary. You will like it; laugh
at the delicious absurdities, and cry without
embarrassment at the pathos.
Adolescents, 12 to 16 Children, 8 to 12
Excellent Good
GALLOPING THROUGH » »
Tom Tyler. Direction by Lloyd Nosier.
Monogram Pictures.
A Western of the old type with some good
riding and much sudden death. Details have
not been carefully chosen to place the story
in pioneer days ; consequently there seems
little excuse for the administration of justice
by continuous gun play. Episodes are melo-
dramatic to the point of absurdity. It is on
a level with cheap magazine serials, boring
for adults and discriminating adolescents,
fostering wrong ideas of citizenship for those
with untrained minds.
Adolescents, 12 to 16 Children, 8 to 12
Not recommended No
C-+-0
GIRL OF THE RIO » »
Dolores Del Rio, Leo Carrillo. Adapted
from the play “The Dove” by Willard
Mack. Direction by Herbert Brennen.
R.K.O.
It may be that the pendulum of taste has
swung away from romantic swashbuckling
Motion Picture Reviews
Five
melodrama so far that this former stage
success suffers in consequence. At any rate
the picture seems unreal and arouses little
interest. A well selected cast struggles with
situations which invite no sympathy and do
not leave an impression of plausibility. The
plot is laid in a Mexican border gambling
resort where the “Dove” dances in the
Casino. She attracts the attention of a law-
less gambler who exerts every effort to get
her as his mistress. The reason for his final
renunciation is not so convincing as it seem-
ed in the stage production. The photography
and outdoor settings are exquisite.
Adolescents, !2 to 16 Children, 8 to 12
Not recommended No
c-t-s
HELL DIVERS » »
Clark Gable, Wallace Beery, Marjorie
Rambeau. A Geo. Hill production. M.
G.M.
Whatever type of picture you usually pre-
fer, here is one that cannot fail to give you
a real thrill. United States Naval aviators
in action, the airplane carrier “Saratoga”,
its huge deck swarming with planes, target
practice from the clouds, maneuvers in the
air that make you dizzy just to watch. Even
without the fictional element that holds to-
gether these magnificently photographed
scenes, there would be plenty of romance in
watching the every day life of these aviators,
but the scenarist has provided deeds of hero-
ism and self-sacrifice and breath-taking ad-
ventures that keep you on the edge of your
seat. Singularly lacking in the maudlin
sentimentality that often mars such pictures,
the story is developed mainly through inter-
est in the character of a sergeant, expert
bomber of the squadron whose loyalty to his
“Skipper” and dogged devotion to duty are
equalled only by his love of a fight. Wallace
Beery so ably portrays this character that he
fairly lives the part, and among the real
navy men does not stand out as a mere alien
actor. With the cooperation of the United
States Navy the producers have made a pic-
ture that is worthy of a place among the best.
Adolescents, 12 to 16 Children, 8 to 12
Excellent Very exciting
HER MAJESTY LOVE » »
Marilyn Miller, Ben Lyon, Ford Sterling,
Leon Errol. Direction by William Die-
terle. Warner Brothers-First National.
Excellent comic relief, good acting and a
tuneful score enliven this light musical
comedy. Marilyn Miller as barmaid in a
night club is the charming leading lady who
loves a rich young society man. Some of the
jokes and situations are off color and the plot
is of no consequence, but all ends cheerfully.
Adolescents, 12 to 16 Children, 8 to 12
Too sophisticated No interest
HUSBAND'S HOLIDAY » »
Clive Brook, Vivienne Osborne. Adapted
from the novel and play by Ernest Pas-
cal entitled “Daddy Goes A Hunting.”
Direction by Robert Milton. Paramount-
Publix.
A program picture concerning “a woman’s
struggle to preserve her marriage in the face
of her husband’s infidelity.” It lacks origi-
nality in treatment or theme and is of aver-
age interest only for adult audiences.
Adolescents, 12 to 16 Children, 8 to 12
No No
CfJ
LADIES OF THE BIG HOUSE » »
Sylvia Sidney, Gene Raymond. Direction
by Marion Gering. Paramount-Publix.
In this starkly realistic drama, an innocent
young couple are “framed” and thrown into
prison for a crime they have not committed.
The unforgetable scenes of prison life, the
suffering and despair of the young husband
and wife and their final vindications should
be powerful propaganda against injustice and
corruption. Though perfectly acted and skill-
fully directed, the maturity and intensity of
its theme are too somber for children.
Adolescents, 12 to 16 Children, 8 to 12
Hardly No
C'KS
LADIES OF THE JURY » »
Edna May Oliver, Ken Murray. Direc-
tion by Lowell Sherman. R.K.O.
A very charming lady wheedles and per-
suades her reluctant fellow-jurors to acquit
an ex-chorus girl of murder. Edna May
Oliver as the “charming lady”, gives just the
right touch of comedy and burlesque, and be-
cause of her finesse and humor we all can
enjoy a most entertaining evening at the ex-
pense of our famous jury system.
Adolescents, 12 to 16 Children, 8 to 12
Harmless Little interest
G'KO
MANHATTAN PARADE » »
Winnie Lightner, Charles Butterworth.
Direction by Lloyd Bacon. Photographed
in technicolor. Warner Brothers.
If “Manhattan Parade” is Hollywood’s
answer to “Once in a Lifetime” it misses
fire by too malicious an attack. Hollywood
Six
Motion Picture Reviews
took the “kidding” too seriously, for the bur-
lesque is overdone and the typical characteri-
zations lose reality, Winnie Lightner alone
seeming human. For plot: a woman costumer
exploits a mad Russian playwright in order
to secure contracts for a Broadway show, and
the vulgarity of two producers provides the
humor. However it is different in theme and
has excellent color effects, which make it on
the whole a fairly entertaining, if trivial,
program picture.
Adolescents, 12 to 16 Children, 8 to 12
Unobjectionable No interest
MATA-HARI » »
Greta Garbo, Ramon Novarro, Lionel
Barrymore, Lewis Stone. Direction by
George Fitzmaurice. M.G.M.
There is always a degree of fascination in
the operations of a spy. In this play Mata
Hari, most notorious of the World War intri-
gants, comes to life in the person of Greta
Garbo and relives the vivid and tragic
months in Paris which inevitably lead to the
firing squad. It is one of the finest oppor-
tunities Miss Garbo has had to display her
skill and charm. Lionel Barrymore and Ra-
mon Novarro appear as two of the officers
ensnared by her fascination, Lewis Stone as
her superior in the espionage system. The
cast is exceptional even to the minor charac-
ters, and direction is noteworthy, with very
skillful touches in the use of silence and dark-
ness. It is a picture for the discriminating.
Nevertheless, because of the facts of the story,
the general tone is depressing, and the cour-
tesan phase of Mata Hari’s life is too strong-
ly emphasized for adolescents.
Adolescents, 12 to 16 Children, 8 to 12
Too mature No
C'KO
MEN IN HER LIFE » »
Charles Bickford, Lois Moran. From the
book by Warner Fabian. Direction by
William Beaudine. Columbia Pictures.
Charles Bickford plays the part of a rich
bootlegger who decides to retire and learn
parlor tricks. Lois Moran is a society girl
in need of money whom he hires to teach
him drawing-room tactics. The story is at
first amusing with a dash of spice but later
develops into a melodramatic tragedy rather
antiquated in treatment.
Adolescents, 12 to 16 Children, 8 to 12
Better not No
MEN OF CHANCE » »
Mary Astor, John Halliday, Ralph Ince,
Ricardo Cortez, Kitty Kelly. Direction
by George Archainbaud. R.K.O.
Against the picturesque and colorful back-
ground of a Parisian race track is unfolded
a romance of the intrigues of professional
gamblers. Mary Astor as a bogus countess
and Ricardo Cortez as a handsome gambler
are the leading figures in this sophisticated
and well acted drama. All the shady deals
and sordid situations, though entirely in
keeping with this type of story, are confusing
and not particularly wholesome subjects for
the entertainment of immature audiences. It
is fairly entertaining for adults.
Adolescents, 12 to 16 Children, 8 to 12
Better not No interest
PANAMA FLO » »
Helen Twelvetrees, Robert Armstrong,
Charles Bickford. Direction by Ralph
Murphy. R.K.O. -Pathe.
“Panama Flo” is strictly for adult audi-
ences if they enjoy sordid, tawdry melodrama
without any particularly artistic accomplish-
ments to redeem it. It tells the story of a
girl, stranded by her fiance, and without
funds, who, in her abandoned predicament,
is caught stealing. She is forced to work
out her redemption, and loyalty to her
rescuer is rewarded in the end. It is vulgar
in substance and implication.
Adolescents, 12 to 16 Children, 8 to 12
Absolutely not No
C'f-S
PARTNERS » »
Tom Keene, Nancy Drexel. Direction by
Fred Allen. R.K.O. -Pathe.
Adjust your yawns to a wolesome, simple
direct “Western”. It is a well photographed
film, rather stilted in dialogue, but adequate
in cast and swift in action. An old peddler
is murdered and a- young rancher accused of
the crime. The peddler’s small grandson
helps detect the real culprit. Though the pic-
ture contains nothing outstanding for adult
audiences, it is probably entertaining for
juveniles, and the presence of the child actor
will heighten the interest for them.
Adolescents, 12 to 16 Children, 8 to 12
Yes Y es
ce+s
PEACH O'RENO » »
Bert Wheeler, Robert Woolsey, Joseph
Cawthorn, Dorothy Lee, Zelma O’Neal.
Direction by William Seiter. R.K.O.
Reno furnishes amusing material for this
absurd burlesque full of comical situations,
Motion Picture Reviews
Seven
stunts and gags. The Brunos quarrel on their
25th anniversary and rushing off to Reno,
each engages the firm of Wattles and Swift.
Humor runs riot over divorce methods and
court room scenes. The cast is uneven, the
jokes broad, enjoyment of which is a matter
of personal taste.
Adolescents, 12 to 16 Children, 3 to 12
Not recommended No
G'KS
PRIVATE LIVES » »
Norma Shearer, Robert Montgomery,
Reginald Denny, Una Merkel, Jean
Hersholt. Direction by S. Franklin.
M.G.M.
Strictly out of order for the immature and
those who have puritanical leanings, this is
nevertheless a highly diverting comedy of the
sophisticated type which has held a domi-
nant place on the stage during recent years.
It throws the proprieties to the winds.
Amanda and Ellyot, a divorced couple, meet
by a freak of chance in a French hotel,
where each is embarking on a new matro-
monial venture, and swept away by the old
infatuation, leave together for a chalet in
Switzerland. There follows the conflict of
two charming and temperamental people who
love each other and vet are too individual
to sacrifice anything for the sake of peace.
It is all very human, and in spite of farcical
exaggerations, gives an insight into most
marriages and gaily ridicules divorce as a
panacea. The dialogue is satiric, often
scintillating, and both actors and directors
have entered completely into the spirit of
Noel Coward’s play concerning the complexi-
ty of modern marital relations.
Adolescents, 12 to 16 Children, 8 to 12
Very unsuitable No
c+J
RACING YOUTH » »
June Clyde, Frank Albertson, Louise Fa-
zenda, Slim Summerville. Direction by
Vin Moore. Universal Pictures Corp.
A beautiful girl inherits an automobile fac-
tory and arrives to investigate it, accompani-
ed by a formidable spinster secretary. The
factory manager mistakes the secretary for
the owner. This complication plus a villain,
a terrific automobile race and a romance sup-
ply the points of interest in a stereotyped
comedy. There are two major accidents
thrown in to appeal to the gladiatorial taste
of the mob.
Adolescents, 12 to 16 Children, 8 to 12
Not harmful Not harmful
THE RAINBOW TRAIL » »
George O’Brien, Cecilia Parker, Minna
Gombell, Roscoe Ates. From the novel
by Zane Grey. Direction by Barry
Conners and Philip Klein. Fox.
An old fashioned “Western” with villains
and heroes melodramatically characterized,
the “Rainbow Trail” is a sequel to “Riders
of the Purple Sage”. It is somewhat con-
fused and improbable in plot but well
enough acted and directed, and distinguished
by glorious photography of the Grand Can-
yon. Possible for family audiences, it is
marred by needlessly harrowing scenes.
Adolescents, 12 to 16 Children, 8 to 12
Yes Questionable in de-
tail, but full of action.
e-fO
THIS RECKLESS AGE » »
Richard Bennett, Frances Starr, Charles
Rogers, Frances Dee, Peggy Shannon,
Charles Ruggles. Direction by Frank
Tuttle.
“There’s still good in our young folk”,
might well be the theme song of this pleas-
antly sentimental tale. The father and mother
of two selfish irresponsible children find them
essentially sound when a crisis presents it-
self. Richard Bennett and Frances Starr give
convincing and natural performances as
father and mother, Charles Rogers and the
rest of the cast are adequate. It is agree-
able though unstimulating entertainment for
the whole family.
Adolescents, 12 to 16 Children, 8 to 12
Yes Very little interest
e-to
SHERLOCK HOLMES' FATAL HOUR » »
Arthur Wentner, Norman McKennell,
Jane Welch, Minnie Rayner. English
production released by Warner Bros.
This English production excels in flawless
sets, beautiful photographic effects, fine dia-
logue spoken by cultured trained voices, good
acting and direction. It has an interesting
story in which the famous detective ferrets
out the mystery of a bank robbery. While it
is tense and gripping it is never gruesome,
and dry humor frequently relieves the situ-
ations. This type of detective story may be
safely enjoyed by adolescents as well as
grown-ups.
Adolescents, 12 to 16 Children, 8 to 12
Good Too mature
Eight
Motion Picture Reviews
sooky » »
Jackie Cooper, Robert Coogan, Jackie
Searl. Direction by Norman Taurog.
Paramount-Publix.
As a sequel to “Skippy” this comedy drama
of the lives of three small boys, Skippy,
Sooky, and Sidney, has lost none of the enter-
tainment quality so outstanding in the for-
mer production but has indeed more charm
and pathos in its unfolding. The story of
the devotion of Skippy to his Shanty town
friend, Sooky, is a treat for any audience.
There are many fine shots and well selected
bits of humor, as well as strong tragedy. It
is an excellent family picture for all except
those who might find its pathos too emotion-
al.
Adolescents, 12 to 16 Children, S to 12
Excellent Good if they are
not disturbed by
pathos.
cso
STEPPING SISTERS » »
Louise Dresser, Minna Gombel, Jobyna
Howland. Direction by Seymour Felix.
Fox Film Corp.
Much good acting talent is wasted in this
slow moving slapstick comedy. The plot is
concerned with an ambitious mother who at-
tempts to secure social prestige for her
daughter by a “'good match”. Her former
profession of Burlesque show girl overtakes
her and many complications arise. It is often
vulgar and much overdrawn but there are
a few good laughs.
Adolescents, 12 to 16 Children, 8 to 12
Not recommended No
C'f-S
A STRANGE AFFAIR » »
Jack Holt, Ralph Graves. R.K.O.-Pathe.
Detective story which is not outstanding in
entertainment value. It is lightly amusing,
only fairly interesting. Unobjectionable.
Adolescents, 12 to 16 Children, 8 to 12
Unobjectionable if Too mature
type is enjoyed
0-9
THE SOUL OF THE SLUMS » »
William Collier Jr., Cora Mahaffey. Di-
rection by Frank Strayer. Action Pic-
tures. Seen in Preview.
A gloomy melodrama concerned with the
reform of a boy who has served a seven
year prison term for a crime which he did
not commit On learning of the boy’s release
from prison, the man who “framed” him,
deserts his common law wife and leaves town.
This girl and boy fall in love and are re-
deemed through the effort of Brother Jacob,
the host at an all night mission in the slums.
The dialogue is stilted, the plot dreary and
the photography very dark. It is not a
wholesome production although it points a
moral.
Adolescents, 12 to 16 Children, 8 to 12
Not recommended No interest
0-9
TORCHY TURNS THE TRICK » »
Ray Cooke, Dorothy Dix. Educational
Pictures, Inc.
A cheap and unimportant comedy in which
“Torchy” the office boy, through a ruse, gains
a million dollar order for his firm! Only
passable for any audience.
0-9
TWO KINDS OF WOMEN » »
Miriam Hopkins, Phillips Holmes, Irving
Pichel, Stuart Erwin, Wynne Gibson.
Direction by William de Mille. Para-
mount-Publix. From Robert Sherwood’s
play “This is New York.”
This picture, with an unusually experi-
enced cast and directed by William de Mille,
is nevertheless a distinct disappointment. The
story showing a cross-section of New York
night life has the usual sordid details of
squandered money, excessive drinking and
unpleasant entanglements. Even the “comic
relief” is unpleasant unless one can enjoy the
owlish blinking of a gin-dazed woman. It
contains nothing new in lines or situations
and is not constructive. It would be a waste
of time for an audience seeking agreeable
or thought provoking diversion.
Adolescents, 12 to 16 Children, 8 to 12
No No
o^>
UNEXPECTED FATHER » »
Slim Summerville, Zazu Pitts, Cora Sue
Collins. Direction by Thorton Freeland.
Universal Pictures Corp.
A light comedy which presents Slim Sum-
merville as a man about town, grown
suddenly wealthy. Pudge, an orphan waif is
responsible for a change in marriage plans
for Slim, which incidentally supplies Pudge
with a mother and father. The child, played
by Cora Sue Collins, will win the hearts of
the audience, and two such comedians as
Slim and Zazu Pitts as usual supply an
abundance of laughs.
Adolescents, 12 to 16 Children, 8 to 12
Amusing Amusing
Motion Picture Reviews
Nine
THE WOMAN FROM MONTE CARLO » »
Lil Dagover, Walter Huston, Warren
William, John Wray, George Stone. Di-
rection by Michael Curtis. Warner
Brothers.
Anyone who is interested in new personali-
ties on the screen will enjoy seeing Miss
Dagover, though the picture in which she
makes her bow to our public has little else
to recommend it. It is a confused and im-
plausible story of a woman with a past who
leaves the past only to return to it after ad-
ventures in matrimony on a French warship
have ended unsatisfactorily.
Adolescents, 12 to 16 Children, 8 to 12
Not recommended No interest
0-0
UNDER EIGHTEEN » »
Marian Marsh, Anita Page, Warren
William, Norman Foster. Direction by
Archie Mayo. Warner Brothers.
The sweet girl graduate, disillusioned by
the unhappiness of her sister’s penniless
marriage, decides to sacrifice herself for
money. Her indiscretions are discovered in
the “nick of time”. We cannot recommend
this trifle, morally or aesthetically. It is quite
dull.
Adolescents, 12 to 16 Children, 8 to 12
No No
WORKING GIRLS » »
Paul Lukas, Judith Wood, Dorothy Hall,
Charles Rogers, Stuart Erwin, Mary
Forbes. From the play, “Blind Mice”
by Vera Caspary and Winifred Lenihan.
Direction by Dorothy Arzner. Para-
mount-Publix.
Two sisters, the one a clinging vine, and
the other an independent breezy individual,
arrive in New York to seek their fortune.
A saxophone player, a noted scientist, and a
play boy provide the male coefficients for
situations which vary from naive introduct-
ions to complicated indiscretions. A “shot
gun” marriage makes a climax to a very
much bemuddled alignment of love affairs.
Adolescents, 12 to 16 Children, 8 to 12
No No
C'KO
X MARKS THE SPOT » »
Lew Cody, Wallace Ford, Sally Blane,
Mary Nolan. Direction by Earl C. Ken-
ton. Tiffany.
A good mystery story well written, fast
moving, excellently acted. The editor of a
scandal sheet, investigating a libel suit, be-
comes involved in the murder of an actress.
The plot has a familiar trend perhaps, but
there are tense moments, and the climax is
unexpected and exciting. It is best suited to
adults who enjoy this type of relaxation.
Adolescents, 12 to 16 Children, 8 to 12
Not recommended No-
Ten
Motion Picture Reviews
SHORT SUBJECTS
*
AHOY » »
Santa Barbara Sea Scouts. Direction by
Donovon Miller. Educational Pictures,
Inc.
This Boy Scouts of America Short Subject
wins for itself merely honorable mention as
an attempt by amateurs to show the intrigue
and excitement that boys find in sea scouting.
Unfortunately the picture is stilted and has
an improbable plot. Boys will find it
derisively amusing.
CANINE CHAMPIONS » »
Grantland Rice Sportlight. R.K.O.-
Pathe.
An interesting and educational study of
champion pointers and setters from the Mit-
ten Kennels in Pennsylvania. The dogs’ fine
qualities are displayed and later the camera
accompanies them a-field, during a pheasant
hunt. Excellent for all audiences.
oo
FANCY CURVES » »
Fourth in series called “Play Ball with
Babe Ruth”. Direction by Lou Breslow.
Universal.
A very amusing comedy in which Babe
Ruth coaches a team of girl players. It is
instructive as well as humorous and will
entertain all audiences.
0-9
MICKEY'S ORPHANS » »
Mickey Mouse Cartoon.
An idyll on the Christmas spirit, satirical
and very amusing. The action swings in
rhythm and mood to a musical accompani-
ment. Children will delight in it. Recom-
mended for the family.
PLAY BALL WITH RUTH » »
Direction by Ben Stoloff. Universal
Pictures Corp. A. Slide, Babe, Slide.
B. “Just Pals”. C. “Perfect Control”.
Babe Ruth enthusiasts will be pleased with
this original and attractive presentation of
their favorite. Always the hero of a gang
of boys, orphans, school kids, etc. Ruth
teaches them the game of baseball and inci-
dentally, a few truisms of the game of life.
He has a most engaging way with young-
sters. All three reels recommended for all
audiences.
0-9
SELF-CONDEMNED » »
Direction by Spencer Gordon Bennett.
This is one of a series of Nick Harris
films depicting actual solution of crimes. In
this case four men are held on the suspicion
of murdering a certain lawyer, and the de-
tective, by persuading them to reenact the
crime, discovers the guilty individual. It is
a dramatic story, portrayed with realism,
morally fitting in that punishment is meted
out to the criminal. Nevertheless, there is
a question whether such cases might not
better be left to the police records and the
evening papers. Not recommended for family
audiences.
0-9
UGLY DUCKLING » »
Silly Symphony Cartoon.
This Silly Symphony is a parody on the
“Ugly Duckling”. The accompanying music
is punctuated entertainingly with sounds from
various animals. Recommended for the
family.
-t
f
f
'
MOTION
PICTURE
REVIEWS
THE WOMEN’S UNIVERSITY CLUB
LOS ANGELES, CALIFORNIA
FEBRUARY 1932
THE WOMEN’S UNIVERSITY CLUB
LOS ANGELES BRANCH
AMERICAN ASSOCIATION
OF UNIVERSITY WOMEN
943 South Hoover Street
<$*$>
Telephone DRexel 2177
<$*$>
Copyright by
Women’s University Club
1931
WEB9CRA FT PRINTERS. 1851 ARLINGTON AVE.. LOS ANGELES
Motion Picture Reviews
Three
MOTION • PICTURE • REVIEWS
Published monthly by
THE WOMEN’S UNIVERSITY CLUB
LOS ANGELES BRANCH
AMERICAN ASSOCIATION OF UNIVERSITY WOMEN
« »
Mrs. John Vruwink ) . Mrs. Gerard A. Murray
Mrs. Palmer Cook, j Co-Chairmen Preview Chairman
Editors
Mrs. J. Allen Davis Mrs. Arthur Jones Mrs. Walter Van Dyke
Mrs. Palmer Cook Mrs. John Vruwink, Mrs. F. H. Partridge
Address all communications to The Women’s University Club, 943 South Hoover
Street, Los Angeles, California.
VOL. III. No. 2 FEBRUARY, 1932 10c per Copy, $1.00 per Year
FEATURE FILMS
4
There are several films which we believe
deserve special mention this month. Of these
there are only two which can be called family
pictures: “The Man Who Played God” is a
simple human story which leaves us a little
happier for having seen it. “The Man I
Killed,” splendidly acted and directed, has
a great theme and, to quote Mrs. Winter,
“it is interesting to note that the author is
a great French dramatist, the director a great
german artist, and the actors notable Ameri-
cans.”
“Arsene Lupin” is for the sophisticated.
The combination of the Barrymore brothers
on the screen is an occasion for rejoicing and
this brilliant, artistic, (if immoral) vehicle
will delight such audiences. “The Hatchet-
Man” is distinguished by the acting of Mr.
Robinson. The play is very melodramatic.
In “The Shanghai Express” exceptional photo-
graphy and direction make the picture un-
usual. It is a sophisticated story of a glamor-
ous woman, suitable only for adult audiences.
“The Beast of The City,” previously reported
as “City Sentinals,” is a stirring drama which
men particularly will find exceptionally inter-
esting.
There are other films also which are recom-
mended for one reason or another in the re-
view's, making quite a generous quota in one
month. But unfortunately not many are
either suitable or will appeal to children.
Saturday afternoon will have to call for other
plans than movies!
ARSENE LUPIN » »
John Barrymore, Lionel Barrymore,
Karen Morley, Tully Marshall, John
Miljan. Direction by Jack Conway.
M.G.M.
The charm of John Barrymore as well as
the artistry of Lionel Barrymore, delights in
this vivid, intriguing mystery story, in which
the element of suspense is cleverly maintained
to the close. Strong dramatic values, un-
usual photographic effects, and attractive
scenes distinguish the picture. It is to be
regretted that there is the introduction of
several unnecessary and highly suggestive
passages which besmirch an otherwise de-
lightful picture. There is a zest of adven-
ture throughout, now with the arch crook,
Four
Motion Picture Reviews
now with the police, with an undercurrent
of humor that relieves any incident which
might become sombre.
Adolescents, 12 to 16 Children, 8 to 12
Sophisticated, Too mature
G-tO
BUSINESS AND PLEASURE » »
Will Rogers, Jetta Goudal, Joel McCrea,
Dorothy Peterson. Direction by David
Butler. Fox. Reviewed in September from
a theatre preview.
This screen play taken from “The Pluto-
crat” by Booth Tarkington has a fantastic
plot that is wholesome in general but descends
to melodrama towards the end. Throughout
an ocean voyage and a sojourn in the vicinity
of Port Said, Will Rogers as a razor-blade
magnate is kept in continual difficulty by a
too conventional daughter, a jealous wife and
a scheming adventuress. There is not so
much riotous humor as one usually expects
from Will Rogers, but there is plenty of
opportunity for his usual sly by-play and
shrewd observations. The film is one which
should appeal to family audiences.
Adolescents, 12 to 16 Children, 8 to 12
Good Mature
c+J
THE BEAST OF THE CITY » »
Walter Huston, Jean Hersholt, Tully
Marshall, Jean Harlow, Wallace Ford.
Direction bv Charles Brabin. M.G.M.
This picture was reported in the December
bulletin under the title “City Sentinals.” It
is a very strong drama picturing a splendid
and successful fight against the ramifications
of oraginzed crime in a great city. It is hon-
estly portrayed, without sentimentality or ex-
aggeration, is stirring emotionally, and eulo-
gizes the honest and sincere efforts of the
police force. The acting is exceptionally fine,
notably Walter Huston. Adults and older
adolescents will find it thrilling entertainment
with stimulating moral reactions.
Adolescents, 12 to 16 Children, 8 to 12
Very exciting No. Too harrowing
C'KS
CHARLIE CHAN'S CHANCE » »
Warner Oland, Alexander Kirkland, H.
B. Warner, Linda Watkins, Marion
Nixon, James Kirkwood. Direction by
G. Blystone. Fox.
Charlie Chan, the Chinese detective of Earl
Derr Biggers’ stories, moves again with or-
iental good humor and wisdom through this
latest mystery film, “Charlie Chan’s Chance.”
Mr. Chan selects New York this time for his
sleuthing. He and Inspector Fyfe of Scot-
land Yard volunteer their services to assist
in solving a mystery murder. A Scotland
Yard detective is found dead, just as he is
on the point of establishing his facts in a
murder case. Genially scattering proverbs as
he goes, Chan helps expose the crime. Most
devotees of this form of drama will enjoy
it thoroughly.
Adolescents, 12 to 16 Children, 8 to 12
Good Too mature
c+J
CHEATERS AT PLAY » »
Tom Meighan, Charlotte Greenwood,
William Bakewell. Direction by Hamil-
ton MacFadden. Fox.
A poor and misleading title covers an inter-
esting play concerning the reformed Lone
Wolf’s atempt to withold his son from a life
of crime. The action takes place on ship-
board. Much of the picture is done in an
entertaining manner by proficient actors, and
comic relief is furnished by Charlotte Green-
wood. There is howerever an artificiality in
the treatment which leaves one skeptical of
the final outcome. For younger people the
thrill of the crook’s life might easily outwreigh
the more obvious plea for honesty.
Adolescents, 12 to 16 Children, 8 to 12
Questionable No
C'KS
DISORDERLY CONDUCT » »
Spencer Tracy, Sally Eilers, El Brendel.
Direction by John Considine, Jr. Fox.
Another police gangster drama in which
the police are shown to have many oppor-
tunities for graft, although Honest Dan and
his methods come out best in the long run.
Sally Eilers has a headstrong role as the
daughter of the very wealthv gang leader,
whose policy is to break the law but not to
fight it. The audience has no sympathy
either with the reckless young woman or with
gangster methods. There are several cli-
maxes at the end of the film any one of
which might be the close. A small boy makes
the drama intense and tear provoking, and
also supplies much of the humor.
Adolescents, !2 to 16 Children, 8 to 12
Not recommended Too Strong
c+s>
THE EXPERT » »
Chic Sale, Dickie Moore, Lois Wilson,
Earle Foxe. Adapted from Edna Fer-
ber’s novel “Old Man Minick.” Direc-
tion by Archie Mayo. Warner Brothers.
This is the story of an old man who comes
to live with his son and daughter-in-law.
Full of good intentions he completely upsets
the household, but in the end he ev >Ives a
Motion Picture Reviews
Five
solution which we are led to believe pro-
vides a happier life for all concerned. Old
man Minick is by no means the hilarious
sort of role usually expected of Chic Sale.
The character is genuinely lovable but pa-
thetic, and Mr. Sale plays it splendidly and
with fine understanding. It holds real inter-
est for adults, but the theme and characters
will probably have little meaning for youth-
ful audiences.
Adolescents, 12 to 16 Children, 8 to 12
Little interest Little interest
c+~s>
GAY CABALLERO » »
George O’Brien, Victor McLaglen, Con-
chita Montenegro, Linda Watkins. From
the novel by Tom Gill. Direction by
Alfred Werker. Fox.
In this vigorous, swift-moving story of the
Mexican border an American impersonates a
bandit in order to champion the cause of op-
pressed peons. Atmosphere is heightened by
a fiesta and good desert effects. There is so
much action and it is sometimes difficult to
follow, but it is the kind of adventure pic-
ture that juniors enjoy as well as many
grown-ups.
Adolescents, 12 to 16 Children, 8 to 12
Yes Very exciting
C'KS
THE HATCHET MAN (Honorable Mr. Wong)
Edward G. Robinson, Loretta Young.
Direction by William Wellman. Warner
Brothers-First National.
This is a picture with such intensity
of theme that it can hardly be classed
as entertainment. Like other stories dealing
with oriental traditions, it is grimly solemn
and leads inevitably towards tragedy. The
first scene is laid in San Francisco’s China-
town as it was some twenty years ago. Mr.
Wong, Honorable Hatchet Man, is called up-
on to avenge the murder of a member of his
Tong. Then follows a terrific emotional con-
flict between loyalties, which is the keynote of
the entire plot. Mr. Robinson achieves a no-
table triumph in the power and restraint of
his acting. He seems to be truly oriental not
only in appearance but in spirit. Fidelity to
detail in costume and setting emphasizes all
the more the inability of others of the cast to
put themselves into character. It is this in-
adequacy together with a too sensational plot,
that keeps the picture from being more wor-
thy of Mr. Robinson’s capabilities. However
it is out of the ordinary, and the story is
coherent and well developed.
Adolescents, 12 to 16 Children, 8 to 12
Unsuitable theme No
HIGH PRESSURE » »
William Powell, Evelyn Brent, Evalyn
Knapp, Frank McHugh. Direction by
Mervyn LeRoy. Warner Brothers.
William Powell departs from his usual
form and presents a different characterization
in that of a breezy, adventurous, romantic
promoter whose activities are hazardous at
times. The story is amusing and full of
action, with good dialogue and is well acted,
providing pleasant relaxation.
Adolescents, 12 to 16 Children, 8 to 12
Entertaining Probably of little interest
C'f-O
INTIMATE » »
Fredric March, Kay Frances. From
“The Storm Lamb” by William J. Locke.
Direction by Loctar Mendes. Paramount-
Publix.
Do not let the title scare you away because
“Intimate” is actually a wholesome, amusing
farce with which the family may pass a
pleasant hour. The picture is entertaining
chiefly because of the presence of Fredric
March, Kay Francis, and Stuart Erwin, but
the dialogue is also satisfactory and the
humorous situations are skillfully handled. It
is a story of mistaken identities, where one
twin steps into his brother’s place to the
satisfaction of all.
Adolescents, 12 to 16 Children, 8 to 12
Good Harmless
C'KD
THE LADY WITH A PAST » »
Constance Bennett, David Manners, Ben
Lyon. Direction by Griffith. R.K.O.-
Pathe.
“The Lady With a Past,” actually a mis-
nomer for the girl in question, proves to be
a smart, amusing and sophisticated comedy,
a take off on the younger set, their psychol-
ogy, search for excitement, and decidedly
unpuritanical reactions. A latchkey offered by
a notorious woman to the heroine’s “light o’
love” is the causa causans which influences
her to seek a past of her own. Ben Lyon is
delightful as the gigolo who assists her to
win a reputation, and Constance Bennett
shows a real flair for comedy which has
been overlooked in casting her in dramatic
roles. It is light, clever, entertaining, but not
presenting life truthfully or with any empha-
sis on the accepted moralities. It is recom-
mended for “grown-ups” only.
Adolescents, 12 to 16 Children, 8 to 12
No No
Six
Motion Picture Reviews
LAW AND ORDER » »
Walter Huston, Harry Carey. Direction
by Edward Kahn. Universal Pictures
Corp.
Reviewing Westerns is becoming a game
like current stamp collecting, every week a
new issue. However, “Law and Order” is
decidedly above the average. It is an au-
thentic cross section of early days in Tomb-
stone, Arizona, a typical pioneering town
with its corner saloons, hitching posts and
false facades on frame buildings. Terroriz-
ed by a maurauding element, the people per-
suade a United States marshal, who is famous
for his courageous enforcement of the law to
take command and organize a safe commun-
ity for them. He succeeds here as elsewhere
because his methods are just and are backed
by the steady aim of his six shooters. His-
torical incidents from the life of Wyatt
Earpe, well-known peace officer of his day,
form the basis of the plot. The prologue is
somewhat too long and the comedy relief
grotesque, but an excellent cast creates and
maintains the illusion of that period. It is
a good family picture although exciting for
young children.
Adolescents, 12 to 16 Children, 8 to 12
Good Very exciting
eW
LAW OF THE SEA » »
William Farnum, Rex Bell, Sally Blane,
Priscilla Dean. Direction by Otto
Brauer. Chadwick Production for Mono-
gram Pictures Release.
This exaggerated and unwholesome melo-
drama has one redeeming feature, splendid
sea photography. But even this cannot com-
pensate for improbable situations handled
with obvious brutality, exemplifying the ethi-
cal standard of the Old Testament, “an eve
for an eye.” Perhaps the excitement engen-
dered by fierce and prolonged fighting may
satisfy a primitive urge in some natures, but
the average person will miss nothing by
keeping the children at home and staying
with them !
Adolescents, 12 to 16 Children, 8 to 12
No No
c+s
THE LOCAL BAD MAN » »
Hoot Gibson, Sally Blane. Adapted
from the story “All For Love” by Peter
B. Kyne. Direction by Otto Brown. Al-
lied Pictures Corporation.
As an antidote for oversophistication the
breezy vigor of the wide open spaces of a
good old western melodrama is not to be
overlooked. True, we recognize the familiar
trend of the villainous plot against our brave
hero but the horsemanship excels as usual,
the chase is as stirring and the romantic in-
terest as charming. Juniors will find it quite
satisfying.
Adolescents, 12 to 16 Children, 8 to 12
A matter of taste Harmless
LOVERS COURAGEOUS » »
Robert Montgomery, Madge Evans, Ro-
land Young. Direction by Robert Z.
Leonard. M.G.M.
A simple and not unusual story is lifted
to a plane above the average by good char-
acterizations and clever lines. An adven-
turous young Englishman wanders about the
world seeking his fortune and eventually falls
in love with the daughter of an admiral.
When her father very logically objects to the
match, Willie and Mary find their path be-
set with difficulties. Concerning two normal,
attractive young people, it is a pleasing
change from the jazz pictures, and can be
recommended for a family audience.
Adolescents, 12 to 16 Children, 8 to 12
Yes Not sufficient interest
THE MAN I KILLED » »
Phillips Holmes, Nancy Carroll, Louise
Carter, Zazu Pitts, Lionel Barrymore,
Tom Douglas. From the play by Mau-
rice Rostand. Direction by Ernest Lub-
itsch. Pararnount-Publix.
This picture portrays not the brutalities of
actual combat but the pathological stress of
post war conditions. It is a remarkable plea
for international understanding and the aboli-
tion of war. The plot depicts a young
Frenchman, who is haunted by the perpetual
recollection of killing a German lad. Unable
to find spiritual relief, he decides his only
hope rests in gaining the forgiveness of the
boy’s parents. Such a stirring vehicle chal-
lenges Lubitsch’s skill. He misses no telling
opportunities to symbolize the irony and
hypocrisy surrounding wars, and altogether
produces a beautifully eloquent and very
human drama. To Lionel Barrymore goes
the most outstanding dramatic scene. He and
Lubitsch bring out superbly the pathos of
this moment . Here Barrymore’s closing line
strikes the keynote of Rostand’s belief, “Good-
bye old men, nurse your hates if you wish,
I’m with the young who know how to for-
give.” Do not miss this picture.
Adolescents, 12 to 16 Children, 8 to 12
Very sad and mature No
Psychology beyond them
Motion Picture Reviews
Seven
THE MAN WHO PLAYED GOD » »
George Arliss, Violet Hemming, Ivan
Simpson. Direction by John Adolphi.
Warner Brothers-First National.
There is a distinct lesson in this film which,
however, does hot spoil its entertainment
value. When a family heritage of deafness
descends upon a great concert pianist, he
accepts his fate with bitterness and cynicism,
repudiating God for robbing him of his
music. Lip-reading brings him back to the
world but his bitterness continues for he can-
not reconcile the idea of a loving God who
creates great beauty with the same God who
destroys it. The way in which he finally
achieves happiness makes an appealing story.
This picture cannot be classified as a great
production yet it is outstanding due to Mr.
Arliss’ finesse in acting and Mr. Adolphi’s
restraint in direction. The theme is simple,
direct and wholesome and is highly recom-
mended for the family.
Adolescents, 12 to 16 Children, 8 to 12
Good No interest
NECK AND NECK » »
Glen Tryon, Vera Reynolds, Carol Nye.
Direction by Richard Thorpe. Sona-art
World Wide production. Educational
Films. Seen in preview.
A “fourflusher” selling aluminum ware
from door to door, goes about bragging and
boasting of his accomplishments until he be-
comes entangled in the consequences of the
tales that he tells. Horse racing plays a
prominent part. The plot is tiresome on the
whole, but several scenes, chief of which is an
interesting poker game, have elements of
entertainment.
Adolescents, 12 to 16 Children, 8 to 12
Not recommended Not recommended
c-+o
NO ONE MAN » »
Carole Lombard, Ricardo Cortez, Paul
Lukas. Direction by Lloyd Corrigan.
Paramount-Publix.
This film presents the predicament of a
girl endeavoring to find the right husband
among the idle rich at Palm Beach and points
north. Again we have a society drama with
all the trappings of fine backgrounds, clever
photography, smart dialogue, luxurious cos-
tumes and dramatic appeal. The morality'
is not sound, in that short term marriages
are considered one of the natural concomit-
ants of present day life, but situations are
handled with a due amount of delicacy', and
the play will probably be acceptable to a
sophisticated audience.
Adolescents, 12 to 16 Children, 8 to 12
No No interest
Presents wrong point of view
C'KS
POLLY OF THE CIRCUS » »
Marion Davies, Clark Gable. Direction
by Alfred Santell. M.G.M. (Seen in
preview.)
‘‘Polly of The Circus,” the story of a
charming and appealing performer in a cir-
cus who finds herself unceremoniously thrust
under the care and protection of a minister,
proves as entertaining in motion pictures as
on the stage. The conflict of standards as
represented by the circus and the church
forms the basis for this swiftly moving melo-
drama. Miss Davies does creditable work as
a trapese performer, giving the audience a
fair quota of thrills. Clark Gable as an
Episcopal minister is convincing and sincere.
The divergent attitudes are fairly presented
and at no time are there any offensive situa-
tions. The circus background affords humor-
ous bits which children may enjoy. Love and
sacrifice supply the pathos which makes this
drama intensive for adults and a bit mature
for young folk.
Adolescents, 12 to 16 Children, 8 to 12
Passable Little interest
PRESTIGE » »
Ann Harding, Adolphe Menjou, Melvvn
Douglas. Direction by Tay Garnett.
R.K.O.-Pathe.
Even the charm of Ann Harding does not
mitigate the cruel realism of this morbid
story. It pictures the demoralizing influence
of tropical climate and an uncongenial ap-
pointment upon a young army' officer who is
stationed in Indo-China in charge of the
French penal colony'. His wife strives loyally'
to help him keep his morale under terrible
conditions. While it undoubtedly' presents a
significant problem its appeal to American
audiences is not apparent. The depressing
surroundings, the cruel conditions within the
prison and the general horror of such a mili-
tary appointment are problems which we can-
not solve. As propaganda it leaves us help-
less and certainly it does not entertain al-
though the production is interesting techni-
cally.
Adolescents, 12 to 16 Children, 8 to 12
Not recommended Certainly not!
Eight
Motion Picture Reviews
THE SECRET WITNESS » »
Una Markel, Zazu Pitts, William Col-
lier, Jr. Direction by Thorton Freeland.
Columbia.
A penthouse is the scene of a murder mys-
tery in which there are numerous suspects
with opportunities to have committed the
crime, among whom is a pet ape. Una Mer-
kel, as a self-appointed “Miss Sherlock
Holmes” reveals the clever criminal when
the police are about to make a cumbersome
error. The love element is present but sec-
ondary in the unfolding of the mystery. Zazu
Pitts as a telephone operator provides many
laughter provoking snatches. It is above the
average of its type.
Adolescents, 12 to 16 Children, 8 to 12
Probably good Doubtful ;
rather exciting
SHANGHAI EXPRESS » »
Marlene Dietrich, Lawrence Grant,
Warner Oland, Clive Brook, Anna May
Wong. Direction by Josef von Sternberg.
Paramount-Publix.
The most impressive atribute of this ex-
cellent photo play is its perfect photography.
The camera seems to have caught everything
as it would have been seen by a participant
in the drama, thus creating such an extra-
ordinary atmosphere of reality that one lives
in the picture. The story itself concerns what
happens to a motley group travelling on the
Shanghai Express from Peking to Shanghai
during one of the frequent revolutionary up-
risings. Marlene Dietrich is the “Shanghai
Lily”, exotic lady whose name is a by-word
among men. The rather melodramatic events
of the journey hinge upon her personality,
and the other characters all are influenced
in one way or another by her presence on the
train. The cast is ideally chosen to represent
the necessary types. Humor, pathos and thrills
abound. Marlene Dietrich’s beauty casts a
spell that makes the fantastic plot credible,
and the realism of each small detail convinces
the beholder that he actually is in China. It
is an eminently satisfying entertainment for
any audience to whom the “Shanghai Lily”
is acceptable as a heroine.
Adolescents, 12 to 16 Children, 8 to 12
Too sophisticated No
THE SILENT WITNESS » »
Lionel Atwill, Bramwell Fletcher, Greta
Nissen. Direction by Marcel Varnel,
R. L. Hough. Fox.
A vivid and stirring mystery story holding
interest at high pitch until the unexpected
climax. The directors have shown ingen-
uity and skill in developing the action, using
discretion in the detail necessary to motivate
the murder, in the suspense and tempo of the
dramatic court room scene lightened by the
delightfully comic humor of one witness, and
in the method of portraying the solution. The
cast is excellent. It will undoubtedly appeal
to lovers of distinctive fiction and to older
adolescents.
Adolescents, 12 to 16 Children, 8 to 12
Doubtful Better not
C'KO
SKY DEVILS » »
Spencer Tracy, William Boyd. Direc-
tion by Edward Sutherland. Howard
Hughes Production.
“Sky Devils” resembles in general design
other and earlier war pictures, since the very
thin plot concerns the adventures of three
soldiers in war-time France, with the attend-
ant scenes showing aviators in action. LTn-
like its predecessors its humor is generally
wholesome, but the director apparently did
not have the courage of his convictions if he
wanted to make it entirely so, for he intro-
duced several blatant vulgarities that do
much to offset the good points of the picture
and overshadow the commendable scenes.
Adolescents, 12 to 16 Children, 8 to 12
Not recommended No
c+J
TAXI » »
James Cagney, Loretta Young. Direc-
tion by Roy Del Ruth. Warner Bros.
James Cagney has a very engaging per-
sonality and real ability which seems doomed
to be veiled in the shadows of the under-
world. He is again cast as a gangster ever
ready with his fists or with his gun. This
time it is a taxi cab racket where life is valu-
ed very lightly and punishment is left to the
revengeful discretion of the rival companies.
Direction is capital, and it may prove enter-
taining to those who are still interested in
gangster pictures . We do not recommend it
to youthful audiences because its moral val-
ues are rather too indefinite.
Adolescents, 12 to 16 Children, 8 to 12
Not recommended No
c+*s>
TOMORROW AND TOMORROW » »
Ruth Chatterton, Paul Lukas, Robert
Ames. Direction by Richard Wallace.
Based on the play by Philip Barry.
Paramount-Publix.
Excellent acting makes this picture an
achievement in entertainment of the more
serious type of problem play. The treatment
Motion Picture Reviews
Nine
of the theme for the most part is phychologi-
cal, making unconventional situations suffi-
ciently objective and delicate not to be of-
fensive. Ruth Chatterton as the childless wife,
longing for maternal experience ; Robert
Ames as a devoted but matter-of-fact hus-
band; and Paul Lukas as a charming and
famous psychologist, all give excellent char-
acter portrayals. It is an impressive drama
of its kind.
Adolescents, 12 to 16 Children, 8 to 12
No Incomprehensible
G-+S)
UNION DEPOT » »
Douglas Fairbanks, Jr., Joan Blondell.
Direction by Alfred E. Green. First
National.
Douglas Fairbanks, Jr. is cast in the role
of a light-fingered hobo with gentlemanly
manners who, having just left jail with his
pal, is first seen in quest of food and clothes
at the expense of the public. After a series
of encounters with the police, lightning
changes into other people’s clothing and a
wild chase, he rescues a lady in distress and
the picture ends leaving him and his pal
just where they started. Practically the
whole of the action takes place in a depot
and occupies only the space of one evening’s
time. A realistic background is formed by
moving throngs coming and going through
the station, types such as one sees always in
such places, and the suggestion of possible
drama flits here and there among the hetero-
geneous groups. It is entertaining and ex-
citing, though not to be taken seriously since
young Fairbanks is never convincing as the
hobo. The complicated action is somewhat
confusing and the picture is not sufficiently
impressive to leave a lasting memory. One
wishes certain crudities had been omitted.
Adolescents, 12 to 16 Children, 8 to 12
Not recommended for its ethics No
G'KS
ZANE GREY'S SOUTH SEA ADVENTURES
Photographed by Romer Grey, Bob Car-
ney, Thomas B. Middleton. Description
written by Tom Geraghty. Produced by
Sol Lesser.
Fishermen’s paradise, and a fish tale which
never would have been believed without the
accompanying pictures as proof of Mr. Grey’s
skill ! There is real interest for “land lub-
bers” in this film portraying Mr. Grey’s ad-
ventures searching the South Seas for rare
and sporty fish and the editing has been skill-
fully done to maintain interest throughout.
The equipment is shown and there are excel-
lent shots giving final catches which will
prove very satisfying, especially to those who
love this sport.
Adolescents, 12 to 16 Children, 8 to 12
Excellent Good
SHORT SUBJECTS
*
ANYBODY'S GOAT » »
Educational Pictures, Inc.
Three crooks try to procure the money of
a country girl with an elaborate story about
a goat which has swallowed a purse. More
slap-stick; harmless but not very entertain-
ing.
THE DUCK HUNT » »
Mickey Mouse Cartoon. Columbia Pic-
tures, Inc.
Mickey Mouse goes duck hunting with his
hound. They are both outwitted by the wary
birds. Extremely good fun. Recommended
for the family.
DUCKS AND DRAKES » »
Grantland Rice Sportlight. R. K. O.-
Pathe.
An explanation of the method of using de-
coys in duck hunting, with beautiful shots of
birds in flight. It is of special interest to
sportsmen. A family picture.
C'KS
KEEP LAUGHING » »
Educational Pictures.
The proprietress of a night club finds diffi-
culty in revealing the best points of her busi-
ness to a prospective buyer. Plenty of slap-
stick for those who like it and some good
acrobatic dancing. Fair entertainment.
Ten
Motion Picture Reviews
LAND OF GHANDI » »
Vagabond Adventure.
This travelogue seems to eschew prevail-
ing Cook’s Tours and really scratch below
the surface of Indian life. The domestic and
industrial scenes smack of reality and the at-
mosphere created is convincing. Recommend-
ed for the family.
o-s
THE LAST DANCE » »
In this Aesop Fable, good music and a
splendid voice is wasted on a mediocre car-
toon. It is a story of a cat courting his lady
love and luring her away from a dance by
his serenade. Recommended for adolescents
and children.
0-3
TALKING PICTURES EPICS (Six Short
Travelogues)
"Mexico Today" 8 »
Emma Lindsey Squier.
An introduction to the physical beauty and
rich tradition of Mexico. This is the first
of a series on this country. It is excellent.
"City of Faith" » 8
Elmer Clifton.
This two reel travelogue of a visit to the
Holy Land into which Biblical history is in-
troduced is most unusual. Its reverent and
authentic character will be appreciated by
all.
"Boston Common" 8 8
One of a series of “Great American Cities”
in which historical landmarks are beautifuly
photographed and the fascinating charm of
the city is caught. Very interesting, and es-
pecially recommended to children studying
American History.
"Found in Morocco" 8 8
A “wanderlust” picture.
It has a superficial beauty but lacks the
freshness and originality of the other films in
this group.
"Toney Wong's Scrap Book" 8 8
Tony Wong of radio fame reads poems
which are illustrated on the screen by charm-
ing photographic studies.
"Happy Hunting Grounds" 8 8
Ward Laselle.
Studies of wild animal life in Oregon.
Children will delight, especially in the epi-
sode of the bear cubs.
0-4-3
TORCHY TOO TOOTS » 8
Ray Cooke, Dorothy Dix, Franklin Pang-
born, Edmund Breese. Educational Pic-
tures, Inc.
This is a harmless but rather dull Torchy
episode in which Torchy saves his boss from
another embarassing situation. His antics
will probably amuse young people.
GS-S
TOY TOWN » »
Aesop Fable. R.K.O.-Pathe.
An original and delightful cartoon in
which mice visit a toy shop and meet with
entertaining adventures. Excellent for all,
with real charm for children.
0-4-3
UNCROWNED CHAMPIONS » »
Grantland Rice Sportlight.
Four expert sportsmen demonstrate their
skill. One in fly casting, another in pistol
shooting, a third at bowling, and a fourth
in calling moose in the great Northwest.
Such exhibitions of skill are both educational
and diverting. Recommended for the family.
MOTION
PICTURE
REVIEWS
THE WOMEN’S UNIVERSITY CLUB
LOS ANGELES, CALIFORNIA
MARCH 1932
THE WOMEN’S UNIVERSITY CLUB
Los Angeles Branch American
Association of University Women
943 SOUTH HOOVER STREET
Telephone DRexel 2177
COPYRIGHT NINETEEN THIRTY. TWO
WOMEN S UNIVERSITY CLUB
WEBBCR AFT PRINTERS, 1S5I ARLINGTON AVE
LOS ANGELES
Motion Picture Reviews
Three
MOTION •
PICTURE •
REVIEWS
Published monthly by
THE WOMEN’S UNIVERSITY
CLUB
LOS ANGELES BRANCH
AMERICAN
ASSOCIATION OF UNIVERSITY
WOMEN
Mrs. Gerard A. Murray
Mrs. Madison J. Keeney
Mrs. Bruce A. Findlay
Preview Chairman
Business Manager
Asst. Business Manager
Mrs. John Vruwink - Co-Chairmen - Mrs. Palmer Cook
EDITORS
Mrs. J. Allen Davis
Mrs. John Vruwink
Mrs. Walter Van Dyke
Mrs. Palmer Cook
Mrs. Arthur Jones
Mrs. F. H. Partridge
Address all communications to The Women’s University Club, 943 South
Hoover St., Los Angeles, Calif.
1 Oc
Per Copy - - $1.00 Per Year
Vol. Ill
MARCH, 1932
No. 3
EDITORIAL
Will Hays, on a recent trip to Hollywood,
gave out the following statement to the press:
“America’s motion-picture fans have gone
high-brow —
“Pictures of a dramatic and intellectual
caliber, which would not have been successful
popular entertainment a few years ago, are
now being received with enthusiastic ap-
proval.
“Group leadership has aided in shaping
community taste toward higher levels of
entertainment.”
This moulding of public opinion in favor
of good pictures has been the objective of
organized women’s groups over a period of
some ten years. This is the first public
acknowledgment which we recall, that the
motion picture industry feels any result from
their concentrated effort.
Up to the time of Mrs. Winter’s arrival
at the Hollywood offices of the Association
of Motion Picture Producers and Distributors
and the opening of facilities for previewing
at the Academy of Motion Picture Arts and
Sciences, the efforts of club women were ap-
parently frowned upon, certainly they were
not encouraged, except by a few neighbor-
hood exhibitors who believed in the value of
good will by giving attention to the women’s
requests for family programs and junior
matinees. There was a general opinion, not
only in the industry but often among the laity,
that these women’s groups wished to con-
trol, or to censor films. Quite generally ex-
hibitors felt that announced approval of a
picture “damned” it for the public. They be-
lieved that approval would be given only
pictures which were down to a child’s level
of appreciation and that consequently only
the sweet, banal or trite would come under
a recommended classification. It was also
generally believed that condemnation by
women reviewers would send the public
flocking to pictures, in the hope of finding
sophistication. It is interesting to realize the
changed attitude. At a recent gathering of
women and exhibitors in Los Angeles, a num-
ber of managers announced that, with a few
exceptions, the money makers in their houses
were those films most heartily recommended
by the previewing groups.
It may be interesting to those who are not
Four
Motion Picture Reviews
familiar with the history of the work of
“better films” committees, to know something
of the development of previewing.
In the early days one “went to the
movies.” Few questioned the type of films
to which they went, and few doubted the
suitability of all films for the children. The
family went to the nearest theatre, the chil-
dren were given an extra dime on Saturday
afternoon, and the sophisticates clung to the
traditions of the stage and remained away
from the movies.
The writer recently saw a revival of early
silent films which seemed to explain this early
indifference on the part of parents to chil-
dren’s attendance. The exaggerated melo-
dramatic action of these thrillers, one featur-
ing Blanch Sweet and the other Harry Carey,
was so far from realism that no one could
connect it with actuality. A child possibly
carried home a remembrance only of swift
action, superhuman strength, and punishment
for evil, all as far from reality as the usual
beloved fairy tales.
But as technique improved a more critical
attitude grew and mothers began to have a
realization of the power of visual education.
They realized that pictures made for adult
audiences, and suitable for mature apprecia-
tion were frequently confusing and sometimes
actually dangerous to unoriented youth.
Groups grew naturally which presented re-
quests for children’s matinees to neighbor-
hood theatre managers. These men were
often willing to cooperate with the women,
but buying their pictures in blocks, often be-
fore the films were actually made, seeing
only the titles or the advance notices of the
type of film, and this information purely a
publicity man’s idea for adult advertising,
they had no idea of what the picture would
mean to children’s audiences. They asked for
suggestions for booking. The women found
themselves at a loss to comply. And thus the
“previewing” began. Women went to the
first run down town theatres to give their
opinion of the films’ suitability for matinees.
These audiences were composed usually of
children from 2 to 12 years old. It was a
difficult problem, but the women finally had
to place an average nine-year-old interpreta-
tion as the standard for their evaluation,
realizing that children under this age had
actually no business at any performance.
The value of public opinion was realized
by a large chain of theatres in California,
now known as the Fox-West Coast, which
placed Miss Regge Doran as director of the
Public Relations Department. A charming,
intelligent college woman, she enthusiastic-
ally helped to build up this cooperation be-
tween theatres and the public and when she
left her place was taken by Miss Ryllis Hem-
ington, a former theatre owner, whose accu-
rate and keen knowledge of the exhibiting
business, and sympathetic understanding of
the women’s view point further cemented the
bond between the two groups.
The previewing continued through the
courtesy of these theatres and the distributing
agencies, but it was not entirely practical for
the exhibitors because the reports came in
too late to be of assistance in booking and
many pictures of real family appeal were un-
intentionally lost for week end performances
when, if information had been available, they
might have replaced a picture of interest only
to adult or uncritical groups. Managers run-
ning junior matinees were forced to buy sub-
stitute films for Saturday afternoons which
did not appeal as much to children or, more
important still, gave them the unfortunate
impression that the club women were “cen-
soring” their shows, nothing being more ob-
jectionable to children or youth! Also the
reviews were helpful only locally. They were
useless in commgnities even close to Los
Angeles because of difference in booking
dates.
In spite of handicaps and severe disap-
pointments the women persevered. The work
begun under the auspices of the Los Angeles
District, California Federation of Women’s
Clubs, grew to include the Daughters of
American Revolution, Parent-Teachers Asso-
ciation, University women, and many other
local groups. In six years the interest
throughout California and other states, not-
ably Georgia and New York, developed until
the advent of sound in motion pictures
created a real crisis.
Motion Picture Reviews
Five
The entire character of motion picture en-
tertainment changed with the addition of
sound, both in subject matter and in tech-
nique. Children’s attendance became an
immediate and distressing problem to parents
who feared the greater sophistication of dia-
logue and the increased realism of the action,
and also, after the first curiosity had been
satisfied, the public generally became more
selective and women’s groups, known to be
“previewing” or reviewing films were be-
seiged for information on current releases,
not only for children’s recreation, but also to
aid adults in finding entertainment to suit
their own tastes. It was the beginning of
the reaction hoped for by women’s groups
which had for years suggested discriminat-
ing attendance — or “talking through the box
office.”
Then in the spring of 1929 the Association
of Motion Producers first recognized the work
of the women’s groups by arranging pre-
views for them at the Academy, and in Sep-
tember of that year appointed Mrs. Thomas
G. Winter to be the representative or official
go-between for women’s clubs and the indus-
try. We shall outline in the April “Reviews”
the method of previewing and the important
part which Mrs. Winter has played in any
accomplishment which the women have
achieved.
C^v9
CORRECTION
The editors wish to call attention to the
following correction of a typographical error
that appeared in the February “Reviews.”
“Arsene Lupin” was characterized as “im-
moral.” The word intended was “unmoral”
and of course carries a very different con-
notation.
FEATURE FILMS
C-K9
ALIAS THE DOCTOR « «
Richard Barthelmess, Marion Marsh.
Direction by Michael Curtiz. Adapted
from Emric Foeldes’ Hungarian Play.
Warner Brothers First National.
A dramatic and interesting plot, finished
acting and unusually competent direction are
combined in a photoplay of superior enter-
tainment value. The story is of a young
medical student who sacrifices his future in
an effort to save his brother. As the plot un-
folds there are many tense and stirring situa-
tions. The atmosphere is very real and true
to medical procedure. Richard Barthelmess
in the leading role will enlist the sympathy
and admiration of the audience.
Adolescents, 1 2 to 16 Children, 8 to 1 2
Interesting Beyond their
understanding
BROKEN LULLABY « «
Phillips Holmes, Nancy Carroll, Louise
Carter, Zazu Pitts, Lionel Barrymore,
Tom Douglas. From the play by Maurice
Rostand. Direction by Ernest Lubitsch.
Paramount-Publix.
Reviewed in February, 1932, under the title
of “The Man I Killed.”
CARNIVAL BOAT « «
Bill Boyd, Ginger Rogers, Hobart Bos-
worth. Direction by A1 Rogel. R.K.O.
The boss of a lumber camp affectionately
hopes that his likable son will inherit his job.
A Carnival Boat drifts into the scene and a
little dancer brings a crisis in their lives. But
the simple, unimportant story fades into the
background as interest centers in the activities
and thrilling experiences of log cutters amid
unusually beautiful natural scenery of tim-
bered mountains. The picture will appeal to
family audiences as a wholesome outdoor
story.
Adolescents, 1 2 to 16 Children, 8 to 1 2
Good Exciting
g^s>
FIREMAN SAVE MY CHILD « «
Joe E. Brown, Evalyn Knapp, Lilian
Bond, Dickie Moore, Guy Kibbee. Direc-
tion by Lloyd Bacon. First National.
Joe E. Brown, with his naive egotism and
his funny grimaces, is the whole show in this
rollicking farce depicting the fortunes of a
baseball player. There is nothing extraordi-
nary about the picture, but it is full of genu-
ine humor and will appeal especially to base-
ball fans old and young. The irrelevant title
Six
Motion Picture Reviews
will mislead only those who have not yet
learned to expect the unexpected from Joe E.
Brown.
Adolescent's, 1 2 to 16 Children, 8 to 1 2
Good Harmless fun
cW
FORBIDDEN « «
Barbara Stanwyck, Adolph Menjou,
Ralph Bellamy. Direction by Frank
Capra. Columbia.
This picture tries pitifully to run the whole
gamut of human emotions in a rather vain
attempt to prove the truth of the old familiar
maxim: “Sin doesn’t pay.” Lulu, a library
worker, seeks romance, finds it in Robert
Grover, clings to it in spite of the fact that
he is married and apparently in love with his
wife. Her decisions to be noble come at un-
expected moments when her nobility will hurt
everyone but herself. In spite of the good
cast the picture is neither healthy nor in-
teresting.
Adolescents, 1 2 to 1 6 Children, 8 to 1 2
No No interest
C'-KS
FREAKS « «
Olga Baclanova, Wallace Ford, Leila
Hyams, Rosco Ates, and the world’s
most famous freaks. Direction by Tod
Browning. M.G.M.
In this unpleasant melodrama a midget
falls in love and marries a beautiful trapeze
artist. Her scheme to kill him is frustrated,
and the revenge perpetrated by his fellow
freaks is a horrible spectacle. Physical ab-
normalities are exploited in a revolting man-
ner, and unnatural relationships are sug-
gested. It is thoroughly unsavory and
offensive to good taste in subject matter and
portrayal. The producer in attempting to
create a still more extravagant thriller has
run amuck and succeeded only in pandering
to morbid curiosity.
Adolescents, 1 2 to 1 6 Children, 8 to 1 2
No Absolutely not
HOTEL CONTINENTAL « «
Peggy Shannon, Theodor Von Eltz.
Direction by Christy Cabanne. Tiffany.
The Hotel Continental, for fifty years a
city’s gilded rendezvous, is to be torn down.
On this last night of its hospitality, a
strange assortment of guests fill it to capacity,
and a stranger mystery permeates the atmos-
phere. While it is not an outstanding picture,
the unravelling of the secret provides pleas-
ant recreation for adults and older ado-
lescents.
Adolescents, 1 2 to 16 Children, 8 to 1 2
Passable Mature
C'KO
IMPATIENT MAIDEN « «
John Halliday, Mae Clarke, Lew Ayres,
Una Merkel, Andy Devine. Direction by
James Whale. Universal.
The doctor is now emerging as our latest
type of film hero, and if you take your opera-
tions seriously you may enjoy a rather real-
istic close up of the heroine’s appendectomy.
One follows the many and divergent calls on
an interne’s time, sometimes tragic, some-
times amusing, and strives to sympathize
with his sweetheart who, while apparently
very worldly wise, shows surprising naivete
in her relationship with her employer. The
story is shallow, and the general tone is de-
pressing rather than entertaining for the
average spectator.
Adolescents, 1 2 to 16 Children, 8 to 1 2
Unsuitable No
LOST SQUADRON « «
Richard Dix, Robert Armstrong, Joel
McCrea, Mary Astor, Erich Von Stro-
heim, Dorothy Jordan. Direction by
George Archainbaud. R.K.O. -Radio.
Seeing this film, the audience has the
novel sensation of watching, over a director’s
shoulder, the making of another film. The
plot revolves around three aviators, the last
of their flying squadron in France. Holly-
wood is the eventual setting where we find
these men exhibiting their skill for the cam-
era and taking fearful risks in order to pro-
duce sensational shots. Jealousy on the part
of a relentless director sends one aviator to
destruction; loyalty kills a second. The cast
is adequate, but aside from the extremely
violent action, the hair-raising stunts and
spectacular crashes, “Lost Squadron” is just
another aviation “movie.” It is too exciting
for children, and even if this objection is
considered negligible, a murder and the dis-
posal of a dead body make it exceedingly
harrowing.
Adolescents, 1 2 to 16 Children, 8 to 1 2
Passable No
cto
MAKER OF MEN « «
Jack Holt, Richard Cromwell. Direction
by Edward Sedgwick. Columbia Pictures.
Jack Holt as “Uncle Dudley” is a college
Motion Picture Reviews
Seven
football coach who tries to make a real player
of his weak and rather “yellow” son. Two
games are shown, which will please football
enthusiasts, and the whole theme is a lesson
in good sportsmanship. Thanks to Jack Holt
and good continuity the picture is interesting
entertainment of its kind.
Adolescents, 1 2 to 16 Children, 8 to 1 2
Good Good
cto
MICHAEL AND MARY « «
Edna Best, Herbert Marshall, Frank
Lawton. Direction by Victor Saville.
Gainsborough Productions of England —
U. S. Distributors. Universal Pictures
Corp. From a play by A. A. Milne.
A genuine love story is fraught with that
combination of delicacy, whimsy, pathos and
understanding which distinguishes Milne as
a playwright. The director has sensed the
qualities of the original to the full, and the
adaptation to the screen is unusually true.
The English cast makes the most of the good
dialogue; the acting is admirable. It is the
story of two inherently fine people who over-
step the rigid English divorce laws, and who,
in spite of the circumstances which made this
decision wholly justifiable, are ultimately
faced with the prospect of suffering and dis-
honor. As an adult picture it ranks high, and
it is appropriate for well-balanced juniors
because of its excellent attitude toward love
and home life.
Adolescents, 1 2 to 16 Children, 8 to 1 2
Yes No interest
c+s
NICE WOMEN « «
Frances Dee, Sydney Fox, Russell Glea-
son, Lucile Gleason. Direction by Edwin
H. Knopf. Universal.
The unconventional behavior on the part
of most of the characters of this social drama
pigeonholes it as a border line play. It is not
blatantly vulgar, but the well worn theme of
youth about to be sacrificed to an old roue
in order to provide financial relief for a
family with champagne tastes and insufficient
income, certainly has a poor moral tone. Al-
though the plot is decidedly weak, elements
of entertainment are maintained by the re-
freshing characterization of the cast. Miss
Dee is convincing as a “nice woman” and
gives a sincere performance in her sacrifice
to her family, while Miss Fox is irresistible
in her wickedness. Several sequences are
interpolated which have no value as plot
advancement and have decided destructive
moral influence.
Adolescents, 1 2 to 1 6 Children, 8 to 1 2
No No
c-to
ONE HOUR WITH YOU « «
Maurice Chevalier, Jeannette MacDon-
ald, Roland Young, Genevieve Tobin,
Charles Ruggles. Direction by Ernest
Lubitsch. Paramount.
A young French doctor and his wife, hav-
ing been married three years, are still ro-
mantically in love when the wife’s best friend
arrives and makes a dead set for the doc-
tor. There are the usual suave scenes,
exquisitely staged, that we have learned to
expect in a Chevalier-Lubitsch comedy. It
is all done with a very light satirical touch
and a musical comedy atmosphere, and those
to whom the inuendos are apparent should
not be shocked. Though the Straus music
is a subordinate part, the songs are enter-
taining and very well sung by Chevalier
and Jeannette MacDonald. The badge of
honor really goes to Lubitsch for the per-
fection of detail and deft touches that dis-
tinguish his pictures from all others.
Adolescents, 1 2 to 16 Children, 8 to 1 2
No No
THE PASSIONATE PLUMBER « «
Buster Keaton, James Durante, Irene
Purcell, Gilbert Roland, Polly Moran.
Direction by Edward Sedgwick. From
the play “Her Cardboard Lover.”
M.G.M.
“Her Cardboard Lover,” a light Parisian
farce, starring Leslie Howard in the New
York production, has had its metamorphosis
at Metro-Goldwyn-Mayer and now emerges
as “The Passionate Plumber.” In this film
version the humor is broadened and coars-
ened, and scarcely more than the general
outline of the plot is left. Yet with all its
vulgarity, its strident slap stick, and entire
lack of the nuances which marked the stage
play, it is absurdly funny. An American girl
wishing to save herself from an infatuation
with a French lover employs the first avail-
able man, who happens to be her plumber,
to keep her out of mischief. The humor is not
outstandingly witty nor of the highest type,
but no one will take the clowning seriously.
Adolescent's, 1 2 to 16 Children, 8 to 1 2
Unsuitable Unsuitable
Eight
Motion Picture Reviews
POLICE COURT « «
Leon Janny, Henry B. Walthall, Aileen
Pringle, A1 St. John, King Baggett.
Direction by Louis King. Monogram.
The title gives little or no idea of this play
which concerns a once famous actor, vitiated
by drink, and the devoted son who struggles
heroically to lead him back to the world of
fame and fortune. It is not entertaining in
the lighter sense of the word, but it has fine
dramatic values, an unusual vividness and
sincerity, which make it a notable picture.
Walthall is splendid; Leon Janny does ex-
cellent work as the engaging though pathetic
“Junior.” The very unpretentiousness with
which the story is developed gives it unusual
power.
Adolescents, 1 2 to 16 Children, 8 to 1 2
V ery mature theme .. Too depressing
THE SADDLE BUSTER « «
Tom Keene, Robert Frazer, Marie
Quillan, Mary Foster. Direction by Fred
Allen. R.K.O.-Pathe.
The struggle between a cowboy and the
“killer” horse, Wild Fury, constitutes the
main part of the story, with love made a
subordinate issue. Like many Westerns it is
lacking in finesse and uniformity, but chil-
dren, adolescents and adults who like this
type of picture will be highly entertained by
the swift moving plot, the thrilling bronco-
busting and scenes of wild horses wandering
over the range. The absence of gun-play
makes it especially good for children.
Adolescent's, 1 2 to 16 Children, 8 to 1 2
Good Very good
SHE WANTED A MILLIONAIRE « «
Joan Bennett, Una Merkel, Spencer
Tracy, James Kirkwood. Direction by
John Blystone. Fox.
This trivial play about trivial people
would be handsomely housed in a nickel-
odian — “From Rags to Riches,” or “Money
is Not All,” etc. It is the story of a factory
girl who wins a beauty contest and marries
a millionaire though she has no affection for
him. Throughout the film there is a tire-
some vulgarity of lavish display, a revolting
suggestion of sadism in the character of the
jealous husband, and risque repartee which
is sometimes funny, but often only coarse.
There are so many better pictures that we
do not recommend this.
Adolescents, 1 2 to 16 Children, 8 to 1 2
No No
CKO
STRANCERS IN LOVE « «
Frederic March, Kay Frances. From
“The Shorn Lamb” by William J. Locke.
Direction Lothar Mendes. Paramount-
Publix.
Reviewed in February, 1932, under the title
of “Intimate.”
G'+O
TEXAS PIONEERS « «
Bill Cody. Direction by Harry Fraser.
Monogram.
A Saturday matinee audience might accept
this western melodrama if nothing better
were available. Its appeal lies in setting,
action, wild Indians and fine horses. But
few children will take it seriously and it is
doubtful whether they will really enjoy the
inferior plot, weak direction and amateurish
acting.
Adolescents, 1 2 to 16 Children, 8 to 1 2
Of doubtful interest Harmless morally
WAYWARD « «
Nancy Carroll, Richard Arlen, Pauline
Frederic. Based on novel “Wild Beauty,”
by Matell Howe Farnham. Direction by
Edward Sloman. Paramount.
“Wayward” tells the story of two young
people of different social strata who struggle
to hold their home together in spite of the
bitter opposition of a selfishly absorbing
mother. The theme had possibilities but the
picture fails to be convincing through over-
emphasis and exaggeration of character and
action. It lacks reality and becomes an
extravagant melodrama, clean and whole-
some in detail, but without subtlety or special
interest.
Adolescents, 1 2 to 16 Children, 8 to 1 2
Hardly edifying No, unsuitable
Motion Picture Reviews
Nine
SHORT SUBJECTS
c+J>
BOB WHITE « «
Grantland Rice Sportlight. R.K.O.-
Pathe.
A quail hunting expedition, chiefly inter-
esting because of the beauty and expert per-
formance of the hunting dogs. Suitable for
all audiences.
G'fO
DOOR OF ASIA « «
Vagabond Adventure.
This time the “Vagabond” adventures in
the land of rice fields. He discovers the an-
cient Chinese methods of manufacturing,
building, agriculture and a few of their cus-
toms. Recommended for all.
CSvS
THE GROCERY BOY « «
A Mickey Mouse cartoon. Columbia Pic-
tures Corp.
Mickey Mouse and his dog deliver gro-
ceries to Minnie and remain to help her
cook a turkey dinner. There are novel bits
such as the rhythmic preparation of the food.
One of the best of these amusing cartoons.
Delightful for the whole family.
cfJ
HELPMATES « «
Laurel and Hardy. Hal Roach.
Laurel and Hardy try house cleaning be-
fore the wife returns and indulge in the usual
slap-stick dish throwing and general destruc-
tion. Stupid but harmless.
HURRY CALL « «
Chic Sales. R.K.O.
Chic Sales in an amusing, well-acted film
which should entertain the whole family.
THE LIVING GOD OF THE MONGOLS
Talking Picture Epics.
No member of the family should miss these
unusual and splendidly taken pictures of
Northern Mongolia and the Gobi Desert.
e-KS
PATHE AUDIO REVIEW No. 8 « «
Uneven editing mars this Review; inter-
esting scenes of logging, entrancing views of
Edinborough, dull shots of “bathing beauties”
on a mountain climb, and a fairly amusing
short of a talking parrot.
MOTHER’S HOLIDAY « «
Educational.
A comedy of “Mother’s Day” where down-
trodden mother rises in revolt and throws
the cake in father’s face. Harmless.
rfJ
ROMEO MONK « «
Aesop Fable. Columbia.
A dull animated cartoon, lacking in imagi-
nation and ingenuity but harmless for juniors
and children.
CW
SLIM FIGURING « «
Grantland Rice Sportlight.
This a photographic cataloguing of the
strenuous sports in which American women
take part, ranging from La Crosse at Smith
College to calisthenics of prospective chorus
girls. The examples shown cover a wide
range of physical activities. Recommended
for all.
MOTION
PICTURE
REVIEWS
THE WOMEN’S UNIVERSITY CLUB
LOS ANGELES, CALIFORNIA
APRIL 1932
THE WOMEN’S UNIVERSITY CLUB
Los Angeles Branch American
Association of University Women
943 SOUTH HOOVER STREET
Telephone DRexel 2177
COPYRIGHT NINETEEN THIRTY-TWO
WOMEN S UNIVERSITY CLUB
WEBBCRAFT PRINTERS, 1651 ARLINGTON AVE., LOS ANGELES
Motion Picture Reviews
Three
MOTION
• PICTURE •
REVIEWS
Published, monthly by
THE
WOMEN’S UNIVERSITY
CLUB
LOS ANGELES BRANCH
AMERICAN ASSOCIATION OF UNIVERSITY WOMEN
Mrs. Gerard A. Murray Mrs. Madison J. Keeney
Mrs. Bruce A. Findlay
Preview Chairman
Business Manager
Asst. Business Manager
Mrs. John Vruwink - Co-Chairmen - Mrs. Pai.mer Cook
EDITORS
Mrs. J. Allen Davis
Mrs. John Vruwink
Mrs. Walter Van Dyke
Mrs. Palmer Cook
Mrs. Arthur Jones
Mrs. F. H. Partridge
Address all communications to The Women’s University Club, 943 South
Hoover St., Los Angeles, Calif.
1 Oc Per Copy - - $1.00 Per Year
Vol. Ill
APRIL, 1932
No. 4
EDITORIAL
♦
The Association of Motion Picture Pro-
ducers and Distributors, in offering the pre-
viewing of current releases to the women’s
groups, made one stipulation, namely, that
only those should be invited which had
national distribution for their reviews. The
first groups to receive and accept this privi-
lege were: The General Federation of
Women’s Clubs, The Daughters of the Amer-
ican Revolution, The International Federa-
tion of Catholic Alumnae, The California
Association of Parents and Teachers, and
the Women’s University Club, Los Angeles
Branch of the American Association of Uni-
versity Women. One or two other women’s
organizations were invited, but declined be-
cause they felt the work outside of their out-
line of service. The Boy Scouts of America
were included, the Young Men’s Christian
Association, and also the American Librar-
ians’ Association. The boys’ groups are unable
to be regular in attendance, and the Librar-
ians send representatives only when the pic-
ture is an adaptation of a book in which they
feel sufficient interest to warrant their atten-
tion. Later the National Society of New Eng-
land Women, the National Council of Jewish
Women, and more recently, the United
Church Brotherhood accepted the invitation
to these previews.
Each organization is privileged to send five
representatives. These reviewers are selected
with care and discrimination by the chairmen
of the groups, and must prove to offer in-
telligently constructive criticisms before they
are accepted as permanent workers.
As the reviewers enter the lounge where
the pictures are shown, each is given two
duplicate questionnaires. These have been
written in Mrs. Winter’s office with the
cooperation of the chairmen of the groups
whose comments and criticisms were re-
quested. The form is as follows:
Your Name and Organization:
Projection Date:
Production :
Producers :
Direction :
Cast :
From the Book or Play:
Author of Script and Dialogue:
STORY
You are trying to judge this picture so that your
point of view may interpret its value to an enormous
audience with wide variations. The terms used below
are merely suggestions. Use any characterizations you
choose.
I. THE FIRST PURPOSE OF COMMERCIAL
PICTURES IS ENTERTAINMENT
(a) What entertaining or outstanding elements has
this picture? For example, is it vivid, fresh, stimulating,
charming? Or is it banal, with hackneyed scenes and
theme? Do you recommend it?
(b) How do you grade it for adults? For juniors?
For children under 12?
Four
Motion Picture Reviews
II. ETHICAL VALUES
(a) Estimate the picture as a whole rather than fixing
your mind on the details. (This means, does it leave a
good taste in the mouth? Is the general trend, the
atmosphere, wholesome? Does it build morality? Or is
it demoralizing in its total? Note that questionable
situations should be judged according to whether they
drive a lesson or are introduced for their own sake.)
(b) Has it particularly objectionable features, such as
an uncalled-for drinking, vulgar sex relations, objec-
tionable crime situations?
(c) If questions of law are involved, does it build
good citizenship?
III. ARTISTIC VALUATIONS
(a) What type of drama is it? (This is important
because we do not demand the same treatment of all
forms — for example, of farce and tragedy.)
(b) Story Structure. (Is the story well told? This
means, does it hold together, seem consistent, properly
developed? Does the dialogue fit the story?)
(c) Acting. (Discuss the fitness of the actors for their
parts. Are they real or just stagey? Are they appropri-
ately cast? Discuss voices and enunciation.)
(d) Directorship. (For example, development of
dramatic possibilities; use of silence; swift or slow
movement ; scenic relation to dramatic situations.)
Note : It would be well to give a brief synopsis of
the picture, using the other side of this sheet.
It is of interest to note that the social
value of the film is stressed first, comments
from the artistic side follow.
Each previewer is requested to write
duplicate reviews. One is returned to the
chairman of the group represented, the other
is mailed to Mrs. Winter. These comments
are not written at the Academy rooms. One
of the first requests made by the Producers’
Association, even before Mrs. Winter’s ar-
rival in Hollywood, was that no discussion
of the pictures take place in the Academy
rooms among the previewers. They insisted
that the previewers make individual reports,
uninfluenced by others seeing the film, and
under no circumstances should the picture
be discussed with members of the Producers’
Association who might be present at the
showing. Every effort was made that fair-
ness and courtesy be afforded the previewers.
The chairmen of the different groups have
committees which then edit the five reports
on each picture and give to their public their
final evaluation.
In order to have this reviewing of any
value, either to the Producers’ Association
or to the different groups, these final reports
had to have a means of distribution over the
country. It was naturally important to each
Producer that the recommended films attract
attention so that increased attendance make
the previewing worth while. However, no
restrictions were placed upon adverse com-
ment. Inasmuch as financing such a project
seemed a serious problem to most of the
groups, the Association of Motion Picture
Producers and Distributors offered to finance
the printing or mimeographing, and postage.
This has caused some criticism on the part of
the public, but as it has worked out, actually
no pressure has even been brought to bear
on the final reports issued. The chairmen
send copy directly to the printer’s office,
where it is posted also. It is then read by
Mrs. Winter’s office in its final released form.
The groups accepting this financial help
are the International Federation of Catholic
Alumnae, the General Federation of Women’s
Clubs, the Daughters of the American Revo-
lution, the Council of Jewish Women, and
that of the New England Women. The
Young Men’s Christian Association, Boy
Scouts and Parent-Teachers Association re-
lease their reviews through their own
monthly magazines. The Women’s Uni-
versity Club publishes a monthly bulletin,
financing it through a subscription price of
one dollar a year. The fact that it has
financed itself, with a steadily increasing list
of subscribers, has been encouraging to those
responsible for the venture.
With one exception all the groups report
to their public on all films seen, whether
the comment is favorable or adverse. The
International Federation of Catholic Alumnae
still adhere to their policy of giving out only
recommended lists. This organization and
the General Federation of Women’s Clubs
have their general chairmen in New York,
where their reports are printed and mailed.
They often include comments on films which
have not been shown at the Academy in
Hollywood. The Parent-Teachers Associa-
tion and the Women’s University Club send
reviewers to the theatres to catch pictures
which have not been shown at the Academy.
It must be remembered that the showing of
films at the Academy is entirely a voluntary
service on the part of the individual pro-
ducers, and a few are not entirely in sym-
pathy with the procedure. Also mechanical
difficulties sometimes prevent showing before
release.
What is the value of this work? It must
be remembered that the origin of previewing
by the women’s groups was not to censor
films, but, as explained in the last issue of
this bulletin, to give to interested individuals
and community groups all over the country
information on current releases. It was begun
primarily for selection for children’s enter-
tainment and later for discriminating adults.
As far as we know none of the previewing
groups believes in political censorship as a
practical correction for poor pictures. On the
other hand the increased demand for the
comments broadcast by the reviewing groups,
the greater use of these lists in newspapers,
magazines, schools, and libraries, the en-
couraging reports from exhibitors that the
recommended films are box office successes,
Motion Picture Reviews
Five
would seem to indicate that selective attend-
ance is the best answer to the problem. There
is no desire to place a ten-year-old apprecia-
tion as the intellectual or moral standard for
motion pictures. Where there are pictures
which interest and appeal to that age, let the
children go. Junior matinees and Mickey
Mouse clubs beg for “a break” — for some-
thing which will joyously and cleanly enter-
tain these eager little movie fans. But on the
other hand there is in addition to the chil-
dren’s matinees and the family audiences, a
large and ever increasing public for adult
themes handled intelligently and with good
taste! There will always be bad pictures.
Intelligence and good taste may be culti-
vated, but usually people are naturally en-
dowed with them. An industry as great as the
motion picture cannot be fortunate enough to
secure only those so gifted.
Mrs. Winter’s connection with the Public
Relations office has been most fortunate for
the women’s groups. She brings to the work
the value of her vast experience, her singu-
larly clear and unprejudiced insight, and
the highest ethical and moral standards. Dr.
Miriam Van Waters, in a study group organ-
ized by the Women’s University Club and
sponsored by the University of California
Extension, on the subject of the Social Value
of Motion Pictures, once gave the group a
definition of science which was to be applied
in their approach to the study. She said:
“The essence of science is the determina-
tion to investigate everything without con-
ceding anything to current human prejudice.”
We believe that no one connected with the
work has approached that unbiased, balanced
attitude as successfully as has Mrs. Winter.
Within the industry she brings the viewpoint
of the public (represented by the previewing
groups) to the Studio Relations Committee,
which reads the scripts and sees the pictures
in the process of construction, and in their
finished forms before release. This opinion,
added to her personal ability, must carry
weight in these conferences. Inside the
studios a force is at work for finer produc-
tions ; outside the studios the momentum de-
pends upon this organized public.
No movement of value can achieve results
without complete understanding, similar
standards and viewpoints, and cooperation
between those working. Mrs. Winter’s ad-
vent has drawn closer the different groups
which had the same objective but possibly a
different approach. They are now working
together more closely, and increased results
are actual. This is due in great part to Mrs.
Winter’s drawing of the groups together, to
their recognition of her balanced and un-
prejudiced attitude and to her insistence upon
their adherence to the highest ideals.
FEATURE FILMS
♦
AFTER TOMORROW » »
Charles Farrell, Marion Nixon, William
Collier, Sr., Minna Commbel. From a play
by Hugh Stange and John Golden. Direc-
tion by Frank Borzage. Fox.
Reminiscent of “Street Scene,” this serio-
comedy traverses the path of ordinary folk.
The audience is lead through a maze of
obstacles which circumstance has interposed
to thwart the marriage plans of a romantic
and ambitious boy and girl. The young lovers
are portrayed with sincerity by Miss Nixon
and Mr. Farrell ; the character parts of the
remainder of the cast are well directed and
presented. Minute detail in the unfolding of
the story makes the picture seem longer than
it really is. Although there is some comedy
relief, the story, as a whole, is based on the
theme of disappointment and self-sacrifice.
The appeal of the production is in its series
of emotional crises, most of which are whole-
some and will bring sympathetic interest
from a not too analytical audience.
Adolescents, 12 to 16 Children, 8 to 12
Possibly interesting — No interest
but drab
♦
AMATEUR DADDY » »
Warner Baxter, Marion Nixon, Rita LeRoy.
Direction by John Blystone. Fox Film Corp.
The locale of “Amateur Daddy” is a par-
ticularly pleasing one. The charm of the
children and good directorship make a re-
freshing picture from a slightly saccharine
story. An engineer, who promises to provide
for the family of a dying workman, makes a
mistake and adopts the wrong brood, an
error which proves fortunate in the end. It
Six
Motion Picture Reviews
is the type of film that the whole family may
enjoy.
Adolescents, 12 to 16 Children, 8 to 12
Yes Yes
♦
ARE YOU LISTENING * »
William Haines, Madge Evans. Adapted
from a “Collier’s” magazine story by ). P.
McEvoy. Direction by Harry Beaumont.
M.C.M.
The interesting activities of a radio broad-
casting station provide a novel and entertain-
ing background for a production which starts
out as a fast moving, up-to-the-minute com-
edy. Unfortunately, sordid situations and un-
necessary vulgarity enter to change the char-
acter of the story, and broken and episodic
continuity destroy whatever interest has been
aroused.
Adolescents, 12 to 16 Children, 8 to 12
No No
♦
BEAUTY AND THE BOSS » »
Marian Marsh, David Manners, Charles But-
terworth. From the stage play “The
Church Mouse.” Direction by Roy Del Ruth.
Warner Brothers.
This comedy cannot be recommended for
discriminating audiences. The plot concerns
an unprincipled Austrian nobleman and an
ugly duckling secretary who is transformed
by a Paris gown. The humor is generally
based on questionable situations which are
not sufficiently cleverly handled to escape be-
ing offensive. The atmosphere is unsavory
and unconvincing.
Adolescents, 12 to 16 Children, 8 to 12
No No
♦
BEHIND THE MASK » »
Jack Holt, Constance Cummings, Boris
Karsloff. Direction by John Francis Dillon.
Columbia.
A mysterious man whose identity is hidden
behind a mask, and the melodramtic doings
of a ring of narcotic peddlers, are the mate-
rials of which this thriller is fashioned. Sus-
pense is maintained throughout, which, after
all, may be the test of its entertainment value
for audiences who like this type of picture.
Adolescents, 12 to 16 Children, 8 to 12
Not advised No
BROKEN WING » »
Lupe Velez, Leo Carillo, George Barbier,
Melvyn Douglas. From the play by Paul
Dickey and Charles W. Goddard. Direction
by Lloyd Corrigan. Paramount-Publix.
Leo Carrillo !s a dashing dare devil
bandit. Lupe Velez is the foster daughter
of an American business man in a Mexican
mining territory. A complicated “triangle
affair” develops when a plane is crashed in
the heroine’s garden, with the handsome pilot
emerging from the wreckage. A happy out-
come is effected only after numerous exciting
incidents. The dialogue is humorous and
sparkling and the story moves with charming
spontaneity. It is a film that the family may
enjoy.
Adolescents, 12 to 16 Children, 8 to 1 2
Good Some interest
*
BUT THE FLESH IS WEAK » »
Robert Montgomery, Edward Everett Hor-
ton, Eleanor Gregor, C. Aubrey Smith. From
“The Truth Game," by Ivor Norello. Direc-
tion by Jack Conway. M.G.M.
A confusion in treatment is the greatest
weakness of this picture. Played as pure
farce the ridiculous crudities of the plot
might have forestalled criticism, but as smart
comedy, it becomes frequently vulgar and
rather boring. It traces the adventures of
two charming and impecunious gentlemen,
father and son, who live by their wits, and
its lack of sincerity and pointlessness, make
it a disappointing vehicle for an excellent
cast.
Adolescents, 12 to 16 Children, 8 to 12
Unwholesome No
♦
CARELESS LADY » »
Joan Bennett, John Boles. Direction by
Kenneth McKenna. Fox.
Accepting the hazardous theory that a
woman to be attractive to men must have
experience and sophistication, Joan Bennett
sets out to acquire both. The story of how
she succeeds is absurdly farcical. But John
Boles has a light touch, and Joan herself is
perhaps sufficiently attractive to surmount the
dull moments (of which there are many).
This may prove mildly diverting to adults,
but its cheap implications and banal presen-
tation make it doubtful entertainment for
adolescents.
Adolescents, 12 to 16 Children, 8 to 12
Not suitable No
Motion Picture Reviews
Seven
CAIN » »
Native cast. Direction by Leon Poirier.
Talking Picture Epics.
This French picture, taken on a small
island off the coast of Madagascar, has been
adapted to American use by the substitution
of English words in certain sequences, but
they are so infrequent, that it can scarcely
be called a talking picture. It is the story
of a stoker who steals from a cabin passenger
and escapes to an island where he lives for
years till his conscience bids him return the
valuables and once more he is confronted
with the choice between civilized and primi-
tive life. The photography, which is very
beautiful, and the spontaneous acting of the
natives, make the picture worth seeing, al-
though some will cavil at the extreme sim-
plicity of the plot.
Adolescents, 12 to 16 Children, 8 to 12
Interesting Yes
♦
COHENS AND KELLYS IN HOLLYWOOD »
Charles Murray, George Sidney, June Clyde,
Norman Foster. Direction by Howard Green.
Universal.
Here is a golden opportunity for all those
who enjoyed “Abie’s Irish Rose!” Once more
they can enjoy the Kellys and the Cohens in
action, this time enhanced by the familiar
Hollywood background of movie stars, direc-
tors, song writers, popular restaurants and
swimming pools. It is cleverly and amusingly
presented, and more, there is real appeal, also
underlying truth in the triumphs and vicissi-
tudes of Melville and Kelly. The whole
family will enjoy this one.
Adolescents, 12 to 16
Excellent
♦
COUNTY FAIR » »
Hobart Bosworth, Marian Schilling, William
Collier, Jr. Direction by Louis King. Mono-
gram Pictures Corp. Cooperative Exchange.
An unsophisticated, old-fashioned melo-
drama, in which suspense, action, and a
simple love story supply pleasant, wholesome
entertainment. The horse race at the county
fair provides the climax after all the foul
play connected with the heroine’s horse is
circumvented. In addition to the story, the
gay setting of the fair, the character types
and the beautiful horses will hold interest
and make it a picture which the whole family
will enjoy.
Adolescents, 12 to 16 Children, 8 to 12
Entertaining Yes
Children, 8 to 12
Good, if it
interests
DANCERS IN THE DARK » »
Miriam Hopkins, Jack Oakie, William Col-
lier, Jr. From the play “Jazz King.” Direc-
tion by David Burton. Paramount.
The mediocre plot is concerned with a
jazz orchestra leader, a taxi dancer, one of
the band, and a gangster, all of whom are
enacted by excellent talent. If the roles were
not played so well the story would have no
interest whatsoever. Jack Oakie as a self-
sacrificing character, is not so convincing as
in his more humorous roles, and Miriam
Hopkins certainly has ability to warrant a
better vehicle. It is a waste of time and de-
picts situations which even if they were true,
would not be any credit to the art which
presents them. There are present some ele-
ments of entertainment, but these are all on
a low level, and the dramatic instances are
not even of an intense variety.
Adolescents, 12 to 16 Children, 8 to 12
No Decidedly not
♦
DEVIL’S LOTTERY » »
Elissa Landi, Paul Cavanaugh, Alexander
Kirkland, Beryl Mercer, Victor McLaglen.
From a novel by Nalbro Bartley. Direction
by Sam Taylor. Fox.
The play commences with a clever and
promising situation. Lord Litchfield decides
to entertain at his castle the four winners of
the Calcutta sweepstakes lottery, in order to
observe their reaction to suddenly acquired
riches. It is a motley group, including an
adventurer, a crippled soldier, a Cockney
widow and a young American archeologist.
Perhaps, because of the complexity of the
characters’ lives, the theme is more suitable
for a novel than a play; at any rate, in spite
of good casting, excellent comedy, exciting
sequences and the charm of Elissa Landi, the
production fails to fulfill the promise of its
opening scenes and becomes confused, un-
convincing and melodramatic, but still hold-
ing interest for adults.
Adolescents, 12 to 16 Children, 8 to 12
Doubtful; Very No
sophisticated
❖
THE DOCKS OF SAN FRANCISCO » »
Mary Nolan, Jason Robards. Direction by
George Seitz. Action Pictures. (Seen in
Preview.)
A dive on the waterfront is visited by a
slumming party, one of whom is a young
author. By this chance he becomes involved
in the life of a woman who is the hireling
and mistress of a gang leader. Her desire to
Eight
Motion Picture Reviews
go straight is the impetus for the plot delinea-
tion. Melodrama in the ridiculous is thence-
forward presented. At the supposed dramatic
peak the story falls flat. Unless it is im-
proved before the final release, it is too poor
to recommend to any audience.
Adolescents, 12 to 16 Children, 8 to 12
A waste of time No interest
❖
THE FINAL EDITION » »
Mae Clark, Pat O'Brien. Direction by How-
ard Higgins. Columbia.
Here we have a picture of gangsters and
newspaper reporters as well as a murder
mystery and a romance, but the plot is neither
new or subtle and more than once leans
heavily on our credulity. Mae Clark as usual
gives a good performance.
Adolescents, 12 to 16 Children, 8 to 12
No No
♦
GIRL CRAZY * »
Eddie Quillan, Robert Woolsey, Kitty Kelly,
Mitzi Green, Bert Wheeler. Direction by
William Seiter. R.K.O.
“Girl Crazy” is a cross between a slap
stick comedy and a burlesque. While the
acting is passable and there are certain situa-
tions which might prove amusing to children,
it really doesn’t rank very high.
Adolescents, 12 to 16 Children, 8 to 12
Not recommended Not recommended
♦
THE CREEKS HAD A WORD FOR THEM »
Ina Claire, Joan Blondell, Madge Evans,
Lowell Sherman. Direction by Lowell Sher-
man. United Artists.
We are growing a little weary of whatever
it was that the Greeks had a word for.
Though this farce is beautifully staged and
the three leading actresses are cleverly chosen
for their roles, the cynical audience may not
laugh so heartily as it did at the play of al-
most the same name. Anything based on so
sordid a theme must be scintillating in the
extreme to overcome the average person’s
dislike for certain situations. The dialogue
is very flippant and sometimes clever; the
production is the apex of sophistication.
Adolescents, 12 to 16 Children, 8 to 12
No No
HEART OF NEW YORK » »
George Sidney, Joe Smith, Charles Dale,
Ruth Hale, Anna Appel Donald Cook. Based
on the play "Mendel, Inc.” Direction by
Mervyn Le Roy. Warner Brothers.
This is an amusing study of the Ghetto and
its inhabitants, tracing the fortunes of a
Jewish plumber and his family through alter-
nate poverty and affluence. After the manner
of Fannie Hurst the characterizations are
both satiric and sympathetic, and the per-
sonnel includes the whole neighborhood,
showing many types which seem authentic.
Though some of the humor is unnecessarily
coarse and adds nothing to the reality of the
picture, the acting, direction and settings
combine to make interesting entertainment.
Adolescents, 12 to 16 Children, 8 to 12
Entertaining Mature, but
harmless
♦
LENA RIVERS » »
Charlotte Henry, Beryl Mercer, Morgan
Calloway, James Kirkwood. Direction by
Philip Rosen. Tiffany.
The old sentimental romance of “Lena
Rivers” has now been brought to the screen
and provides pleasant, if unstimulating en-
tertainment. Here is a love story with a
happy ending, colorful horse races, and some
tuneful darky singing — and in addition a
most attractive heroine, for Miss Henry’s
natural manner and charming personality
make “Lena” very appealing.
Adolescents, 12 to 16 Children, 8 to 12
Not harmful No interest
♦
MAN WANTED » »
Kay Francis, David Manners. Direction by
William Dieterle. First National.
Whether it was courage or stupidity that
prompted the use of such unsavory and un-
interesting material, we cannot see any ex-
cuse for this picture. Even French telephones
and polo clothes have a limited appeal when
the plot is stupid and illogical and the situa-
tions are a boring repetition of unpraise-
worthy incidents.
Adolescents, 12 to 16 Children, 8 to 12
No! No!
♦
THE MENACE » »
H. B. Warner, Bette Davis, Walter Byron.
Direction by Roy W. Neil. Columbia.
Little remains to be said about these mys-
tery thrillers that has not already been
Motion Picture Reviews
Nine
applied to others. Like a batter recipe which,
with slight variations, produces muffins, pan-
cakes, or waffles, the ingredients in these pic-
tures are likewise mixed in different propor-
tions and then turn out well or ill. But this
story is a good one of its kind; an old murder
mystery, an unjust conviciton, a gang of
crooks, a Scotland Yard detective, two young
lovers and an English estate as background,
are the elements which are successfully
worked out by the aid of competent acting
and good direction, to provide an hour’s
diversion.
Adolescents, 12 to 16 Children, 8 to 12
A matter of taste Too mature
♦
THE MIRACLE MAN » »
Sylvia Sidney, Chester Morris, John Wray,
Ned A. Sparks, Robert Coogan, Hobart
Bosworth. Direction by Norman McLeod.
Paramount-Publix.
The effect of this picture will differ greatly
with the type of individual who sees it and
with his mood at the time of presentation. It
relies for its appeal entirely on emotional
quality devices, such as stirring or soft music,
slow movement and other special technique
being used to that end. The story tells of a
group of professional scamps who come to a
small town by chance and believe they have
found an excellent field for their operations
by exploiting a faith-healer, the Patriarch,
whose simplicity and goodness, however,
prove a bulwark against evil. The tone is
distinctly moral in that wholesome living is
upheld, but because of its theatrical effects
this version is more obvious and at the same
time less convincing than either the stage or
silent version.
Adolescents, 12 to 16 Children, 8 to 12
Fair Too emotional
♦
PLAY GIRL » »
Loretta Young, Winnie Lightner, Norman
Foster, Cuy Kibbe, Dorothy Burgess. Direc-
tion by Ray Enright. Warner Brothers-First
National.
In “Play Girl” we follow the misfortunes
and misunderstandings of a young husband
and wife. Although the plot is not unusual,
the play is done in an interesting manner
and succeeds in holding one’s attention to the
end. In spite of the number of scenes con-
cerned chiefly with race tracks and gambling,
the picture contains nothing really objection-
able. Winnie Lightner and Guy Kibbe fur-
nish excellent comic relief.
Adolescents, 12 to 16 Children, 8 to 12
Passable No
PROBATION » »
John Darrow, Sally Blane. Direction by
Richard Thorpe. Distributed through Pacific
Coast Exchange.
This silly production is the result of com-
bining two inharmonious types of entertain-
ment. From the title and opening scenes one
expects a social problem drama showing
modern youth running afoul of the Juvenile
Court. Suddenly an unsophisticated love
story develops in which the romance of a
poor young man and a rich young girl is
steered by a benevolent uncle towards an
improbable happy ending. Bad taste and
excessive drinking in certain portions of the
picture might advantageously have been left
out. The good cast is to be congratulated for
preserving a modicum of charm and enter-
tainment value.
Adolescents, 12 to 16 Children, 8 to 12
Not recommended No
♦
STEADY COMPANY » »
Norman Foster, June Clyde, Henry Armetta,
Zasu Pitts. Direction by Edward Ludwig.
Universal.
When Zasu Pitts is cast in a film one ex-
pects to laugh, and in “Steady Company”
there is an opportunity for wholesome merri-
ment. Henry Armetta as the lovable and de-
voted foster father is distinctly appealing.
He takes the spot light. The plot is common-
place. A truck driver with pugilistic ambi-
tions is engaged to a telephone operator. She
is under the false impression that her fiance
is in lofty pursuit of a medical career. In
spite of the ringside atmosphere, which plays
no small part in this picture, it is good clean
fun.
Adolescents, 12 to 16 Children, 8 to 12
Good Harmless
♦
SYMPHONY OF SIX MILLION » »
Ricardo Cortez, Anna Appel, Irene Dunn,
Noel Madison, Gregory Ratoff. Direction by
Gregory LaCava. R.K.O.-Pathe.
The poverty and suffering of the Ghetto
help to create a great surgeon, “Dr. Felix
Klauber,” who dedicates his skill to the poor
and helpless. How he loses his high purpose
— and finds it again — is an absorbing story
told with great dramatic skill. Ricardo Cor-
tez gives a memorable performance as the
sensitive, brilliant young doctor. Because of
its strong emphasis on human sacrifice and
Motion Picture Reviews
T en
suffering this picture is recommended only to
adults and to adolescents who are emotionally
mature.
Adolescents, 12 to 16 Children, 8 to 12
Very intense No
❖
THE TRIAL OF VIVIENNE WARE » »
Joan Bennett, Donald Cook, Zasu Pitts,
Richard "Skeets” Gallaghar. Direction by
William Howard. Based on the novel by
Kenneth M. Ellis. Fox. (Seen in Preview.)
The murdered man in this case has been
the fiance of Miss Ware (Joan Bennett) until
the day of the tragedy. The attorney for
Miss Ware (Donald Cook) has the double
effort of defending a woman who is sur-
rounded by incriminating circumstances and
of fighting for the life of this same woman
whom he loves. A cabaret dancer, two gang-
sters, a butler, a chauffeur, and a busy-body
next door, all figure in the spectacular legal
battle between the district attorney and Cook.
Comedy relief is furnished by Zasu Pitts as
a newspaper woman covering the case, and
by “Skeets” Gallagher, a radio announcer
broadcasting the trial. Interest never lags.
The picture can be recommended to those
who enjoy murder mysteries.
Adolescents, 12 to 16 Children, 8 to 12
Not harmful Not recommended
♦
VANISHING MEN » »
Tom Tyler, Yakima Canutt, Adele Lacy.
Direction by Harry Fraser.
“Go get ’em, men!” is the dialogue theme
of the cattle “rustlers” and the sheriff’s posse
in this western melodrama aboard a horse.
The action is swift, the climaxes exciting, and
the dialogue stilted. The sympathy of the
audience is with the law and the redemption
of a young “rustler,” making the purport
wholesome in spite of considerable gun play.
Audiences will find the drama has average
entertainment value.
Adolescents, 12 to 16 Children, 8 to 12
Good Good
♦
VANITY FAIR » »
Myrna Loy, Conway Tearle, Barbara Kent,
Montague Love, Lionel Belmore. From the
classic by Thackeray. Adapted by S. W.
Herbert. Direction by Chester Franklin.
Allied Pictures Corp.
The generation brought up on “Vanity
Fair” will be most exacting as to its pres-
entation. To them Myrna Loy’s interpreta-
tion of “Becky Sharp” will not be satisfying.
She misses the sly artfulness and sparkle of
Thackeray’s immortal heroine (and of Mrs.
Fisk’s stage interpretation). One feels her
coldness and ruthlessness, but not “Becky’s”
undying charm. The task of condensing the
long and involved novel and holding the
characters to the original type in a mod-
ernized version has been very well done and
deserves commendation. It is an interesting
production, well worth seeing, but the thrill-
ing quality of genius which has made
“Vanity Fair” a great novel, is missing.
Adolescents, 12 to 16 Children, 8 to 12
Mature Too mature
❖
THE WISER SEX » »
Melvyn Douglas, Claudette Colbert, Lilyan
Tashman. Based on play “Her Confessions,”
by Clyde Fitch. Direction by Berthold
Viertel. Paramount-Publix.
A pleasing cast is wasted on another
gangster story which is not sufficiently differ-
ent to hold much interest. Swift action and
exciting situations are its only asset. The
plot concerns the sordid experiences of a
young woman who enters the underworld in
order to obtain proof to discredit circum-
stantial evidence against the man she wishes
to marry. It is unconvincing, and there is
nothing unusual enough about the production
to warrant one’s wasting an hour or more in
intimate association with such objectionable
characters.
Adolescents, 12 to 16 Children, 8 to 12
No No
❖
THE WET PARADE » »
Lewis Stone, Walter Huston, Dorothy
Jordan, Robert Young, Neil Hamilton,
“Snozzle” Durante. Based on novel by
Upton Sinclair. Direction by Victor Fleming.
M.G.M.
“Mr. Chilcote,” • a Southern gentleman
(Lewis Stone), by committing suicide, sup-
plies the first tragedy in the parade of the
misuse of liquor. The film then becomes a
pictorial debate on the subject of prohibition,
presenting the case without prejudice and
drawing no conclusion. The treatment is
chronological in showing the saloons, the
war-time prohibition, the passing of the
amendment and the present chaos of speak-
easies, organized bootleggers and the failure
of law enforcement. Here is intense drama,
perfectly enacted throughout. A love story
of Dorothy Burgess as “Maggie May Chil-
cote” and Robert Young as “Kip Tarleton,”
ties together the divergent elements. As en-
tertainment “The Wet Parade” has emo-
Motion Picture Reviews
Eleven
tiona! appeal and stimulates thought, but
offers little in the nature of relaxation. We
recommend it highly as an exceedingly inter-
esting presentation of a social problem.
Adolescents, 12 to 16 Children, 8 to 12
Mature Not suitable
♦
A WOMAN COMMANDS » »
Pola Negri, Roland Young, Basil Rathbone.
Direction by Paul Stein. R.K.O.-Pathe.
A melodramatic and jumbled comedy ro-
mance of intrigue and revolution in a
mythical kingdom handicaps Miss Negri in
her “comeback” to pictures. It is interesting
only as a vehicle for her. However, she is
delightful, and the cast is excellent. If we
care to overlook the story, the beautiful
photography of old world sets and the per-
sonality of the stars will compensate.
Adolescents, 12 to 16 Children, 8 to 12
Not recommended No
YOUNG BRIDE » »
Helen Twelvetrees, Eric Linden, Arline
Judge, Roscoe Ates, Polly Walters, Cliff
Edwards. Direction by William Seiter.
R.K.O.-Pathe.
Diligent search of this plot will reveal
a few elements of entertainment, but these
are obscured by vulgar scenes and situations,
most of which occur in a dance hall of the
lowest order. Helen Twelvetrees is almost
saccharine in her portrayal of “Allie Smith,”
a children’s librarian, in search of a Galahad.
Eric Linden plays the braggart whom “Allie”
marries. The rest of the cast provide a most
realistic atmosphere of so-called “modern
youth” having its fling. At best this picture is
oor entertainment.
Adolescents, 12 to 16 Children, 8 to 12
No Impossible!
SHORT SUBJECTS
♦
ATHLETIC DAYS » »
f Metro-Goldwyn-Mayer.
This is a demonstration of the old and new
technique in various events included in the
Olympic games. Young athletes will find the
film of special interest. Recommended for
the family.
♦
AUDIO REVIEW No. 9 » »
Pathe.
An interesting review showing the Alex-
ander Caverns in Pennsylvania; a remark-
able bass soloist; a curious Australian ani-
mal, and the clever Benda masks made by
Mr. Benda and his wife.
♦
THE CAT’S CANARY » »
Aesop Fable. R.K.O.-Pathe.
This is an ingenious and entertaining fable
in which the cat temporarily swallows the
canary. To the consternation of all the fence
prowlers, whenever the cat opens her mouth
a warble is emitted. Recommended for the
family.
♦
CROSBY, COLOMBO AND VALLEE » »
Pacific Title and Art Studio.
Animated cartoon introducing the popular
radio crooners into an Indian Camp. Of fair
interest.
DESERT RECATTA * »
Metro-Goldwyn-Mayer.
Desert Regatta features outboard motor
races on the Salton Sea, in which ten exist-
ing world’s records are broken. Recom-
mended for the family.
♦
FLY FROLIC » »
Aesop Fable. R.K.O.-Pathe.
An entertaining animated cartoon in which
the spider in the case becomes a Dr. Jekyll
and Mr. Hyde. The flies finally rescue his
victim. Quite amusing for all.
♦
FLYING LEATHER » »
Grantland Rice Sportlight. R.K.O.-Pathe.
In the “manly art of self-defense” the dis-
tance between pre-school and collegiate box-
ing is effectively bridged by “Flying Leather.”
Recommended for the family.
♦
FREDDY, THE FRESHMAN » »
Pacific Title and Art Studio.
Animated cartoon in which animals go
through college “stunts.” A fair production,
entertaining for children.
MOTION
PICTURE
REVIEWS
THE WOMEN’S UNIVERSITY CLUB
LOS ANGELES, CALIFORNIA
MAY 1932
THE WOMEN’S UNIVERSITY CLUB
Los Angeles Branch American
Association of University Women
943 SOUTH HOOVER STREET
Telephone DRexel 2177
COPYRIGHT NINETEEN THIRTY-TWO
WOMENS UNIVERSITY CLUB
»
WEBBCRAFT PRINTERS, 1951 ARLINGTON AVE
LOS ANGELES
Motion Picture Reviews
Three
MOTION • PICTURE • REVIEWS
Published, monthly by
THE WOMEN’S UNIVERSITY CLUB
LOS ANGELES BRANCH
AMERICAN ASSOCIATION OF UNIVERSITY WOMEN
Mrs. Gerard A. Murray Mrs. Madison J. Keeney Mrs. Bruce A. Findlay
Preview Chairman Business Manager Asst. Business Manager
Mrs. John Vruwink - Co-Chairmen - Mrs. Palmer Cook
EDITORS
Mrs. J. Allen Davis Mrs. John Vruwink Mrs. Walter Van Dyke
Mrs. Palmer Cook Mrs. Arthur Jones Mrs. F. H. Partridce
Address all communications to The Women’s University Club, 943 South Hoover St., Los Angeles, Calif.
10c Per Copy - - $1.00 Per Year
Vol.lll MAY, 1932 No. 5
FEATURE FILMS
♦
AVALANCHE » »
Leni Riesenstahl, Zepp Rist. Direction by
Dr. Arnold Fanck. British International
Film.
Gorgeous snow panoramas in the environs
of Mount Blanc, as well as an intimate par-
ticipation in skiing, weather reporting, and
observing the moon through a huge telescope,
supply enough thrills to make the simple
story at times subservient in interest. There
is a minimum of dialogue with no loss of
dramatic opportunity, even though the tempo
is very deliberate. This most interesting
production is German made, presented in
the English version, and is well synchronized.
The sheer icy beauty of Mount Blanc is ap-
parent to any age or nationality.
Adolescents, 12 to 16 Children, 8 to 12
Excellent Excellent
♦
THE BIC TIMER * »
Ben Lyon, Constance Cummings, Thelma
Todd, Tony Dugan. Direction by Eddie
Burzell. Columbia.
Those who enjoy boxing might like this
picture, which tells the events in the life of
a would-be champion. A charming girl
(Constance Cummings) manages her ego-
tistic bumptious husband (Ben Lyon), and
guides him to success by sound advice. As
a whole it is limited entertainment.
Adolescents, 12 to 16 Children, 8 to 12
Not recommended No
♦
BEHIND STONE WALLS » »
Robert Elliott, Eddie Nugent, Priscilla Dean,
Ann Christy. Direction by Frank Strayer.
Produced by Frank Strayer.
The only incident in this picture which
reflects a wholesome attitude towards any
human relationship is a son’s Quixotic en-
deavor to assume his mother’s guilt. Other-
wise the plot dwells on infidelity, murder,
blackmail and disloyalty, and these are not
particularly well presented.
Adolescents, 12 to 16 Children, 8 to 12
No No
♦
THE CROWD ROARS »
James Cagney, Joan Blondell, Eric Linden,
Ann Dvorak. Direction by Howard Hawks.
Warner Bros. First National.
Only the most phlegmatic and hardened
movie fan could sit through this picture with-
out suffering. It is an endurance test for any
Four
Motion Picture Reviews
audience. From beginning to end, the spec-
tators are in a state of harrowing suspense
with the certainty that something frightful
is about to happen, and skillful director
Howard Hawks has neglected no oppor-
tunity of fulfilling every dreaded expecta-
tion. James Cagney has an unsympathetic
part as a ruthless, conceited racing driver
and the somewhat unpleasant plot is secon-
dary in importance to the violent tragedy
and horrors depicted. In the most devestat-
ing scene we have realism ad nauseum when
a car with its occupant catches fire and
careens around the course to the accompani-
ment of a deafening roar from the grand-
stands and the agonized shrieks of the vic-
tim. What may be entertainment for some
audiences will be punishment for many.
Adolescents, 12 to 16 Children, 8 to 12
Sophisticated and nerve racking Certainly not
♦
DESTRY RIDES AGAIN » »
Tom Mix, Stanley Fields, Earle Fox, Claudia
Dell. Direction by Ben Stoloff. Universal.
Tom Mix and his horse are never failing
drawing cards for children and adults who
thrill to the swift action of breezy western
melodrama. Plot and dialogue are secondary
when honest Destry triumphs over the wicked
sheriff and gallops to romance on Tony’s
beautiful back.
Adolescents, 12 to 16 Children, 8 to 12
Good Excellent
♦
GRAND HOTEL » »
Greta Carbo, John Barrymore, Joan Craw-
ford, Wallace Beery, Lionel Barrymore.
Lewis Stone, Jean Hersholt. By Vicki
Baum. Directed by Edmund Coulding.
M.C.M.
There are any number of reasons why
audiences will go to this picture, but to our
mind the greatest factor in its sucess is
neither the much advertised cast nor Vicki
Baum’s failure-proof play. The direction’s
the thing. Swift, clear-cut, decisive, logical,
the direction blends the various plots, scat-
tered scenes and diverse personalities into a
completely satisfying unit. There is nothing
superfluous, nothing out of balance. Whether
or not each individual favorite comes up to
expectations the picture is eminently worth
while. Wallace Beery perhaps is more com-
pletely in character and less his usual screen
self than any other member of the cast though
Joan Crawford gives an almost flawless per-
formance. The play is tragic, very realistic,
almost totally unconventional, yet somehow
not sordid. It is entertainment of the highest
grade for sophisticated adult audiences.
Adolescents, 12 to 16 Children, 8 to 12
Entirely unsuitable No interest
HELL HOUSE » »
Junior Durkin. Pat O’Brien. Direction and
story by Howard Higgin. Tech Art Studio.
A review of this picture was published in
November, 1931, under the title “Juvenile
Court.”
♦
IT’S TOUCH TO BE FAMOUS » »
Douglas Fairbanks, Jr.. Mary Brian. Walter
Catlett, David Landau. Direction by Alfred
E. Creen. Warner Brothers-First National.
The treatment of this photoplay is not so
light as the wording of the title suggests,
for the story presents a very real problem.
Fame that comes to a naval commander
when heroism is suddenly thrust upon him,
upsets his private life and almost wrecks his
marriage. Douglas Fairbanks, Jr., as the
naval commander, is an engagingly modest
young man whose struggles to evade news-
paper reporters and a hero-worshipping
populace, will enlist the sympathy of his
audiences. Though the theme may be of
more interest to adults than to juniors, the
picture offers first class entertainment for
the family.
Adolescents, 12 to 16 Children, 8 to 12
Good Mature
♦
THE MAN FROM NEW MEXICO * »
Tom Tyler, Caryl Lincoln, Jack Richardson,
Robert Walker. Direction by J. P. Mc-
Gowan. Monogram.
Children enjoy direct action and uncom-
plicated motives. A beautiful heroine, a
brave hero and a wicked villain, plus skillful
riding and hard fighting, where right tri-
umphs, make good entertainment for junior
matinees. “The Man From New Mexico” is
made according to the formula above and is
unimportant to all but the younger members
of the family.
Adolescents, 12 to 16 Children, 8 to 12
Yes Yes
♦
THE MOUTHPIECE » »
Warren William, Sidney Fox, Aline Mc-
Mahon, William Janney. Direction by James
Flood and Elliott Nugent. Warner Brothers.
Here is another of those films showing the
machinations of lawyers, who for one reason
or another, are affiliated with the under-
world. This time Warren William as an
assistant district attorney, mistakenly sends
an innocent man to the electric chair. When
he discovers what he has done, he alligns
Motion Picture Reviews
Five
himself with gangland against the courts,
and indulges in most of the vices which are
susceptible of being suggested on the screen.
The performance of Warren William is so
good that the picture will probably draw
audiences in spite of the hackneyed material
which it assembles.
Adolescents, 12 to 16 Children, 8 to 12
No No
♦
NIGHT COURT » »
Walter Huston, Lewis Stone, Phillips
Holmes, Anita Page. Noel Francis. From
the play by Mark Hellinger and Charles
Beahan. Direction by W. S. Van Dyke.
M.C.M.
An involved and unpleasant plot makes
this picture seem exhaustingly long. It shows,
without mercy to the audience, the lengths to
which an unscrupulous man will go to cover
up his own wrong doing, and delves into
the corruption of judges in a gang-ridden
city (all, we suspect, with the purpose of
turning out a bigger and better thriller).
The subject, however, is interesting and
holds one’s attention in spite of its heaviness;
the good cast give excellent performances in
their respective roles.
Adolescents, 12 to 16 Children, 8 to 12
No No
♦
PROBATION » »
John Darro, Sally Blane, Eddie Phillips,
Mattie Kemp, J. Farrel MacDonald, Clara
Kimball Young. Direction by Richard
Thorpe. Distributed through Pacific Coast
Exchange.
This silly production is the result of com-
bining two inharmonious types of entertain-
ment. From the title and opening scenes one
expects a social problem drama, showing
modern youth running afoul of the Juvenile
Court. Suddenly an unsophisticated love
story develops, in which the romance of a
poor young man and a rich girl is steered by
a benevolent uncle towards an improbable
happy ending. Bad taste and excessive
drinking in certain portions of the picture
might advantageously have been left out.
The good cast is to be congratulated for
preserving a modicum of charm and enter-
tainment value.
Adolescents, 12 to 16 Children, 8 to 12
Not recommended No *
RADIO PATROL » »
Robert Armstrong, Lila Lee, Russell Hopton,
June Clyde. Direction by Edward L. Cane.
Universal. Seen in preview.
Were it not for a brutal murder scene that
disqualifies this picture from recommendation
to any audience, “Radio Patrol” might be
good entertainment. It presents “Rookie
School” and the problem of the police in
maintaining a large enough force to keep
crime in check. A love story of supreme
sacrifice is the thread of narrative running
through a series of exciting events which are
culminated in the heroic death of an officer.
Mr. Hopton, in the role of Pat, gives such a
gripping portrayal that it is worthy of ap-
preciative comment. It is to be hoped that
the extreme horror will be eliminated before
the final release.
Adolescents, 12 to 16 Children, 8 to 12
Too ghastly Nightmare
provoking
♦
THE ROADHOUSE MURDER » »
Dorothy Jordan, Eric Linden, Purnell Pratt,
Roscoe Ates. Direction by J. W. Ruben.
R.K.O.
A new angle on the murder-mystery plot is
shown in this play, wherein the “cub” re-
porter gains notoriety by impersonating a
criminal. While the scheme leads him into
desperate straits with the proffered lesson
that publicity at such a price is to be avoided,
nevertheless, the picture as a whole leaves
an unhealthy taste of youth’s zest for thrills,
regardless of consequences. The play is full
of action and suspense from the start, and at
the end becomes harrowing.
Adolescents, 12 to 16 Children, 8 to 12
Unsuitable No
♦
SCANDAL FOR SALE » »
Charles Bickford, Pat O'Brien, Rose Hobart,
Claudia Dell, J. Farrel MacDonald. Direction
by Russel Mack. Universal Pictures Corp.
How every motive of love and friendship
becomes subservient to the task of pandering
to the public’s desire for thrills and sensa-
tion, is shown in this play of yellow journal-
ism. While it is realistic and intense, and
some parts are noteworthy (the scenes of
the end of the trans- Atlantic flight are power-
ful and beautifully photographed), it would
be more effective if it did not run the whole
gamut of human emotions. There is too much
crime, too much scandal ; it lacks the novelty
and conviction of some of the earlier pic-
tures of the press.
Adolescents, 12 to 16 Children, 8 to 12
Too sensational Decidedly not
Six
Motion Picture Reviews
SCARFACE » »
Paul Muni, Boris Karloff, Kareen Morley.
Direction by Howard Hawks; Co-director
Harry Rosson. Produced by Howard Hughes.
In “Scarface,” which is the unvarnished
hiography of gangster Tony Carmonte, one
may become intimately acquainted with an
arch criminal, who is composite of all that
has hitherto been divulged concerning real
characters of the underworld. The picture
is vivid, realistic, artistically and dramatic-
ally excellent, and one does not feel that it
stretches plausibility unless in the concen-
tration of so many atrocities in one film.
However, it is a display of wholesale murder,
of extreme brutality, and of horrifying dis-
regard for law. Though the theoretical pur-
pose of the film is to rouse the public to a
combative attitude towards corruption, it
falls short of its avowed intent because the
conflict is almost entirely between rival
gangsters, and the indirect threat to the public
is secondary to our interest in the drama.
Moreover Tony, magnificently enacted by
Paul Muni, is a colorful and interesting char-
acter whose psychology and personal for-
tunes become the focus of our attention. We
question the wisdom of showing such mate-
rial indiscriminately to all types of audiences.
Such films may actually do more harm than
good ; they most certainly cannot be recom-
mended to immature audiences.
Adolescents, 12 to 16 Children, 8 to 12
Emphatically no Impossible
♦
SHOP-WORN » »
Barbara Stanwyck, Regis Toomey, Zasu
Pitts, Albert Conti. Direction by Harry
Cohn. Columbia.
With a title probably chosen to lure certain
types of audiences, “Shop-Worn” is a trashy
picture featuring a melodramatic heroine
who suffers all the well-known ills of cruel
fortune, and later becomes the happy fiancee
of her first love. It is somewhat relieved by
Zasu Pitts in a comedy role.
Adolescents, 12 to 16 Children, 8 to 12
No No
♦
SINS PAYDAY » »
Dorothy Rivier, Forrest Stanley, Mickey Mc-
Guire. Direction by George Seitz. Mayfair
Pictures-AII Star Exchange.
Having saved a murderer from the death
penalty, the defending lawyer eventually
comes to the realization that he must share
the responsibility for the criminal’s subse-
quent crime. Mickey McGuire, as the small
boy, Chubby, is the center of the humor,
as well as of the tragedy in this film, which
is set against a gangster background and
pictures the degradation of a gentleman and
his eventual redemption. The director de-
serves credit for the restraint with which he
has selected and used his material.
Adolescents, 12 to 16 Children, 8 to 12
No No
♦
SKY BRIDE » »
Richard Arlen, Tom Douglas, Jack Oakie,
Louise Hale, Robert Coogan. Direction by
Stephen Roberts. Paramount-Publix.
The adventures of three barnstorming
aviators tense your muscles and pull your
heartstrings in this thrilling production.
Daring stunts and skillful maneuvers, shot
through with pathos, are lightened by comic
dialogue. Around this clean story, radiating
good fellowship and loyalty, Stephen Roberts
has directed one of the most expert produc-
tions of its kind.
Adolescents, 12 to 16 Children, 8 to 12
Thrilling Too emotional
♦
SO BIG » »
Barbara Stanwyck, Dickie Moore, Bette
Davis. Direction by William A. Wellman.
From the book by Edna Ferber. Warner
Brothers.
Because of the period of years which it
covers, the theme of “So Big" is developed
in episodes. The resulting breaks in con-
tinuity may be overlooked, for the play itself
is beautifully executed, definite in its pur-
pose, and marked by a simplicity of treat-
ment which is thoroughly wholesome. In the
delineation of the principal character, the
joy of doing, the satisfaction of achievement
and the glory of self-earned success, prove
greater compensations than the monetary re-
ward for the effort, an idealism which is
eventually transmitted to her son. The pic-
ture can be recommended for the family.
Adolescents, 12 to 16 Children, 8 to 12
Interesting Mature
♦
STATE’S ATTORNEY » »
John Barrymore, Helen Twelvetrees, Jill
Esmond, William Boyd, Mary Duncan.
Direction by George Archainbaud. R.K.O.
John Barrymore, cast as a defense attorney
for the underworld, and subsequently state’s
attorney, plays the lead in another picture
with the criminal background. The sophisti-
cated plot is unfolded rapidly and displays
Motion Picture Reviews
Seven
all the known modern vices and crimes, with
the exception of kidnapping. Justice is shown
to be ineffective against a political machine
and selfiish interests. The presentation is
sincere, the acting real, the direction notable,
the dialogue crammed full of “wise cracks,”
but the subject matter is unwholesome and
distasteful.
Adolescents, 12 to 16 Children, 8 to 12
No Absolutely not
♦
STRANCE CASE OF CLARA DEANE »
Wynne Cibson, Pat O’Brien, Dudley Digges,
Frances Dee, George Barbier, Russel Gleason,
Cora Sue Collins. Direction by Louis Gasnier
and Max Mercin. From the play by Arthur
M. Brilant. Paramount-Pubiix.
A mother’s supreme sacrifice for her child
is the disheartening finis to this depressing
drama. Cora Sue Collins, as the child, gives
an outstanding natural performance. The
cast is well chosen and the situations well
developed. Gripping realities and emotional
stress carry the plot to its tragic conclusion.
The audience is impressed with the severe
punishment meted out to transgressors, but
meanwhile, all the sympathy is directed to-
ward the unfortunate Clara Deane. “Strange
Case of Clara Deane” offers heart throt*
tears, and hovering menace in lieu of en-
tertainment.
Adolescents, 12 to 16 Children, 8 to 12
Too depressing No interest
♦
TARZAN » »
Johnny Weissmuller, Neil Hamilton. C.
Aubrey Smith, Maureen O’Sullivan. Direc-
tion by W. S. Van Dyke. M.G.M.
The film follows the characters of the
original book closely. From the kidnapping
of Jane Parker to the struggle with the
pygmies, many of the incidents in Tarzan’s
fictional career are shown. At times the melo-
drama is blood-curdling, but from the stand-
point of photography and direction the pic-
ture has beauty and merit. The fascination
of the jungle life and scenic beauty, coupled
here with Johnny Weismuller’s vigorous in-
terpretation of Tarzan, develops a tale full
of thrilling adventure.
Adolescents, 12 to 16 Children, 8 to 12
Interesting Very exciting
THIS IS THE NIGHT » *
Lily Damita, Charlie Ruggles, Roland Young,
Thelma Todd. From a play by Avery Hop-
wood. Direction by Frank Tuttle. Para-
mount-Pubiix.
This lyric comedy is a sophisticated little
piece, bright and clever, with piquant music
and charming backgrounds of Paris and
Venice. The cast has been chosen to accentu-
ate the comedy, and the direction is unusually
adept. Claire persuades her lover Gerald to
take her to Venice, but her husband returns
at the inopportune moment of departure, and
it becomes necessary to secure a bogus wife
for Gerald before the holiday begins. The
dialogue and situations are adroitly handled
but risque, even for seasoned audiences.
Adolescents, 12 to 16 Children, 8 to 12
No No
♦
WHEN A FELLER NEEDS A FRIEND » »
Jackie Cooper, Chic Sale, Ralph Graves.
From the novel “Limpy" by William John-
ston. Direction by Harry Pollard. M.G.M.
In this comedy drama of child life we see
a little lame boy gain confidence in himself
through sympathetic understanding of an old
uncle. Children should feel more kindly
toward the handicapped after seeing this
picture and there is a lesson in it for grown-
ups as well. Chic Sale is excellent and
Jackie Cooper plays with a sure touch on
the heartstrings of the audience. Perhaps at
some points the pathos is exaggerated but
on the whole it is a picture that can be
recommended for the whole family.
Adolescents, 12 to 16 Children, 8 to 12
Good Yes
♦
THE WOMAN IN ROOM 13 * »
Elissa Landi, Ralph Bellamy, Neil Hamilton,
Myrna Loy, Gilbert Roland. Direction by
Henry King. Fox.
The plot of this melodrama depends for its
suspense upon the device of withholding
until the bitter end, the obvious word of
explanation. A man and woman who are
ideally happily married, are made to suffer
misunderstandings and jealousies, are
dragged through a murder trial, and brought
to the brink of separation, in order to satisfy
the vengeful hate of the woman’s former
husband. Elissa Landi is charming and Ralph
Bellamy, as the villain, truly venomous.
Adolescents, 12 to 16 Children, 8 to 12
Unsuitable No
Eight
Motion Picture Reviews
THE WORLD AND THE FLESH » »
George Bancroft, Miriam Hopkins, Allan
Mobray, George Stone, Mitchell Lewis.
Direction by John Cromwell. Paramount-
Publix.
Handicapped by a meaningless title, “The
World and the Flesh” proves to be an event-
ful, swift moving story, dealing with the
escape of a band of White Russians, and
their capture by the Red sailors (on the
Black Sea). It is unrelieved drama, the at-
mosphere tense with a sense of impending
disaster, and always the sinister shadow of
Sovietism looming over all. The parts are
well taken, but the interest centers in locale
and events, rather than in character devel-
opment. Recommended only for adults who
enjoy adventures in Russian realism.
Adolescents, 12 to 16 Children, 8 to 12
No No
YOUNG AMERICA » »
Spencer Tracy, Doris Kenyon, Beryl Mercer,
Ralph Bellamy. From the play by Fred
Ballard. Direction by Frank Borzage. Fox.
Into “Young America” is woven the ap-
pealing story of a waif, whose native im-
pulses are fine, but invariably lead to his
own undoing and keep him constantly in
the shadow of the Juvenile Court. The film
is balanced, vivid and excellently directed.
The youthful actors are unusually skillful.
The cast is well chosen and the picture, psy-
chologically and socially, will interest the
entire family. It is for the individual mother
to decide whether or not the emotional strain
may be too strong for her own child.
Adolescents, 12 to 16 Children, 8 to 12
Good Emotional
SHORT SUBJECTS
♦
AUDIO REVIEW No. 10 » »
Pathe.
Audio Review No. 10 is an enchanting
picture of deep sea life, showing examples
of many unfamiliar types. A clear explana-
tion accompanies the photographs. Interest-
ing to the entire family.
♦
BEAUTIFUL AND DUMB » »
R.K.O.-Pathe.
This film stars Mary Nolan and Lew Cody
in a short comedy, in which a gentleman
burglar thinks he is outwitting his hostess,
and his hostess knows she is outwitting him.
Entertaining for all but the very young.
♦
THE CAT’S CANARY * »
Aesop Fable. R.K.O.-Pathe.
This is an ingenious and entertaining fable
in which the cat temporarily swallows the
canary. To the consternation of all the fence
prowlers, whenever the cats opens her mouth
a warble is emitted. Recommended for the
family.
EMPIRE OF THE SUN » »
Vagabond Adventure. Produced by Van
Beuren Corp. R.K.O.-Pathe.
The insular charm of the Orient during
the cherry blossom festival opens this
travelogue, and is followed by pictures of
Oriental school life and exhibitions of sports.
Interesting for the entire family.
♦
GAUNT » »
Talking Picture Epics.
A depressing and ironical production con-
cerning theft, imprisonment, suicide. Best
avoided in these days of so-called “depres-
sion,” whether financial or mental.
♦
IDYLL OF SEVILLE * »
From a series called “ Kendal I -De Va I ly
Operalogues.” Educational Pictures Corp.
A condensed adaptation of the popular
opera “Carmen,” well sung, and colorful in
action and settings. It will be enjoyed by all
audiences.
Motion Picture Reviews
Nine
LAND OF CHEWING GUM » »
Produced by Emma Lindsey Squier. Talking
Picture Epics.
In Yucatan we are shown the plantations
of sapodilla from the sap of which is derived
chewing gum. The whole process is depicted,
from the tapping of the trees to the shipping
of the finished product. The film winds up
with a betrothal in the old hacienda built by
Cortez. All worth seeing.
♦
LAND OF THE FEATHERED SERPENT
Produced by Emma Lindsey Squier. Talking
Picture Epics.
The lost civilization of the Mayan people
in Yucatan is the subject of this excellent
travelogue. Workers who still speak Mayan
are shown rebuilding the Pyramid of the
Feathered Serpent. Entertaining and instruc-
tive for all.
♦
LASCA » »
Hobart Bosworth. Direction by Ben Holmes.
Production by Ben Holmes and Leigh Jason.
Hobart Bosworth gives a masterful rendi-
tion of the poem “Lasca,” by Frank Desprez.
The graphic illustrations are not so impres-
sive as the reciting voice. It is a pleasing
novelty for the family.
♦
MAGIC ART » »
Aesop Fable. Produced by Van Beuren
Corp. R.K.O.-Pathe.
This is an interesting cartoon in which
two artists draw and their oddly assorted
figures come to life, dancing and making
music. Good for the entire family.
♦
MAD DOC » »
A Silly Symphony. Walt Disney. Columbia.
Mickey’s dog accidentally swallows a cake
of soap and is thought to be mad, causing
much confusion and hilarity. Excellent fun
for all.
♦
MICKEY CUTS UP » »
Walt Disney. Columbia.
One of Mickey’s funniest exploits. Mickey
wielding a lawnmower in the springtime is
irresistible.
MY LADIES ESCAPADE * »
Produced by Kendall-DeVally. Educational
Pictures Corp.
An epitomized version of “Martha,” a
twenty minute operalogue, handled with
skill and charm in spite of poor photography.
Good voices and splendidly conducted music
stamp the film as an artistic and educational
event. Recommended for the family.
♦
OLD SONGS FOR NEW » »
Paramount.
Musical reminiscenses in colored photog-
raphy are orchestrated by George Stoll’s
band. The whole is costumed to the period.
Recommended to all.
♦
PICTORIAL No. 8 » »
Paramount.
Pictorial No. 8 consists of three features.
The first two are of historical and geograph-
ical interest, and the closing episode demon-
strates an extraordinary development of cer-
tain technical skill. Recommended for the
family.
♦
SCREEN SOUVENIRS » »
Paramount.
Opening with several valuable historical
records, these old films further represent the
thrillers and comics of early movie days,
when “Tillie the Working Girl” made Mack
Sennett famous. Retrospectively highly en-
tertaining. Recommended for the family.
♦
SECOND PARADISE » »
Vagabond Series. R.K.O.-Pathe.
This picture of the exotic island of Ceylon
takes us into a bewitching tropical world.
Dark skinned, Aryan featured Singhalese
move in an Eastern pattern across the film,
as their customs and culture are caught by
the camera. Recommended for the family.
♦
SECRETARY PREFERRED » »
R.K.O.-Pathe.
An emerald necklace valued at ten thou-
sand dollars is the pivot of this sophisticated
sketch from a Liberty Magazine “short,
short story.” Two crooks are cleverly out-
witted in their plot by a “gold digging” secre-
tary. “Sister, your racket has mine beat a
mile,” is the concluding line.
Adolescents, 12 to 16 Children, 8 to 12
No No
Motion Picture Reviews
T eti
A SLIP AT THE SWITCH » »
Chic Sale. R.K.O.
Novel and amusing comedy in melodra-
matic style, in which Chic Sale’s character-
ization “makes” the picture.
♦
STOCKHOLM * »
Produced and photographed by John W.
Boyle, A. S. C., and Ray Fermstrom. R. C. A.
Recording. Produced in Multicolor. The
first of “The World Wanderings” series.
The life in city street and surrounding
territory is pictured in this fine multicolored
cinema, taken of the handsome “Venice of
the North.” It was used as a compliment to
Greta Garbo in the prologue to “Mati Hari.”
Beautiful and intensely interesting for the
entire family.
♦
TAKE YOUR PICK * »
Crantland Rice Sportlight. R.K.O. -Pathe.
A picture of young America at play during
that season of the year when Lake Placid
lures the winter sportsman to icy summits
while Miami draws lovers of aquatic activi-
ties south to tropical shores. Recommended
for the family.
♦
VENDETTA » *
Direction by Howard Higgins. Produced by
Kendall-DeVally. Educational Pictures
Corp.
“Vendetta,” based on the opera “Cavalleria
Rusticana,” is a delightful operalogue, pic-
turesque and tuneful, and is heartily recom-
mended to all audiences.
♦
WHIPPET RACINC » »
Metro-Goldwyn-Mayer.
An illustration of training whippets from
puppyhood to adult racing champions consti-
tutes the interest of this film. Recommended
for the family.
♦
WHISPERING BILL » »
Chic Sale. Direction by Ben Holmes. Pro-
duction by Ben Holmes and Leigh Jason.
This photographed poem is characterized
by Chic Sale, who gives a creditable per-
formance. “Whispering Bill” was written by
Irving Bacheller. Interesting for the family.
♦
WAR IN CHINA » »
Descriptive narrative prepared by H. V.
Kaltenborn. John S. Young, radio an-
nouncer. Educational Pictures Corp. (filmed
with the official permission of Chinese
Ceneral Yuan Kai-Shek).
A news reel type of picture, showing the
devastation and havoc of the Japanese siege
of Shanghai and neighboring towns. The
Kaltenborn narrative is a sympathetic de-
scription of the suffering and terror of
Chinese civilians. An interesting current
topic for all audiences.
MOTION
PICTURE
REVIEWS
THE WOMEN’S UNIVERSITY CLUB
LOS ANGELES, CALIFORNIA
JUNE 1932
THE WOMEN'S UNIVERSITY CLUB
Los Angeles Branch American
Association of University Women
943 SOUTH HOOVER STREET
Telephone DRexel 2177
COPYRIGHT NINETEEN THIRTY-TWO
WOMEN S UNIVERSITY CLUB
WE3BCRAFT PRINTERS, 1851 ARLINGTON AVE., LOS ANGELES
Motion Picture Reviews
Three
MOTION * PICTURE * REVIEWS
Published monthly by
THE WOMEN’S UNIVERSITY CLUB
LOS ANGELES BRANCH
AMERICAN ASSOCIATION OF UNIVERSITY WOMEN
Mrs. Gerard A. Murray Mrs. Madison J. Keeney Mrs. Bruce A. Findlay
Preview Chairman Business Manager Asst. Business Manager
Mrs. John Vruwink - Co-Chairmen - Mrs. Palmer Cook
EDITORS
Mrs. J. Allen Davis Mrs. John Vruwink Mrs. Walter Van Dyke
Mrs. Palmer Cook Mrs. Arthur Jones Mrs. F. H. Partridge
Address all communications to The Women’s University Club, 943 South Hoover St., Los Angeles, Calif.
10c Per Copy - - $1.00 Per Year
Vol. Ill JUNE, 1932 No. 6
EDITORIAL
A unity of purpose and cooperation be-
tween organizations having the same objec-
tive is always essential for success in any
undertaking, and the work of Better Films
Committees is no exception to this rule. In
fact, in no work are a definite plan and unified
opinions more necessary, because the appeal
for children’s matinees and family night pro-
grams must come from the community, and
the exhibiting end of the motion picture
industry must be assured that the public will
be whole-heartedly behind such an experi-
ment. Southern California, because of its loca-
tion near the source of motion picture supply,
and the great interest this creates, has had its
Better Films Committees over a period of
many years. Junior matinees have existed
for ten years, with varying degrees of suc-
cess. In August, 1930, at the Women’s
University Club, the California Motion Pic-
ture Council was organized, drawing together
more closely all the groups which had _beeiu
working along the same line?. ^It includes
the National Previewing groups, the Boy
Scouts, Girl Scouts, Campfire Girls, Girl Re-
serves, Y.M.C.A., Librarians, and a number
of groups interested in civic work and child
welfare. The following outline of the
method of operation and the purpose of the
Council is reprinted here, because it may be
of service to other groups wishing to work on
this subject.
It was prepared by
Mrs. John Vruwink (President)
Women’s University Club, Los Angeles
Branch A.A.U.W.
Mrs. William Burk (Vice-President)
General Federation of Women’s Clubs
Mrs. Leo Hodges
California Congress of Parents and
Teachers
The California Motion Picture Council
The California Motion Picture Council is
an impartial group of representative organ-
izations especially interested in child welfare,
working together for better motion picture
programs for children and adolescents, and
cooperating in educational programs to stim-
ulate a realization of the necessity for selec-
tive entertainment for youthful audiences.
Method of Operation
I. It is a clearing house for available infor-
mation on current releases.
Reports of this Council are the con-
census of opinion of the groups preview-
ing through the courtesy of the Associa-
Four
Motion Picture Reviews
tion of Motion Picture Producers and Dis-
tributors, at the Academy of Motion
Picture Arts and Sciences in Hollywood.
The previewing committee, meeting every
two weeks for consultation in compiling
the lists, represent the following organi-
zations:
Women's University Club, Los Angeles
Branch A.A.U.W.
General Federation of Women’s Clubs
National Daughters of the American
Revolution
International Federation of Catholic
Alumnae
California Congress of Parents and
Teachers
National Society of New England
Women
National Council of Jewish Women
United Church Brotherhood
The reports are accepted and used by
the members of the council not having the
facilities or privilege of previewing daily.
The bi-monthly reports are available to
community councils upon receipt of
stamped, addressed envelopes sent to Mrs.
David Ray, Preview Chairman, 1235
South First Street, Arcadia, Calif.
As these reports are the only lists of
films which are the united judgment of all
of the previewing groups, it is suggested
that they be accepted and used by com-
munities sponsoring junior matinees and
family night programs. It will eliminate
discussion, satisfy the theatre managers,
and present an united opinion on pictures.
Assurance is given that the greatest care
is taken in the compilation of the recom-
mended lists.
II. It is a clearing house for work done by
other community councils and fosters the
formation of similar groups, aiding them
in any way possible.
III. Suggestions for organizations and pro-
cedure of community councils.
(a) Membership of Community Councils
Membership should consist of repre-
sentatives of all local organizations,
i.e., civic, educational, patriotic, re-
ligious, welfare organizations, li-
braries, etc. (Men’s groups as well
as women’s should be included.)
These representatives should be offi-
cially appointed by the organizations
they represent.
(b) Officers
Officers should include President, Vice-
President, Secretary, Press Chairman,
Chaperone Chairman. The office of
Treasurer is dependent upon the
organization procedure.
The Executive Committee requires
great care in selection. It should
represent all the organizations most
actively interested in the work, should
be composed of persons with time to
give to the project, tact to handle the
problems, and personality to “put the
project over.”
(c) Meetings
1. Meetings of the Executive Com-
mittee should be held frequentlv
and regularly to handle the prob-
lems which constantly arise, to
plan or supervise the programs,
and to plan for stimulating inter-
est and cooperation.
2. Meetings of the official representa-
tives forming the Council should
be held periodically to keep the
cooperating groups informed and
interested. Failure of these mem-
bers to attend the meetings will
indicate a lack of interest and the
Executive Council will be justified
in requesting a successor to replace
the delinquent representative.
3. Open meetings should also be held
less frequently, with speakers se-
lected to arouse public interest in
the project. These are a very suc-
cessful method of publicity.
4. Meetings with theatre managers
are, of course, a required pro-
cedure.
(d) Programs
The purpose of the “Junior Matinee”
is not to attract children to the movies.
It is to safeguard them and to edu-
cate parents in selective entertain-
ment. A standard for these programs
which has proved practical through
years of experiment, is as follows:
1. Length of program should not ex-
ceed two hours. (The obvious rea-
son for this relates to children’s
physical, nervous and emotional
endurance.)
2. Type of program:
(a) One feature length film ap-
proved by the National Pre-
viewing Committee of the
California Motion Picture
Council. (No film is appropri-
ate for the child under eight
or nine years. Parents of
younger children must realize
this.)
Motion Picture Reviews
Five
(b) Approved short subject. Com-
edies, cartoons, newsreels and
educational shorts.
(c) Serials are discouraged be-
cause they are too emotional
and exciting.
(d) Singing on the part of youth-
ful audiences is to he en-
couraged.
(e) If additional entertainment is
given by children on the stage,
it is recommended that group
performances are to be pre-
ferred to those of talented
individuals.
(e) Publicity
1. Through each organization repre-
sented.
2. Through bulletin boards of li-
braries, Y. M. C. A., Y. W. C. A.,
clubs, etc.
3. Through published channels.
(a) Recommended lists of films.
(b) News stories of the activities
of the Council and the mati-
nees.
4. Trained speakers to go before
service clubs, women’s clubs, P. T.
A. groups, etc.
(f) Chaperones
Tactful mothers should be in regular
attendance. Their duties depend up-
on the attitude and wishes of the
management of the theatre.
(g) Contact with the Theatre Managers
Theatre managers are usually more
than willing to cooperate in any con-
structive movement which represents
the wishes of the community. An
united group is necessary. A tactful
“go between” who is intelligently fa-
miliar with theatre problems should
be selected for the contact.
An avoidance of censorship in dis-
cussion or practice is necessary in
order to obviate an impression of in-
tolerance and to secure cooperation.
A constructive method of cooperation
in this respect is bringing the atten-
tion of the public to the finer films
and to encourage attendance for these
pictures.
“Family night” programs for Friday or
Saturday nights make possible a wider range
of film selection and are to be encouraged
because they meet an even greater need in
reaching adolescents. In many communities
they are in greater demand than junior
matinees.
FEATURE FILMS
♦
AS YOU DESIRE ME » »
Greta Garbo. Melvyn Douglas, Eric Von
Stroheim, Owen Moore. From the play by
Lugi Pirandello. Direction by George Fitz-
maurice. M.-G.-M.
Admirers of Miss Garbo will not be dis-
appointed, we believe, in this production, her-
alded as her last. While it is not the best
plot she has had, it does give her an oppor-
tunity of delineating decided changes in char-
acter, from the hard, bitter mistress, through
a period of doubt and retrospection, to a
charming, happy woman who personifies
youth. In this last character she is utterly
delightful, a happy return to the lovely, lyric
beauty who charmed Sweden in “Gosta
Berling.” In plot, it tells a story of amnesia,
of the culmination of a ten-year search for
a woman who is a victim of the horrors of
war, and we are left almost certain that the
husband’s search has been successful. The
story is well told, with an excellent cast, and
the pictorial surroundings are lovely.
Adolescents, 12 to 16 Children, 8 to 12
Not harmful for older adolescents No
'W
THE DOOMED BATTALION » »
Louis Trenker, Tala Birell, Victor Varconi,
Henry Armetta. Direction by Cyril Gard-
ner. Universal.
The futility of war is depicted in a
new setting, the Italian stronghold of “The
Doomed Battalion.” Two close friends, one
Italian the other Austrian, who have spent
long hours together climbing their beloved
Alps, are forced through the world conflict
to become enemies. Loyal and courageous,
they give themselves to the countries which
claim them. We see these men reunited after-
wards, and again climbing the battle-scarred
mountains, all this in glorious photography.
Handled simply and sincerely and with great
Six
Motion Picture Reviews
dramatic force, this picture has a strong ap-
peal. It is a new treatment of the war theme.
To heighten its reality, a particularly well
chosen cast of foreign types has been as-
sembled.
Adolescents, 12 to 16 Children, 8 to 12
Good Depressing
THE FAMOUS FERGUSON CASE » »
Joan Blondell, Grant Mitchell. Vivienne Os-
borne. Tom Brown. Direction by Lloyd
Bacon. Warner Bros.
This drama is another rap at the methods
of yellow journalism, this time shown in con-
trast with the more enlightened and ethical
procedure of good newspaper reporting.
When a nationally known financier is mur-
dered in a small town, city reporters flock
to the scene. One faction, determined to get
a story at any cost, manufactures scandal
and tragedy, while the others hunt for real
clues and the local reporter solves the mys-
tery. The underlying idea is interesting, and
the theme is well presented for adult audi-
ences. In spite of humorous touches and the
youth and wholesomeness of the hero, the
ugly problems involved make a rather grim
picture.
Adolescents, 12 to 16 Children, 8 to 12
Not advised No
FAST COMPANIONS » »
Andy Devine, James Gleason, Tom Brown,
Maureen O’Sullivan, Mickey Rooney. Direc-
tion by Kurt Neumann. Universal Pictures
Corp.
Racing, fair and foul, is the background
for this comedy. A professional jockey em-
ploying dishonest methods for his own and
his partner’s aggrandizement, is suddenly in-
spired to right about face and to set an
example to a misguided waif who crosses
his path. While the child changes his entire
point of view, the questionable antics of the
lovable little gamin may be remembered by
children long after his reform is forgotten.
(Note for parents with impressionable chil-
dren.) Unhackneyed, with a certain degree of
charm, this simple drama has elements both
of pathos and of humor. It is the type of
theme which elicits innumerable chuckles.
The direction is adequate and the actors real
and satisfying.
Adolescents, 12 to 16 Children, 8 to 12
Entertaining Yes
FORCOTTEN COMMANDMENTS » »
Gene Raymond, Marguerite Churchill, Irv-
ing Pichel, Sari Maritza. Direction by Louis
Gasnier and William Schorr. Paramount-
Publix.
“Forgotten Commandments" is evidently
intended as a preachment on the unsoundness
of Russian communistic theories. It shows in
modern Russian setting, that the idea of loy-
alty to the state, rather than to the family
is not tenable because basic human loyalties
do not permit a practical application. The
scientist and communist becomes merely a
jealous lover when his personal rights are
infringed. The producers had an opportunity
to present an interesting objective picture on
social doctrines, but the method of presenta-
tion confuses the issue and it is only another
plain spoken drama on the subject of extra-
marital relationships. The interpolated scenes
from Cecil De Mille’s “Ten Commandments"
attract attention as a revival, but add noth-
ing to the story, and suffer by comparison
with modern technique.
Adolescents, 12 to 16 Children, 8 to 12
No — Objectionable No
■w
CHOST VALLEY » »
Tom Keene, Merna Kennedy, Mitchell Har-
ris, Kate Campbell. Direction by Fred Allen.
R.K.O.
If the family has a leaning toward Western
melodrama made according to the usual
formula (hard riding, straight shooting and
much fighting), by all means go to see “Ghost
Valley" and take the children!
Adolescents, 12 to 16 Children, 8 to 12
Good Good
▼
HUDDLE » »
Ramon Novarro, Madge Evans, Una Mer-
kel, Ralph Graves. Direction by Sam Wood.
M.C.M.
Although Hollywood cannot refrain from
putting its own touch upon certain phases of
collegiate life, “Huddle” has a charm and
dignity which many college pictures lack. It
is the story of a steel foreman’s son who
wins a scholarship at Yale, and the authentic
background of “Old Eli” adds greatly to
the interest. The boy, who is egotistical
and crude when he enters the University,
learns in his four years the value of tradi-
tion, of good sportsmanship, and of scholar-
ship. It is a football story with an unex-
pected twist of realism in its denouement. The
most colorful and delightful scenes center
around the Italian hero’s home life in which
Motion Picture Reviews
Seven
Henry Armetta, as the father, gaves an out-
standing performance. It is good entertain-
ment for all ages.
Adolescents, 12 to 16 Children, 8 to 12
Entertaining Good
romantic flights, and pioneer characters, all
given in sincere “Western” style.
Adolescents, 12 to 16 Children, 8 to 12
Good Good
LETTY LYNTON » »
Joan Crawford, Robert Montgomery, Nils
Asther, Lewis Stone, May Robson. Direc-
tion by Clarence Brown. From a novel by
Mrs. Belloc-Lowndes. M.G.M.
Lctty is an exceedingly unconventional
young woman, but she regrets her past indis-
cretions when she falls in love with a nice
young man. In attempting to extricate her-
self from an entanglement with an unscrupu-
lous South American, she encounters serious
difficulties and is saved from a murder charge
only by the timely lies of her mother and her
fiance. With little variation “Letty Lynton”
is “Dishonored Lady,” in which Catharine
Cornell starred on the stage. In spite of
disgraceful ethics and a plot that reads like
arrant trash, this picture is skilfully directed
and photographed, well acted and deftly han-
dled in its entirety. One regrets that the
subject matter is not more worthy of its
superior treatment.
Adolescents, 12 to 16 Children, 8 to 12
Most unsuitable No
•v
MAN ABOUT TOWN » »
Warner Baxter, Karen Morley, Conway
Tearle. Direction by John Francis Dillon.
Fox.
Official Washington is the background for
an inconsistent melodrama in which good
actors partly redeem the poorly constructed
tale. The reaction to the situations pre-
sented is that if the heroine must commit
a murder it is well to have a fiance in the
government service who will unflinchingly
forsake duty and life for his loved one.
Adolescents, 12 to 16 Children, 8 to 12
No Unsuitable
MARKED MEN » »
Tom Mix, Lucille Powers, Willard Robert-
son. Direction by Edward Laemmle. Uni-
versal. (Seen in preview.)
This is a typical Tom Mix Western played
before interesting scenery and has the usual
quota of heroism, rapid riding and mass
gun play. The story concerns an outlaw
gang and their capture. There are thrills,
MERRILY WE GO TO HELL » »
Sylvia Sidney-Fredric March. From the
story, “I, Jerry, Take Thee Joan,” by Cleo
Lucas. Direction by Dorothy Arzner. Para-
mount-Publix.
The appeal of this picture will be limited.
It is a story of the demoralizing effect of
liquor and no doubt depicts with realism cer-
tain phases of life which can be duplicated in
any modern city, but many will feel that the
point could have been made with less in-
sistance on unsavory and vulgar details. Syl-
via Sydney and Fredric March are excellent
in their respective roles as the young wife
and the reporter-playwright, while the direc-
torship gives more power and distinction to
the production than it deserves.
Adolescents, 12 to 16 Children, 8 to 12
Very unwholesome No
•w
THE MIDNIGHT LADY » »
Sarah Padden, John Darrow, Claudia Dell,
Lina Basquette. Direction by Richard Thorpe.
Universal. (Seen in preview.)
Murder, martyred motherhood, racing
youth, selfish grandmother, unhappy family
life, artist roue, are all elements that make
up this sordid melodrama. Interest is sus-
tained by complications rather than by direct
story. All of the unplesant situations pos-
sible are embodied into a mediocre plot with
a few high lights of heavy dramatic charac-
ter portrayal.
Adolescents, 12 to 16 Children, 8 to 12
No No
•w
MIDNIGHT PATROL * »
Regis Toomey, Betty Bronson. From a story
by Arthur Hoerl. Direction by Cristy Ca-
banne. Monogrom-C. C. Burr.
The police may feel their rights infringed
upon, as it is a cub reporter who again un-
ravels the mystery in this picture. While it
is built upon a sordid situation, the principal
characters are young and clean-minded, and
it is not objectionable in tone. It is, however,
chaotic melodrama with lack of dramatic
emphasis and will not be remembered long
after the final curtain.
Adolescents, 12 to 16 Children, 8 to 12
Doubtful Not suitable
Eight
Motion Picture Reviews
MISLEADING LADY » »
Claudet Colbert, Edmund Lowe, Stuart Er-
win, Robert Strong. Direction by Stuart
Walker, Paramount-Publix.
An excellent cast do their best for a stupid,
uneven story which is neither farce, drama
nor comedy. A bored rich girl tries to con-
vince a producer that her allure is sufficient
to warrant a leading role in his new play.
She proceeds to demonstrate this aforemen-
tioned quality in the usual banal situations
such as: abduction by a strong silent ex-
plorer— a lonely mountain cabin, and — finally
truc love. Apparently the producer is satis-
fied by this artistic display. Not so the long-
suffering audience. The recommendation is
to stay home from this one!
Adolescents, 12 to 16 Children, 8 to 12
Certainly not No
■w
NIGHT WORLD » »
Lew Ayres, Boris Karloff, Hedda Hopper,
Mae Clark, Bert Roach. Direction by Hobart
Henley. Universal.
Behind the scenes in a night club, the audi-
ence is allowed to witness bits of drama in
the lives of the proprietor, his wife, the danc-
ing master, one of the girls, a chance cus-
tomer and the inevitable gangster. The story
is a heterogeneous collection of coincidences
and does not unfold smoothly. The atmos-
phere is unpleasant with an over-emphasis
of tawdriness, in spite of the unsullied inno-
cence of the juvenile leads.
Adolescents, 12 to 16 Children, 8 to 12
No Certainly not
-v
NO GREATER LOVE » »
Alexander Carr, Betty Jane Graham, Dickie
Moore, Beryl Mercer, Alec B. Francis. Direc-
tion by Lew Seiler. Foy Productions, Ltd.
(Released by Columbia.)
This tear-stained melodrama stretches cred-
ulity and good judgment in drawing a com-
parison between institutional and home life.
In the tenement world a bereft and crippled
child is cared for by a kindly Jew whose
love and devotion leads him to invest his
entire capital in her medical care. Hack-
neyed in plot, and badly overdrawn, it will
still have its human appeal in the old man’s
beautiful portrayal of great self-sacrifice to
his small charge, and the child’s reciprocal
warmth of feeling and appreciation. Bits of
humor relieve the tragic scenes, and a re-
markably fine cast will induce further inter-
est. It is entertaining, even though full of
emotional appeal.
Adolescents, 12 to 16 Children, 8 to 12
Fair Of interest — if not
too tragic
PASSPORT TO PARADISE » »
Jack Mulhall, Blanche Mahaffey. Direction
by George Senter. Weeks Production. (Seen
in preview.)
An amusing story woven about a whimsical
provision of a will fails to convince due to
the fairy tale complications, including a prin-
cess regaining her throne by revolution and
losing it again via the same method, and a
stow-away promoted to a ship’s officer en
voyage. The dramatic value is undeveloped
and the production wholesomely treated, but
there is nothing outstanding to recommend.
Adolescents, 12 to 16 Children, 8 to 12
Not harmful Not harmful
THE RICH ARE ALWAYS WITH US » »
Ruth Chatterton, George Brent, Adrienne
Dore, Bette Davis. Direction Alfred E.
Green.
“You are the most beautifully civilized
person I know,’’ says Julian (George Brent)
to Caroline (Ruth Chatterton), as they lunch
together in a fashionable restaurant. If being
civilized means maintaining one’s equilibrium
under stress, this is a true estimate, for Caro-
line becomes disillusioned about her hus-
band’s fidelity, concedes him a divorce and
repels a too ardent suitor with admirable
savior faire and undiminished sweetness.
The picture continues for seventy-one min-
utes because she cannot overcome her ma-
ternal solicitude for her ex-husband or forget
her duty as a former wife long enough to
acknowledge her love for Julian. Though
advertised under its inappropriate title as
a light and sparkling comedy, this production
is almost heavily tragic at times and the
theme is certainly not cheerful. Only the
extremely good performance of Miss Chatter-
ton and Mr. Brent gives the production any
claim to distinction. The cast is spotty, the
plot vague, the direction wavering, the sophis-
tication exaggerated. On the whole the pic-
ture is not convincing.
Adolescents, 12 to 16 Children, 8 to 12
Demoralizing No
Motion Picture Reviews
Nine
THE RIDER OF DEATH VALLEY » »
Tom Mix, Lois Wilson. Direction by Albert
Rogell. Universal Pictures Corp.
The struggle for possession of a gold mine,
with clearly defined heroism and wicked-
ness, forms the basis of the plot. The cast
is much better than one ordinarily finds in
a Western, and all give a good performance
including the beautiful intelligent horse,
Tony. Photography of the desert country
with shadows passing overhead is outstand-
ing. As a whole it is a good family picture,
although there are rather tense moments for
the youngest and most impressionable mem-
bers.
Adolescents, 12 to 16 Children, 8 to 12
Good Good although
very exciting
RESERVED FOR LADIES » »
Leslie Howard, Benita Hume, George Gold-
smith. Story by Ernest Vadja. Directed in
Paramount’s English studio by Alexander
Korda. Paramount-Publix.
Leslie Howard is cast as a headwaiter of
a fashionable London hotel, and is the darl-
ing of the ladies and the friend of their
escorts. Complications ensue when he falls
in love. The charm with which this English
production is endowed is a decided attrac-
tion. Settings, casting, diction are very fine,
and Mr. Korda’s skillful direction in deftly
handling the more sophisticated portions is
to be commended. It is a delightful comedy:
witty, satirical, amusing.
Adolescents, 12 to 16 Children, 8 to 12
Not harmful No interest
SOCIETY CIRL » »
Peggy Shannon, Walter Byron, James Dunn,
Spencer Tracy. Direction by Sidney San-
field. Fox.
Hollywood’s idea of a “Society Girl” is,
to put it mildly, astonishing! Peggy Shannon,
as a society' girl spoiled, and bored with a
life of gaiety, recuperates with a young prize-
fighter (much to his detriment). But neither
bad grammar on his part nor easy morals on
hers, succeed in hindering the course of true
love. The actors are well cast, and some will
enjoy the training and fight scenes, but the
tone of the whole is unwholesome and the
story absurd.
Adolescents, 12 to 16 Children, 8 to 12
No No interest
THE STRANGE LOVE OF MOLLY LOUVAIN
Anne Dvorak, Lee Tracy. From “Tinsel
Girl,” by Maurine Watkins. Direction by
Michael Curtiz. Warner Bros.
"The Strange Love of Molly Louvain” with
its sordid details might be the case history
of some unfortunate girl delinquent. Deserted
by her mother, betrayed by a lover, kept by
a gangster and rescued by a newspaper re-
porter, Molly is amusing but pathetic, brave,
tough and sentimental. Lee Tracy does ex-
ceedingly well as a type of breezy “wise
guy" whose quick wit is entertaining, but
not original. After the overdose offered in
the past few months, police headquarters,
gangster parties and newspaper offices are
growing decidedly less interesting. We see
nothing in this picture to weigh against the
staleness of its material. The implied happy
ending is incongruous.
Adolescents, 12 to 16 Children, 8 to 12
Pernicious Certainly not
■sr
THE TENDERFOOT » »
Joe E. Brown, Ginger Rogers, Lew Cody.
Direction by Ray Enright. Warner Bros.-
First National.
In this picture Joe E. Brown plays the role
of a garrulous country boy from Texas,
punctuating his remarks with many “Whoo-
pees!” He arrives in the city and is imme-
diately swindled by some theatrical producers.
Later he gets the better of them by a ludricous
coup d’etat and earns for himself the reputa-
tion of a great satirist. Without a doubt
children will love this. It is full of action
and good clean comedy, and it will not dis-
appoint the “fans” who should know by now
what to expect.
Adolescents, 12 to 16 Children, 8 to 12
Very entertaining Good fun
~v
TWO SECONDS » »
Edward G. Robinson, Vivienne Osborne.
Adapted from stage play by Elliott Lester.
Direction by Mervyn LeRoy. Warner Bros.
This is unrelieved tragedy, the grim and
ugly events which caused a simple, kindly
man to murder the woman who wrecked his
life. In two seconds, as the current is turned
on in the electric chair, he relives his experi-
ences. Two shocking scenes harrow the
spectator almost to the breaking point. One
where his follow riveter falls from the steel
construction to his death ; the other where
Robinson screams his denunciation of punish-
ment for murder, when he believes that liv-
ing on the wages of a kept woman was the
greater crime. As a study in psychology it
Motion Picture Reviews
T en
holds possible interest, and Mr. Robinson
gives an excellent characterization of the be-
wildered victim who goes to pieces under the
strain. But it is sordid and ugly and not
always convincing in details. It is not enter-
tainment in any sense.
Adolescents, 12 to 16 Children, 8 to 12
Absolutely not Absolutely not
v
WEEK-END MARRIAGE » »
Loretta Young, Norman Foster. Direction
by Thornton Freeland. Warner Bros. (Seen
in preview.)
This picture gets off to a fast start, prom-
ising a degree of excellence which unfortu-
nately it fails to realize. Apparently it is
an attempt to show that a wife can’t keep
both her office job and her husband, especially
if she earns more money than her spouse.
Man needs to be looked after and fussed
over; if his wife leaves him to his own
devices he will drink too much and some
other woman will usurp her perogatives.
Loretta Young as a charming and successful
young business woman discovers that she has
been less successful as a wife, and rather
unexpectedly gives up her career. Whatever
one’s “idee fixe” on the thesis of the plot, a
pretty heroine, romance and comedy combine
to make this film sufficiently entertaining.
Adolescents, 12 to 16 Children, 8 to 12
Hardly suitable No interest
WESTWARD PASSAGE » »
Ann Harding, Laurence Olivier, Irving Pichel.
From the novel by Margaret Ayer Barnes.
Direction by Robert Nelson. R.K.O.
“Westward Passage” as a novel was a
lightly diverting story of a selfish woman
who desired to have her cake and eat it, too.
It was confused in ethics but at least pre-
sented a consistent characterization of a
woman who left her first husband because
his artistic temperament and lack of funds
made living too difficult, who marries a sin-
cerely devoted and wealthy American of
German descent, and then, attracted again by
the man she left, now a successful novelist,
tries to return to him but cannot adapt her-
self to the mode of life necessary to his suc-
cess. The picture, while following this same
general outline, is more confused morally,
and the theme seems trivial and illogical.
The casting of Miss Harding as “Olivia” is
unfortunate because she appears too “real”
a person to descend to the depths of dis-
loyalty and selfishness she is called upon to
portray. The dialogue is at times wordy, at
others sophisticatedly witty. The direction
is good, except that it lacks finesse. While
the cast insures interest, the production is
somewhat dull and incredible.
Adolescents, 12 to 16 Children, 7 to 12
Unsuitable No
Motion Picture Reviews
Eleven
SHORT SUBJECTS
♦
ALL AROUND TOWN » »
Educational Pictures, Inc.
This Hodge Podge number contains mis-
cellaneous views of life in New York. It is
fairly interesting because of its variations
and has educational elements, but it is not
outstanding because the subject matter has
been used too often before.
v
BARNYARD OLYMPICS » »
Mickey Mouse. Walter Disney. Columbia.
Mickey Mouse goes Olympic. Especially
good fun for all.
■w
BEES AND BEARS » »
Silly Symphony. Walter Disney. United
Artists.
A particularly charming and diverting car-
toon, from both musical and pictorial view-
point. Recommended for all.
'W
BOULDER DAM » »
Talking Picture Epics. Accompanying de-
scription by Pat Dowling.
Excellent. Shows the progress made, gives
a good idea of the problems involved and
what is expected to be accomplished.
■v
CAMERARINC IN CANADA » »
Talking Picture Epics. Principal Distribut-
ing Corporation. Comments by Catherine
Hilliker.
Wilderness of Canada twenty-four hours
from New York, fisherman’s and hunter’s de-
light. Excellent subject, but again inane and
silly comments.
■w
CAMERARINC IN BORNEO » »
Talking Picture Epics. Principal Distribut-
ing Corporation. Comments by Catherine
Hilliker.
Native and natural life shown in pictorial
beauty, but marred by inane commentary.
■w
CAMERARING IN IGUASSU » »
Talking Picture Epics. Principal Distribut-
ing Corporation. Comments by Catherine
Hilliker.
Breath-taking beauty of this river and jun-
gles in Brazil, caught by wonderful photog-
raphy. The facetious comments could easily
be dispensed with.
CAMERARING ON THE PACIFIC » »
Talking Picture Epics. Principal Distribut-
ing Corporation. Comments by Catherine
Hilliker.
Guadalupe Island off the coast of Peru,
refuge for birds, sea lions, etc. Offensive
comments mar film.
FLOWERS AND TREES » »
Silly Symphony. Walter Disney. United
Artists.
Against a background of good music, flow-
ers awake and the trees indulge in romantics.
A good short for any program, especially
children’s matinees.
•w
HAPPY POLO » »
Aesop Fable. Van Buren Corp.-R.K.O.
A delightful, impossible animated cartoon
in which a mouse hero plays polo on a
jointed wooden toy horse and rescues a mouse
heroine pursued by a villainous cat. Per-
fect for children. Lovely nonsense for any-
one.
•w
ISLAND OF PERILS » »
Produced by Sol Lesser. Directed by Cap-
tain Sten De Nordenskiold.
“Island of Perils” is a most unusual and
interesting travelogue giving us intimate
glimpses of the life and customs of the
Islands of Faroe.
JUST DOGS » »
Silly Symphony. Walter Disney. United
Artists.
In this animated cartoon dogs of all shapes
and sizes are released from the pound by
an enterprising bull pup. Amusing for chil-
dren, but not up to the Disney standard.
PATHEAUDIOREVIEWNo.il » »
Produced and Released by R.K.O.-Pathe.
Three subjects are included in this review.
The first is exquisite photography of the
cathedral Notre Dame de Chartres. The
second shows an American presenting rouge,
powder and lingerie to Eskimo women in
Labrador in return for raw fish and blub-
ber. In the third the Hill Billies give several
cowboy songs with unexpected charm.
Twelve
Motion Picture Reviews
THE PROWLERS » »
Educational Pictures, Inc.
Native life in central Africa is the subject
with special emphasis upon the hunters’ dan-
gers from predatory animals. Exceptional
camera shots give an excellent idea of the
habits of various beasts. Interesting and in-
structive for all.
■w
SPEEDWAY > »
Educational Pictures, Inc.
Several speed kings of the automobile race
track demonstrate their skill. There are
close-ups of two or three terrific accidents
which make it undesirable for sensitive chil-
dren, and the newsreel type of presentation
detracts from its interest. Its chief appeal
will be to “fans” of automobile racing.
•w
SEEN IN SYRIA » »
Talking Picture Epics. Principal Distribut-
ing Corporation. Comments by Catherine
Hilliker.
From Beirnt, with its American University,
to Damascus; beautifully photographed and
accompanied by pleasantly informative com-
mentary.
SPRING ANTICS » »
Aesop Fable. Van Buren Corp.-R.K.O.
With the departure of winter, spring is
proclaimed by the ground hog whom we see
leading an orchestra. The animals have
checked their fur coats, and there is con-
sternation when a belated snowfall interrupts
the festivities. Entertaining for all ages.
•v
TRAIL OF THE SWORDFISH » »
Educational Pictures, Inc.
A long, losing battle with a swordfish is
shown. Interesting sound effects, good de-
scription and excellent photography.
WRESTLING SWORDFISH » »
Educational Pictures, Inc.
This Mack Sennett film depicts various
types of deep sea fish in Southern waters
and winds up with the struggle involved in
landing a large shark. The second-rate mono-
logue may be overlooked, since the picture is
beautifully taken. Interesting for everyone,
especially for junior boys.
Motion Picture Reviews
Thirteen
INDEX JANUARY TO JUNE, 1932
FEATURE FILMS
A
After Tomorrow - - -
Alias the Doctor - - - -
Amateur Daddy -
Are You Listening -
Arsene Lupin -
As You Desire Me -
Avalanche -
Her Majesty Love
High Pressure
Hotel Continental
Husband’s Holiday
April
March I
April Impatient Maiden
Fehrnarv Intimate - — —
February It's Tough to Be Famous
May -
B
Beast of the City, The - February
Beau Hunks ------ January
Beauty and the Boss ----- April
Behind Stone Walls ----- May
Behind the Mask ----- April
Big Timer, The ------ May
Broken Lullaby, retitled from Man I Killed - February
Broken Wing ------ April
Business and Pleasure - February
But the Flesh Is Weak ----- April
Ladies of the Big House
Ladies of the Jury
Lady With a Past, The
Law and Order
Law of the Sea
Lena Rivers - - -
Letty-Lynton
Local Bad Man, The
Lost Squadron
Lovers Courageous
M
C
Cain - - - - -
Careless Lady -
Carnival Boat
Charlie Chan’s Chance
Cheaters at Play
City Sentinels -
Cock of the Air
Cohens and Kellys in Hollywood
Corsair - - - -
County Fair - - -
Crowd Roars, The
D
Dancers in the Dark
Dance Team
Destry Rides Again
Devil’s Lottery
Disorderly Conduct
Docks of San Francisco, The
Dr. Jekyl and Mr. Hyde
Doomed Battalion
E
Emma
Expert, The
April
April
March
February
February
January
January
April
January
April
May
April
January
May
April
February
April
January
June
January
February
F
Famous Ferguson Case - - - - June
Fast Companions ----- June
Final Edition, The ----- April
Fireman Save My Child - March
Forbidden ------- March
Forgotten Commandments - June
Freaks - - March
C
Galloping Through ----- January
Gay Caballero ----- February
Ghost Valley ------ June
Girl Crazy ------ April
Girl of the Rio ------ January
Grand Hotel ------ May
Greeks Had a Word for Them, The - - April
H
Hatchet Man, The ----- February
Heart of New York ----- April
Hell Divers ------ January
Hell House ------- May
Maker of Men
Man About Town
Man From New Mexico, The
Man I Killed, The
Man Wanted - - -
Man Who Played God, The
Manhattan Parade
Marked Men -
Mata-Hari -
Men in Her Life
Men of Chance
Menace, The -
Merrily We Go to Hell
Michael and Mary
Midnight Lady
Midnight-Patrol
Miracle Man, The
Misleading Lady
Mouthpiece, The
N
Neck and Neck
Nice Women
Night Court
Night World
No Greater Love
No One Man
O
One Hour With You
P
Panama Flo
Partners
Passionate Plumber, The
Passport to Paradise
Peach o’ Reno
Play Girl
Police Court
Polly of the Circus
Prestige
Private Lives
Probation
R
Racing Youth -
Rad io Patrol - - -
Rainbow Trail, The
Reserved for Ladies
Rich Are Always With Us, The
Rider of Death Valley, The
Roadhouse Murder, The
January
February
March
January
March
February
May
January
January
February
February
February
April
June
February
March
February'
March
June
May
February
April
February
January
June
January
January
January
April
June
March
June
June
April
June
May
February
March
May
June
June
February
March
January
January
March
June
January
April
March
February
February
January
April
January
May
January
June
June
June
May
Fourteen
Motion Picture Reviews
s
Saddle Buster, The -
Scandal for Sale -
Scarf ace -
Secret Witness, The - -
Shanghai Express -
Sherlock Holmes’ Fatal Hour
She Wanted a Millionaire
Shop-Worn -
Silent Witness, The
Sin’s Payday -
Sky Bride - - - -
Sky Devils -
So Big -
Society Girl -
Sooky ------
Soul of the Slums, The -
State’s Attorney -
Steady Company -
Stepping Sisters -
Strange Affair. A -
Strange Case of Clara Deane
Strange Love of Molly Louvain
Strangers in Love, retitled from Intimate
Symphony of Six Million
T
Tarzan -
Taxi -
Tenderfoot -
Texas Pioneers -
This Is the Night -
This Reckless Age
Tomorrow and Tomorrow
Torchy Turns the Trick
Trial of Vivienne Ware, The
Two Kinds of Women
Two Seconds - - -
U
LTnder Eighteen
Unexpected Father
Union Depot
V
Vanishing Men -
Vanity Fair - - - - -
W
Wayward - - - - -
Week-end Marriage -
Westward Passage -
Wet Parade, The -
When a Feller Needs a Friend
Wiser Sex, The -
Woman Commands, A
Woman From Monte Carlo, The
Woman in Room 13, The
Working Girls - - -
World and the Flesh, The
X
X Marks the Spot -
Y
Young America -
Young Bride -
Z
Zane Grey’s South Sea Adventures
SHORT SUBJECTS
Aesop’s Fables
Cat’s Canary - - - -
Fly Frolic -
Happy Polo - - - -
Last Dance -
Magic Art -
Romeo Monk - - -
Spring Antics -
Toy Town -
March
May
May
February
February
January
March
May
February
May
May
May
May
June
January
January
May
April
January
January
May
June
February
April
May
February
June
March
May
January
February
January
April
January
June
January
January
February
April
April
March
June
June
April
May
April
April
January
May
January
May
January
May
April
February
April, May
April
June
February
May
March
June
February
Ahoy -----
-
_
January
All Around the Town
_
_
June
Anybody’s Goat -
-
-
February
Athletic Days -
-
-
April
Beautiful and Dumb
-
-
May
Crosby, Colombo and Valee
-
-
April
Fancy Curves -
-
-
January
Freddy, the Freshman
-
-
April
Grantland Rice Sportlights
Bob White - - -
.
March
Canine Champions
-
January
Ducks and Drakes
-
-
February
Flying Leather
-
-
April
Slim Figuring
-
March
Take Your Pick
-
-
May
Uncrowned Champions
-
-
February
Helpmates -
_
March
Hurry Call -
-
March
Idyll of Seville -
-
-
May
Keep Laughing -
-
-
February
Lasca -
May
Mickey Mouse Cartoons
Barnyard Olympics
-
-
June
Duck Hunt -
-
-
February
Grocery Boy -
-
March
Mickey Cuts Up
Mickey’s Orphans
Mother’s Holiday -
-
-
May
-
-
January
-
March
My Ladies Escape
-
-
May
Old Songs For New
-
-
May
Pathe Audio Review No. 2
_
_
June
Pathe Audio Review No. 8
_
-
March
Pathe Audio Review No. 9
-
-
April
Pathe Audio Review No. 10
-
-
May
Pictorial No. 8
-
-
May
Play Ball With Ruth
-
-
January
Screen Souvenirs -
-
_
May
Secretary Preferred
-
-
May
Self-condemned - - -
-
-
January
Silly Symphony Cartoons
Bees and Bears
_
-
Tune
Flowers and Trees
-
June
Just Dogs -
-
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June
Mad Dog -
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-
May
Ugly Duckling _
-
January
Slip at the Switch, A
-
-
May
Speedway -
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June
Tony Wong’s Scrap Book
-
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February
Torchy Too Toots
-
-
February
Trail of the Swordfish
-
-
June
Travelogues
Boston Common
_
_
February
Boulder Dam
_
_
June
Cameraring in Iguassu
_
-
June
Cameraring in Borneo
-
_
Tune
Cameraring in Canada
_
_
June
Cameraring in the Pacific
-
-
June
City of Faith -
-
-
February
Desert Regatta
-
-
April
Door of Asia - - -
_
March
Empire of the Sun
-
-
May
Found in Morocco
-
-
February
Gaunt -
-
-
May
Happy Hunting Ground -
-
-
February
Island of Perils
-
_
June
Land of Chewing Gum
-
-
May
Land of the Feathered Serpent
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May
Land of Ghandi
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February
Living God of the Mongols
_
-
March
Mexico Today -
February
Prowlers -
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June
Second Paradise
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May
Seen in Syria - - -
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June
Stocklolm -
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Mav
Vendetta -
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May
War in China
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May
Whippet Racing
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May
Whispering Bill
-
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May
Wrestling Swordfish
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-
June
MOTION
PICTURE
REVIEWS
THE WOMEN’S UNIVERSITY CLUB
LOS ANGELES, CALIFORNIA
JULY 1932
THE WOMEN’S UNIVERSITY CLUB
Los Angeles Branch American
Association of University Women
943 SOUTH HOOVER STREET
Telephone DRexel 2177
COPYRIGHT NINETEEN THIRTY. TWO
WOMEN S UNIVERSITY CLUB
WE8BCRAFT PRINTERS. 1051 ARI INiirnN AVF. .
OS ANfjtl F 5
Motion Picture Reviews
Three
MOTION * PICTURE * REVIEWS
Published monthly by
THE WOMEN’S UNIVERSITY CLUB
LOS ANGELES BRANCH
AMERICAN ASSOCIATION OF UNIVERSITY WOMEN
Mrs. Gerard A. Murray Mrs. Madison J. Keeney Mrs. Bruce A. Findlay
Preview Chairman Business Manager Asst. Business Manager
Mrs. John Vruwink - Co-Chairmen - Mrs. Palmer Cook
EDITORS
Mrs. J. Allen Davis Mrs. John Vruwink Mrs. Walter Van Dyke
Mrs. Palmer Cook Mrs. Arthur Jones Mrs. F. H. Partridge
Address all communications to The Women’s University Club, 943 South Hoover St., Los Angeles, Calif.
1 Oe Per Copy - - $1.00 Per Year
Vol. Ill JULY, 1932 No. 7
EDITORIAL
The object of this bulletin is to assist our
friends, young and old, to select the motion
picture best suited to their tastes. That many
of our youthful friends have accepted our
suggestions in the spirit intended is gratify-
ing, and we were very much interested in
the following survey by students to find out
just what high school and grammar school
pupils really liked. We reprint the following
article by Lois Smyth, from the Los Angeles
School Journal, with permission of Miss
Helen Moore, under whose supervision the
survey was made. We believe that it shows
that selective attendance (not censorship as
the young writer puts it), is advisable, espe-
cially among the younger male students who
admit that war and gangsters have the
greatest general appeal.
STUDENT SURVEY OF MOVIE PREFERENCES
By Lois Smyth, A12, Abraham Lincoln High School
A movie survey which was made this
semester of 1400 students, who ranged from
the seventh to the twelfth grades, has proved
to be one of the most interesting projects
ever undertaken by the Daily Railsplitter of
Lincoln High School at Los Angeles.
For more than a year previous to the sur-
vey, the Railsplitter had printed resumes of
the movie reviews which are published
monthly in pamphlet form by the Los
Angeles Women’s University Club and the
D. A. R. It was agreed that the critics who
wrote the reviews recommended for ado-
lescents movies that were very much worth
while. However, interest was aroused in
what the students themselves preferred,
whether their choice of movies was good
enough to make unnecessary the more strict
motion picture censorship which women’s
clubs are advocating all over the country.
Ideas formulated into actions. Sheets of
paper were mimeographed and passed to
the home-room teachers. The sheets were en-
titled, “What kind of movies do you prefer?”
and asked for the following information of
each individual student: initials, (to assure
an authentic vote), sex, grade, and choice of
movies (name of movie, star, or type of pic-
ture). No definite answers were required
of the boys and girls, as the idea of the
survey was to obtain statements from them
which would best express their true opinion
of their motion picture entertainment.
Some of the results proved to be so inter-
Four
Motion Picture Reviews
esting that it was decided to extend part of
the investigation to a few of the nearby
grammar schools. And so, with the kind co-
operation of their principals and teachers,
the 7th and 8th grade pupils of three schools
were questioned as to how often they
attended the movies and what kind they liked
the best, we were greatly interested when
each school handed in widely different
results.
Grammar School Results
The one in which most of the students
have American-born parents, had the fol-
lowing conclusions: One boy never went to
the movies, eight went seldom, eight went
once in two weeks, twenty-six went once a
week, and fifteen went from two to six times
a week. Of these boys, twenty preferred War
pictures, eighteen Comedy, seventeen Wes-
tern, one Gangster, and not even one vote
was cast for romance.
In the same school, three girls never went
to the show, eleven but seldom, eight once
in two weeks, twenty-five once a week, and
ten went at least two times a week. Of them,
eighteen liked Comedy pictures the best, fif-
teen Western, eight Love films, five Gang-
ster and four War.
The teacher who was in charge of the
survey stated: “The girls who do prefer
romance I know to be older than the rest.
Not only are they old enough to be in high
school, but most of them have nothing else
to think about.’’
In another of the schools, nearly all the
students have foreign-born parents. Three
of these girls said they never went to pic-
tures, six went seldom, three once in two
weeks, eighteen once a week, and thirteen
twice a week or more. They preferred Ro-
mance to all others, giving it nineteen votes
and its nearest competitor but nine. Of the
boys, one never attended movies, six went
but seldom, four once in two weeks, thirteen
once a week and twelve twice a week or
more. They seemed to prefer Gangster and
Western films, giving them fourteen and
twelve votes respectively, while comedy,
which was third highest, received only six
votes.
The children of American-born parents are
about evenly divided in the third school with
those of foreign-born parentage. Eight of
these boys seldom went to the movies, two
went once in two weeks, twenty-six went
once a week, and twenty twice a week at
least. When twenty-three of them did go
they hoped to see a War picture, while
twelve preferred Gangsters, making it sec-
ond in popularity. Sixteen of the girls atten-
ded a motion picture only seldom, two went
once in two weeks, twenty-six once a week,
and fifteen went two or more times a week.
Here, Romance also claimed first place with
twenty-four votes and Comedy came in sec-
ond with fourteen.
In totaling the girls, thirty-eight went two
times or more a week, sixty-four went once
a week, thirteen once every two weeks,
thirty-three seldom, and six never attended
picture shows. They preferred Romance
above all else, giving it fifty-one votes,
Comedy thirty-five, Western twenty-eight.
Gangster fourteen, Tragedy eleven, and
War seven. The total of the boys shows
that forty-seven saw a picture at least twice
a week, sixty-five once a week, four once in
two weeks, twenty-two but seldom, and two
never went. Forty-three chose War pictures,
thirty-seven Gangsters, thirty-five Western,
thirty-one Comedy, seven Tragedy, and six
Romance .
Perhaps the most serious result found in
the above figures, is the preference for
Gangster films found among the boys. Not
only are these films found to be largely
worthless, but an evil, in that they give a
glamorous and romantic touch to the sordid
life of the gangsters. In fact, they become
quite a problem when they appeal to poor
youngsters of an impressionable age. For
instance, one little boy said he preferred
gangster pictures, and when asked how often
he went to a movie, made the plaintive reply,
“Whenever I get 35 cents, and that isn’t
very often.”
High School Results
As for the girls in high school, they also
liked to see a Romance movie, giving it one
hundred forty-seven votes, while fifty-eight
were cast for Mystery, fifty-two for Comedy,
fifty-one for Tragedy, forty-two for Western,
twenty-three for College, sixteen for Sports,
fourteen for War, and twelve for Modern.
There were also numerous other types that
were barely more than mentioned.
In a fight for popularity with the boys,
Comedy finally won over War, with but one
extra vote to its credit, while Aviation came
third, Mystery fourth, Western fifth, Gang-
ster sixth, Sports seventh, Adventure eighth,
and Romance ninth. Many other types were
also voted upon, but received less than fif-
teen votes.
“Spirit of Notre Dame” was the most
popular picture with both the boys and the
girls. The latter chose “Daddy Longlegs”
as a close second, and the boys made
“Dirigible” and “Four Horsemen” their sec-
ond and third favorites.
A rather singular fact was disclosed when
it was discovered that the girls preferred
women stars and the boys preferred men.
Janet Gaynor won first place in the girls’
estimation with seventy-five votes, while Joan
Crawford received fifty-eight, Nancy Carrol
thirty-two, Norma Shearer twenty-eight,
Motion Picture Reviews
Five
Greta Garbo twenty-three, Constance Ben-
nett twenty-one, Clara Bow eleven, Marie
Dressier eight, Barbara Stanwyck eight, and
Polly Moran six. The girls also cast thirty-
nine ballots for Robert Montgomery, thirty-
two for Clark Gable, twenty-seven for
Charles Farrell, nineteen for Lewis Ayres,
eighteen for Buddy Rogers, sixteen for Gary
Cooper, and fifteen for Will Rogers.
The boys did not mention the stars as often
as the girls, but those who did preferred Joe
E. Brown. The rest are popular according
to the following order: Laurel and Hardy,
Lewis Ayres, Jack Holt, Edward Robinson,
Wallace Beery, Harry Carey, and Tom Mix.
Very few of the boys chose a woman star as
their favorite, Norma Shearer and Janet
Gaynor tied for first place with just six votes
apiece, Joan Crawford came next with four
votes, and Sylvia Sidney came third with
only two votes.
FEATURE FILMS
♦
AMERICAN MADNESS » »
Walter Huston, Kay Johnson, Pat O’Brien,
Constance Cummings, Cavin Cordon. Di-
rection by Frank Capra. Columbia.
At the risk of seeming effusive we wish to
recommend this picture in superlatives. The
theme is timely, the acting excellent (Mr.
Huston again presenting a gratifying per-
formance), the direction resourceful, and it
is great entertainment. It is propaganda
against mob hysteria and builds toward con-
dence and a belief in “better times,” but it
is so skillful and refreshing in its method
that one is aware only of its entertaining
qualities. The plot tends to prove that char-
acter, integrity and honesty are better col-
lateral when properly evaluated than
material assets, and that this idealism can be
effectively combined with good business. The
action is gripping and dramatic and emo-
tionally stirring. It is necessary to have seen
the picture to appreciate that the title can
be appropriate. It conveys little hint of the
subject matter.
Adolescents, 12 to 16 Children, 8 to 12
Good Mature
A NOUS LA LIBERTE » »
A French production. Films, Sonores Tobis.
Direction by Rene Clair. Distributed in
U. S. by Harold Antin.
This French picture satirizes modern busi-
ness and society. While it is very nearly bur-
lesque and almost slapstick comedy, it has a
lyric quality that makes it unique in this coun-
try. The principal characters are first en-
countered in a ridiculous prison. One makes
his escape and goes into the business of
manufacturing phonographs, employing in
his factory the exact regime of the prison
workshops. Having become enslaved by his
factory and his accumulating fortune he is
finally rescued by his pal and shakes off the
fetters of his business and social obligations
to become really free. The comedy is remin-
iscent of Chaplin in his lightest moments.
It is a sparkling production at which one
smiles continuously but seldom laughs aloud.
Adolescents, 12 to 16 Children, 8 to 12
Entertaining No interest
ATTORNEY FOR THE DEFENSE » »
Edmund Lowe, Evelyn Brent, Constance
Cummings. Direction by Irving Cummings.
Columbia.
Unless one has a zest for the vicissitudes
of district attorneys this picture will seem
rather superfluous. It contains nothing new
either in the progression of the plot or in
the technique of its portrayal.
Adolescents, 12 to 16 Children, 8 to 12
Not recommended No.
BACHELOR’S AFFAIRS » »
Adolph Menjou, Joan Marsh, Minna Gom-
bel, Irene Purcell. Direction by Alfred
Merker. Fox.
The dire results of elderly bachelors tak-
ing unto themselves sprightly young wives
is the subject of this flippant and amusing
story. Adolph Menjou as the polished, quick-
witted older man is shown in a situation
which gets beyond him although he is hum-
orously conscious of his quandary. The excel-
lent acting of the cast turns what might have
been extreme farce into a light and sophisti-
cated comedy which will probably entertain
adult audiences by its realistic absurdities.
Adolescents, 12 to 16 Children, 8 to 12
Passable. Negative value. Too mature
BEYOND THE ROCKIES » »
Tom Keene, Rochelle Hudson. Direction by
Fred Allen. R.K.O.
Again the “clever sheriff brings a danger-
ous character to justice.” Tom Keene is the
Six
Motion Picture Reviews
personable hero of this western melodrama
of early days of stage coaches and cattle
rustling, and an unusual and entertaining
effect is the singing of the cowboys on the
range. It has an old plot, nicely handled,
which will probably entertain the younger
members of the family more than their
elders.
Adolescents, 12 to 16 Children, 8 to 12
Passable Probably entertaining
BRING ’EM BACK ALIVE » »
Direction by Clyde Elliott. Photography by
Nick Cavaliere. R.K.O.
Frank Buck, adventurer and trapper of
wild animals, is the author of a book pub-
lished a year or so ago on bringing speci-
mens back alive for American geological
gardens. R. K. O. sent Mr. Buck back to
Sumatra and to the Malay jungles to visu-
alize this book. The result is a remarkable
experience. It has no story, but is a well
developed presentation of thrilling adven-
tures so cleverly timed and photographed
that one is unaware of the camera. There
are engrossing fights between wld animals,
reminiscent of U. F. A.’s masterpiece of the
mongoose and the cobra, and throughout the
entire picture, a naturalness and evident
authenticity which is very convincing and
entertaining. Delightful humor is supplied
by the captives themselves. Mr. Buck’s clear
conversational explanations are a very pleas-
ing accompaniment to this unusually interest-
ing film.
Adolescents, 12 to 16 Children, 8 to 12
Excellent Good, unless child is
easily excited
•sr
BROWN AT CULVER » »
Tom Brown, H. B. Warner, Slim Summer-
ville, Richard Cromwell. Direction by Wil-
liam Wyler. Universal.
The outlook of this picture is fresh, clean,
full of vigorous boyhood. It has a plot with-
out a girl, without a final football game, with-
out a greulling race. It is unique! A home-
less, disillusioned boy is given a scholarship
at Culver Military Academy by the Ameri-
can Legion in memory of his father’s bravery
and death in the war. The development of
his character amid the surroundsing provides
the story. Some may object to so militaristic
an atmosphere at a time when we are
stressing international peace, but such a
school also teaches self discipline, regularity,
recognition of law and authority, and the
final scene emphasizes an ideal inscribed
on the Indiana war memorial — “vindicating
the principles of peace and justice.” It is
a consistent, entertaining story which will un-
doubtedly appeal to the family, including the
children.
Adolescents, 12 to 16 Children, 8 to 12
Great interest Good moral training and
not too exciting
CONCRESS DANCES » »
Lillian Harvey, Henry Carat, Conrad Veidt,
Lil Dagover, Reginald Purdell. An Erich
Pommer Production, Ufa. Direction by Eric
Charell. Distributed by United Artists.
The charm and vivacity of this delightful
musical comedy should prove irresistable to
all audiences. Czar Alexander’s gay romance
with a little flower girl is etched against the
gorgeous and colorful background of the
Vienna of 1814 and the lovely elusive music
of Viennese dance and song enhances the
romantic gaiety and sparkle of the exquisite
production. Do not overlook so outstanding
an example of perfect workmanship.
Adolescents, 12 to 16 Children, 8 to 12
Charming Possibly too mature
THE DARK HORSE » »
Warren William, Bette Davis, Guy Kibbee,
Vivienne Osborn. Direction by Alfred E.
Greene. Warner Bros.-First National.
“The Dark Horse” is a political caricature
which is most amusing in its novetly and in
its bits of absurd burlesque. After a dead-
lock at a convention, a silly, stupid old man
is nominated for governor and is actually
elected after some ridiculous campaign inci-
dents. The humor is crude at times, but the
satire is keen and one feels that even the
rather broad vulgarity is put in with the pur-
pose of poking fun at similar elements in
real politics. Any man who has had a hand
in a political campaign will find this a highly
entertaining picture.
Adolescents, 12 to 16 Children. 8 to 12
No value No
DOWN TO EARTH » »
Will Rogers, Irene Rich, Dorothy Jordan.
Direction by David Butler. Fox Film Corp.
An elaborately produced depression story
devoted almost entirely to Will Rogers’ witti-
cisms. Too exaggerated to be subtle, not
exaggerated enough to be burlesque ,too seri-
ous to be satire, and not sincere enough to
ring true ,it however gives Mr. Rogers an
opportunity to comment on the times, and his
admirers will feel repaid.
Adolescents, 12 to 16 Children, 8 to 12
Harmless No interest
Motion Picture Reviews
Seven
IS MY FACE RED »
Ricardo Cortez, Helen Twelvetrees, Robert
Armstrong, Jill Esmond. Direction by Wil-
liam Seiter. R.K.O.
The story pictures frankly and possibly
with a measure of truth, a phase of news-
paper reporting which seems to have caught
the popular fancy for the moment: that of
the muck-raking columnist who airs the
daily scandals of people in the public eye.
It is not elevating but the sophisticated audi-
ence will probably find it amusing in its
risque and cruel humor. There is no middle
decent level. It portrays easy spending
gangsters, and the equally lax easy spending
fast “society” group, both the prey of the
unmoral, conceited and selfish reporter out
for “news at any cost.” Smooth direction
and an expert cast hold interest in spite of
the ugliness it recounts.
Adolescents, 12 to 16 Children, 8 to 12
No No
•w
LADY AND CENT » »
George Bancroft, Wynne Gibson. Direction
by Stephen Roberts. Paramount-Publix.
Here is an hour of real enjoyment,
strangely enough spent in the company of a
racy night club hostess and a hard-boiled
prizefighter. It is a story of the heart, not
of conventional ethics. But how these two
people are transformed and learn to accept
the standards of the home loving, productive
community into which they are thrown is a
vivid and stimulating experience although
some of the sordidness of the opening scenes
might have been shortened. Their transition
in character is made quite naturally and
without sentimentality through love of their
protege, and both remain “in character”
throughout, although their appreciation of
the values in life is changed materially. It is
a comedy drama — different and entertaining.
Adolescents, 12 to 16 Children, 8 to 12
Passable No
LOVE IS A RACKET » »
Douglas Fairbanks, Jr., Frances Dee, Ann
Dvorak. Direction by William A. Wellman.
Warner Bros. -First National.
Fairbanks Jr.’s personal charm alone gives
this trite story what claim it may have to
distinction. As a young newspaper reporter
who becomes involved in a murder to save
the reputation of the actress with whom he
is infatuated, and who is then thrown over
for another man, he decides in his disillu-
sionment, that “Love is a racket” and that
he is through with women. It is not par-
ticularly elevating in detail and is quite
mediocre entertainment.
Adolescents, 12 to 16 Children, 8 to 12
No No
■sr
MAN FROM YESTERDAY » »
Clive Brook, Allan Mowbray, Claudette Col-
bert. Direction by Berthold Viertel. Para-
mount-Publix.
The “Man from Yesterday” is a vivid and
absorbing drama of war and its after effects
upon the lives of those it touches. It is an-
other argument against war. Not new in
theme, for it is another Enoch Arden story,
it is yet so intelligently directed and so con-
sistent in development that it holds the
interest. It is serious drama, well cast, and
well directed.
Adolescents, 12 to 16 Children, 8 to 12
No — depressing and mature No
■v
MAKE ME A STAR » »
Stuart Erwin, Joan Blondell, Zasu Pitts, Ben
Turpin. Adapted from the novel, “Merton
of the Movies,” by Harry Leon Wilson.
Direction by William Beaudine. Paramount-
Publix.
In “Make Me a Star” we find the old
favorite “Merton of the Movies” come to
life in the person of Stuart Erwin who gives
an excellent performance as the simple trust-
ing boy who has glorified Hollywood and
cannot realize the hard boiled reality of it.
The story of his unexpected success is very
amusing and the Hollywood background
brings an authenticity and added interest to
the setting. It is an excellent family picture.
Adolescents, 12 to 16 Children, 8 to 12
Good If it interests
■v
MISS PINKERTON » »
Joan Blondell, George Brent, Blanche Frede-
rick From a story by Mary Roberts Rine-
hardt. Direction by Lloyd Bacon. Warner
Bros. -First National.
As the name reveals “Miss Pinkerton” is
a detective story. It is too confused to be
a really good murder mystery, but it is light
and entertaining and the treatment is novel.
Miss Pinkerton is a trained nurse who
though a novice in detecting crime turns
out to be the best sleuth of all.
Adolescents, 12 to 16 Children, 8 to 12
Passable, probably entertaining No
■v
MY PAL THE KING » »
Tom Mix, Mickey Rooney. Direction by
Curtiss Newman. Universal. Seen in Studio
preview.
Tom Mix makes another contribution to
Eight
Motion Picture Reviews
good entertainment for children. In this fan-
ciful story are all the sentiments and deeds
that appeal to romantic and hero worshipping
boys and girls. Into a legendary kingdom
ruled by a child monarch comes the brave
and kindly proprietor of a rodeo show. By
chance he and the young king become pals.
The wicked prime minister and his scheming
cabinet are overthrown and the throne re-
stored to the hands of the boy king. Combin-
ing the vigorous thrills of a “western” with
the glamour of fairy tales, this picture will
be a treat to all children and most adults.
Adolescents, 12 to 16 Children, 8 to 12
Delightful Excellent
•v
MYSTERY RANCH » »
Charles Middleton, Ceorge O’Brien, Cecilia
Parker. Direction by David Howard. Fox.
“Mystery Ranch” is a typical “western”
shot through with violence and masked in
moral tones and stilted accents. The up-
right and virtuous triumph in the end, but
there are a good many slinking villains, and
violent deaths in this hair-raising and excit-
ing melodrama. It is the story of a daring
young ranger who rescues our sweet heroine
from the wicked designs of an old and
powerful rancher. The film shows the excel-
lent scenic photography usual to this type of
cinema, and while the old and new west are
hopelessly confused, we forgive the anach-
ronisms in the swift moving action.
Adolescents, 12 to 16 Children, 8 to 12
Probably entertaining Harrowing for the excit-
able child
NEW MORALS FOR OLD » »
Margaret Perry, Robert Young, Lewis Stone,
Laura Hope Crews. From the play “After
All,” by John Van Druten. Direction by
Charles Brabin. M.C.M.
The play purports to show that the incom-
patibility of parents and children is respon-
sible for many present day evils. However,
the situation is so tingled with individual
weaknesses that it can scarcely be called
an entirely typical problem of society at
large. It is an interesting picture in many
ways, well cast and very well directed, with
many human touches, not the least amusing
being the fact that both rebelling children,
without realizing it, become the same con-
servative type of adults their parents were.
The character types are extremely well
drawn but it is recommended only for those
experienced enough to realize that such a
salubrious ending does not usually follow in
the track of broken conventions.
Adolescents, 12 to 16 Children, 8 to 12
Not recommended No
THE OLD DARK HOUSE » »
Boris Karloff, Mervyn Douglas. Direction
by James Whale. Universal. See in Studio
preview.
Mystery thrills, shivers and scenic effects
combined with masterful acting and direc-
tion make this film a prize achievement of
its kind. It is a melodramatic episode rather
than a story and flashes like a nightmare
across the screen. Several wayfarers gather
at the old house to seek shelter from a storm
and during the night many sinister happen-
ings take place. When the morning comes
all go on their way. There is no consecutive
plot and no character development, but the
director succeeded in making an impressive
and absorbing, though harrowing, entertain-
ment.
Adolescents, 12 to 16 Children, 8 to 12
Too emotional No. Terrifying
v
OPERA BALL » »
(Opern Redoute. ) Laine Haid, Ceorg Alex-
ander, Ivan Petrovich. Direction by Max
Neufeld. Produced by Greenbaum-Emelka.
This German comedy has a decidedly con-
tinental flavor. Concerning an intrigue be-
tween the wife of a diplomatic attache in
Vienna and the attache’s best friend, it in-
volves a masque ball, mistaken identities and
the successful deception of the would-be lover
by the lady’s maid. The tempo is slower
than that of our own pictures and the tone
of the whole, while extremely sophisticated,
escapes actual offense by emphasizing the
comedy of each situation. It is supplemented
by music by Otto Atrausky, a well-known
contemporary German composer. Many adults
will find it amusing.
Adolescents, 12 to 16 Children, 8 to 12
Not recommended No interest
REBECCA OF SUNNYBROOK FARM » »
Marion Nixon, Louise Closser Hale, Mae
Marsh, Ralph Bellamy, Alan Hale. Direc-
tion by Alfred Santell. Fox.
To those who retain a definite memory of
the charming “Rebecca” created by Kate
Douglas Wiggin, the film version will be
somewhat disappointing, for the film
“Rebecca” grows up too soon and misses
many of the amusing predicaments into
which the story book heroine was led by
her naivete and good intentions. It is, how-
ever, a wholesome story of a loveable gen-
erous girl and contains many elements which
will be pleasant entertainment for young
audiences.
Adolescents, 12 to 16 Children, 8 to 12
Yes Yes
Motion Picture Reviews
Nine
RED HEADED WOMAN » »
jean Harlow, Chester Morris, Lewis Stone,
Leila Hyams, Una Merkel. Based on the
novel by Katherine Brush. Direction by Jack
Conway. M.C.M.
Here we have the unvarnished and un-
lovely picture of a ruthless gold digger with
no morals and the one idea of gathering
unto herself the loot of her unscrupulous
methods. The beautiful, greedy, nasty-tem-
pered young woman stays in character
throughout; no glossing over has been per-
mitted, with the result that the character is
alive and leaves a very definite and ugly
impression. Though the picture calls a spade
a spade it does so with finesse, and the treat-
ment will probably not offend those to whom
the subject matter is palatable.
Adolescents, 12 to 16 Children, 8 to 12
Unsuitable No
THE ROAR OF THE DRAGON » »
Henry C. Cordon, Richard Dix, Dudley Diggs,
Cwili Andre, Zasu Pitts, Edward Everett
Horton, Arline Judge. Direction by Wesley
Ruggles. R.K.O.-Pathe.
Recounting the harrowing adventures of
a band of American tourists in China who
are attacked by Manchurian bandits, this film
is so replete with ghastly and sordid details
that the audience sits taught wondering what
each new horror will be. The cruelties, the
needless shooting and killing of innocent vic-
tims, the incessant drinking and the spectacle
of terrified children make the picture an
ordeal for any but the most hardened and
sensation loving audiences. The apparently
authentic and realistic background and the
good acting only add to the devastating effect.
Adolescents, 12 to 16 Children, 8 to 12
Certainly not Impossible
SINNERS IN THE SUN » »
Carole Lombard, Chester Morris. Direction
by Alexander Hall. Paramount-Publix.
To fill waiting theatre programs another
“filler” has been ground out. We again
spend an evening with a luxury loving girl
who models clothes while she tries to instill
ambition for money into her “boy friend.”
When he leaves her and marries wealth, she
accepts the luxuries offered as the mistress
of a wealthy married man. The final de-
nouement of course brings both “parasites”
to a realization of happiness secured in a
more conventional mode of life. The title
seems obscure.
Adolescents, 12 to 16 Children, 8 to 12
Absolutely worth/ess No
STRANGE INTERLUDE » »
Norma Shearer, Clark Cable, Alexander
Kirkland, Ralph Morgan, Robert Young,
May Robson. Direction by Robert Z. Leon-
ard. From the play by Eugene O’Neil. M.C.M.
“Strange Interlude” will appeal only to
mature audiences. The problem concerned
is one on which there will be diverging opin-
ions, but it is handled with restraint and
taste. To escape the morbid reaction due
to losing her fiance who is killed in the war,
Nina marries a kindly young man whom she
considers the epitome of normalcy, only to
discover that he bears the hereditary taint of
insanity. For some seemingly sound psycho-
logical reasons she is deliberately unfaithful
to give him the son he so pitifully desires.
The resulting effects of this act constitute the
action over a period of a lifetime. It is a dar-
ing subject — a psychological drama which is
handled deftly and dramatically. As in the
stage production, the thoughts of the charac-
ters are given with their actual dialogue and
the synchronization has been made so skill-
fully that there is no confusion for the audi-
ence and there is no feeling of slowing up the
action. The cast is admirable, Miss Shearer
giving one of her finest performances espe-
cially in the earlier scenes. Only at the end
is there a slight feeling that the cynical, bitter
psychology of the play has been tempered
with sentiment.
Adolescents, 12 to 16 Children, 8 to 12
Unsuitable Too mature
STRANGERS OF THE EVENING » »
Zasu Pitts, Eugene Palette, Harold Wald-
ridge, Lucien Littlefield. Direction by Bruce
Humberstone. Tiffany.
A story called “The Illustrious Corpse”
has been adapted to the screen in a most
ingenious and amusing fashion. It involves
undertakers, a questionable doctor, even
grave robbers; yet the treatment is so skill-
ful that it is never gruesome. It is rather
a fantastic sort of mystery tale with Zasu
Pitts and Lucien Littlefield entering into one
ludicrous complication after another, and the
plot keeps one guessing to the final scene.
Adolescents, 12 to 16 Children, 8 to 12
Entertaining Not sufficient interest
•sr
THE STREET OF WOMEN * »
Alan Dinehart, Kay Francis. Direction by
Archie Mayo. Warner Bros. -First National.
A triangle plot in which the sympathy of
the audience is thrown entirely toward the
“other woman” who is the inspiration for
the man’s success in building skyscrapers.
The title would seem to indicate that behind
all such construction is a woman’s idealism.
Motion Picture Reviews
T en
Complications in the plot arise when the
man’s daughter and the woman’s brother
fall in love and find the situation unbearable.
It is interesting of its type, due to good
casting and taste in direction.
Adolescents, 12 to 16 Children, 8 to 12
Unsuitable No
■v
A SUCCESSFUL CALAMITY » »
George Arliss, Mary Astor. Direction by
John Adolphi. From a play by Clare Kum-
mer. Warner Bros. -First National.
A charming simple story in which a
wealthy man succeeds in placing the right
emphasis on home ties, and incidentally
brings out the splendid and loyal character-
istics of his family and servants. It is
pleasant, kindly entertainment; a comedy
with underlying sentiment.
Adolescents, 12 to 16 Children, 8 to 12
Excellent If it interests; little action
that it can scarcely be recommended as
entertaining for any audience.
Adolescents, 12 to 16 Children, 8 to 12
No — very sordid No
XT'
UNASHAMED » »
Helen Twelvetrees, Robert Young, Lewis
Stone, Jean Hersholt, Robert Warwick Di-
riction by H. Beaumont. M.C.M.
Within the last few months we have had
an epidemic of court room pictures, and
“Unashamed" is one of them. It is interest-
ing and splendidly acted but not outstanding
nor yet particularly convincing. A girl’s
reputation or her brother's life is the ques-
tion before the court. The brother has mur-
dered her lover. So we have all the ingredi-
ents for the modern social drama which so
many adultst find thrilling, but which is thor-
oughly unsuitable for adolescents.
Adolescents, 12 to 16 Children, 8 to 12
No No
TWENTY-SIX MARTYRS OF JAPAN » »
A Japanese picture.
This interesting historical drama of re-
ligious martyrdom shows episodes of the
introduction of Christianity into Japan in
1590. It is a work of art photographically
and a faithful portrayal, not only of historical
incidents, but of oriental households and court
ceremonials which would be impossible to
duplicate elsewhere. Director Hirayama
brought the film to this country for the Eng-
lish narration and sub-titles which accom-
pany it, and they are so well done that few
will regret the fact that it is not a talking
film. Though somewhat slow moving and
with some over-emphasis on the propaganda
motive, it is acted throughout with sympathy
and understanding and presents a moving
and inspiring picture of the beauty and glory
of dying for an ideal.
Adolescents, 12 to 16 Children, 8 to 12
Excellent Too harrowing at the end
THUNDER BELOW » »
Tallulah Bankhead, Charles Bickford, Paul
Lukas. Adapted from the novel by Thomas
Rourke. Direction by Richard Wallace.
Paramount-Publix.
In a beautiful Central American setting of
quaint Spanish town, jungle, and rocky ocean
shore line, an unpleasant and sordid story
of a married woman’s love for another man
is worked out to its tragic frustration. The
woman is weak, self-centered, cruel, and
few will feel that her philosophy of life is
desirable of imitation. The whole effect is
so depressing, unmoral, and unconvincing
WASHINGTON MASQUERADE » »
Lionel Barrymore, Burton Churchill, Karen
Morley. Direction by Brabion. M.C.M.
A rather time-worn plot of the man in pub-
lic life who betrays his own honor and the
confidence of his friends for the love a
woman is made absorbingly interesting by the
very fine acting of Lionel Barrymore. To
bring the plot up to the minute the setting
is Washington, and to the tempting voice of
the siren is added the corruptive influence of
policital lobbyists. The lavish settings, scenes
in the Senate and Press Gallery, a reception
at the White House and a most gorgeously
appointed dinner party lend color and per-
sonality to the production. There is a possi-
bility that parts of the dialogue might be
construed as special propaganda for certain
political interests, but granting that the un-
derlying motive of the producers was to make
a good picture, they have been exceptionally
successful.
Adolescents, 12 to 16 Children, 8 to 12
Mature No
•w
WEEK ENDS ONLY » »
Joan Bennett, John Halliday, Ben Lyon.
Direction by Allan Crossland. Fox.
A light, ultra modern treatment of an un-
conventional and improbable situation in
which our lovely heroine, faced by poverty,
becomes a hostess in a speakeasy, and to
increase her earning, accepts a similar posi-
tion as hostess for a bachelor at his gay and
indecorous week-end parties. Questionable
situations are glossed over by smart repartee
and comedy is stressed. The appeal of the
Motion Picture Reviews
Eleven
picture will be limited to worldly adults who
are not offended by so-called easy “sophisti-
cation,” and who are thrilled by well-dressed
ladies.
Adolescents, 12 to 16 Children, 8 to 12
Quite unsuitable No
WHAT PRICE HOLLYWOOD » »
Constance Bennett. Lowell Sherman. Greg-
ory Ratoff, Neil Hamilton. Direction by
George Cukor. Story by Adela Rogers St.
John. Paramount-Publix.
This is a very clever study of Hollywood
showing that in spite of its absurdities, gen-
erosity and ambition underlie much of the
sham. It is the story of a waitress in the
well-known Brown Derby restaurant who
gets her chance and becomes a star. Her
efforts at self-improvement, her marriage and
motherhood, at war with the loose relation-
ships around her, and the unfortunate scan-
dal which wrecks her professional life are
smoothly and tellingly presented, and one
has a greater understanding of the glamour
and difficulties of this artificial existence.
Lowell Sherman gives a good character-
ization of the over wrought director who
cannot stand the nervous strain. It is spark-
ling and satirical but not so cruel as “Once
in a Lifetime,” and while Hollywood laughs
at itself, it does so in a kindly way and with
understanding. Miss Bennett is very human
and appealing and the supporting cast is
excellent.
Adolescents, 12 to 16 Children, 8 to 12
Not recommended Unsuitable
■sr
WINNER TAKE ALL » »
James Cagney, Marion Nixon. Direction by
Roy del Ruth. Warner Bros. -First National.
James Cagney with a cauliflower ear plays
the part of a light-weight contender in the
prize ring. He is admirably suited to the
part, the cockey smart-alec who falls for
blonds and likes a big time. Obviously the
picture has no intellectual appeal. It is amus-
ing in its wise-cracking way, swift moving
and well directed but does not merit par-
ticular commendation.
Adolescents, 12 to 16 Children, 8 to 12
Passable No
SHORT SUBJECTS
♦
DREAM WORLD » »
"Romantic Journeys” series. Educational
Pictures, Inc.
A multi color review glorifying Southern
California: San Juan Capistrano, the rare
old mission; Palm Springs, mecca of winter
visitors; Big Pines under a blanket of snow
with its winter sports; Wilmington Har-
bor, its commerce and water sports; and
Gay’s Lion Farm with its apparently friendly
beasts. Excellent photography, fair color,
adequate accompanying talk.
■v
THE ENGINEER’S DAUGHTER » »
May Robson, Montague Love and members
of the Masquers Club. Direction by Rob-
ert Hill. Paramount-Publix.
Delightfully clever burlesque on the old
time melodrama — a great addition to any
program.
•w
FORCOTTEN ISLAND » »
Educational Pictures, Inc.
Two adventurers brave the legend that
death and destruction follow those who ex-
plore the bleak and desolate island of San
Nicholas off the Southern coast of California.
Their dramatic experiences are cleveriy fab-
ricated in this interesting film.
THE GOLF CHUMP » »
Ed Kennedy, Florence Lake, Dot Farley.
Direction by Harry Sweet. R.K.O.-Pathe.
A banal, tedious comedy concerning the
efforts of a family to play eighteen holes of
golf on an exclusive golf course, after they
have contrived to gain admittance on a bogus
guest card.
•w
THE MAD KING » »
Cartoon. Educational Pictures, Inc.
Clever animated cartoon in musical
comedy style. The cruel cat is king and the
down trodden mice start a successful revo-
lution. Unique and highly entertaining for
all audiences.
•w
MAGIC CARPET SERIES » »
Recommended for the family. Fox.
( 1 ) With the Foreign Legion
A composite day with these romantic ad-
venturers. Very entertaining.
(2) Over the Yukon Trail
Exquisite scenes of the Yukon Trail, and
contrasting pictures of gold mining by hy-
drolic methods with that of the lonely pros-
pector panning his mite.
0 3 The World at Prayer
A Very interesting delineation of the dif-
ferent types of religious services throughout
the world among different races and sects.
MOTION
PICTURE
REVIEWS
THE WOMEN’S UNIVERSITY CLUB
LOS ANGELES, CALIFORNIA
AUGUST 1932
THE WOMEN’S UNIVERSITY CLUB
Los Angeles Branch American
Association of University Women
943 SOUTH HOOVER STREET
Telephone DRexel 2177
COPYRIGHT NINETEEN THIRTY. TWO
WOMENS UNIVERSITY CLUB
WEBBCRAPT PRINTERS. 1391 ARLINGTON AVE., LOS ANGELES
Motion Picture Reviews
Three
MOTION • PICTURE • REVIEWS
Published monthly by
THE WOMEN’S UNIVERSITY CLUB
LOS ANGELES BRANCH
AMERICAN ASSOCIATION OF UNIVERSITY WOMEN
Mrs. Gerard A. Murray Mrs. Madison J. Keeney Mrs. Bruce A. Findlay
Preview Chairman Business Manager Asst. Business Manager
Mrs. John Vruwink - Co-Chairmen - Mrs. Palmer Cook
EDITORS
Mrs. J. Allen Davis Mrs. John Vruwink Mrs. Walter Van Dyke
Mrs. Palmer Cook Mrs. Arthur Jones Mrs. F. H. Partridge
Address all communications to The Women’s University Club, 943 South Hoover St., Los Angeles, Calif.
1 Oe Per Copy - - $1.00 Per Year
Vol. Ill
AUGUST, 1932
No. 8
EDITORIAL
Parents will be much interested in a series
of three articles, the first of which appears
in the current September issue of McCalls’
Magazine. The articles will outline the re-
sults of a four-year study of the effect of
motion pictures on the sleep, health and con-
duct of children.
Everyone has had theories about the effect
of motion pictures on children’s habits and
practically everyone has expressed these
theories in no uncertain terms. But there has
been no proof to substantiate theories. There
has never been an accumulation of authentic
data, the result of scientific research.
In 1929, the Payne Fund authorized an
appropriation for such a study and interested
the finest psychologists, socialogists, physi-
cians, and educators. The universities of
Yale, Chicago, Iowa, Ohio State, New York,
and Pennsylvania State directed the re-
search and now the first findings are being
barred to the public. While the complete
scientific reports and evaluations will not be
available until later. These preliminary ar-
ticles will hold much of interest and value to
parents and others interested in this subject,
and so urge our readers to familiarize them-
selves with them — McCalls’ Magazine —
September issue. “To The Movies — But Not
to sleep.” — Henry James Forman.
We wish to recommend that theatre goers
watch for the appearance of “American Mad-
ness,” reviewed in July issue. It is one of
the most entertaining and novel of the new
releases.
FEATURE FILMS
♦
THE ACE OF CONSENT » »
Richard Cromwell, Dorothy Wilson, Eric
Linden, Arline Judge, John Halliday, Aileen
Pringle. Direction by Gregory Lacava. Radio.
This play is built upon a melodramatic
structure which is carefully disguised with
an abundance of supposedly collegiate hu-
mor. Those who have attended co-educa-
tional institutions will be somewhat shocked
at the conduct of the students and those who
have not will see a distorted version of
college life.
It seems very unfair to college and college
students to depict unconventional love affairs
as the sole preoccupation of undergraduates.
This is a pointless picture, and in spite of
a charming cast, it is decidedly inferior en-
Four
Motion Picture Reviews
tertainment even for those whom it will not
annoy. Obviously the title is in very poor
taste.
Adolescents, 12 to 16 Children, 8 to 12
Absolutely not recommended No
naked bodies of these “little people” are
extraordinarily grotesque and hideous in the
extreme.
Adolescents, 12 to 16 Children, 8 to 12
Cood Fair
BACK STREET » »
Irene Dunne, John Boles, George Meeker,
Zasu Pitts, June Clyde. Direction by John
M. Stahl. Universal.
This dramatization of Fanny Hurst’s novel
will have a limited appeal for it is a sad
and disillusioning story. Beginning in the
early 90’s and covering more than twenty-
five years, it depicts the bitter disappoint-
ment of a woman who holds only the “back
street” in the life of a married man. Irene
Dunne plays her part well, changing gradu-
ally from the beautiful, flippant young girl to
the lonely, saddened woman. The wife never
appears in the picture to divide sympathy
with her, and the audience is left with a
feeling of compassion for this “other woman”
as she faces the emptiness of a wasted life.
Adolescents, 12 to 16 Children, 8 to 12
Unsuitable theme No
•w
BIRD OF PARADISE » »
Theatre Preview. Dolores Del Rio, Joel Mc-
Crea, John Halliday, Bert Roach, Skeets
Gallagher. Direction by King Vidor. Radio.
The lure of the South Seas with the rites
of “Tabu,” tom-toms, tropical flora, active
volcanoes, and clear ocean water, all have a
part in the enchantment of the island in the
South Seas where an American youth elects
to stay. Dolores Del Rio as Lcana, a native
girl, completes the background for the primi-
tive love theme. The story and background
both have charm, and though the plot offers
a few impossibilities, the imagination of the
audience may accept these without much dis-
count of entertainment value. The beauty of
the underwater swimming deserves honor-
able mention.
Adolescents, 12 to 16 Children, 8 to 12
Doubtful No
CONCORILLA » »
Produced by Mr. and Mrs. Martin Johnson.
Fox.
Mr. and Mrs. Martin Johnson have
brought to the screen a series of authentic
sound pictures of wild life in the African
jungle. The intimate glimpses of birds and
beasts afford a liberal education in natural
history and will interest and delight most
audiences. Possibly to one who is sensitive
to physical ugliness the scenes among the
pygmies will not be so pleasing, for the
THE CROONER » »
David Manners, Ann Dvorak, Ken Murray.
Direction Lloyd Bacon. First National.
At last one may become acquainted with
that new and popular variety of singer called
a “Crooner.” His advent, rise and fall are
the subject matter of this picture which, if it
has no great moments, has at least, few dull
ones. A variety of entertainment is offered,
including David Manners’ pleasant singing
voice, Ken Murray’s wise cracks, the charm
and commonsense supplied by Ann Dvorak,
and touches of melodrama and tragedy to
complete the whole. The interest is well sus-
tained throughout and the acting is good.
Adolescents, 12 to 16 Children, 8 to 12
Entertaining Probably little interest
'V
DOWNSTAIRS » »
John Gilbert, Paul Lukas, Virginia Bruce.
Direction by Monta Bell. M.G.M.
John Gilbert in his own story has made
for himself a thoroughly reprehensible part,
that of a disgraceful rogue. If he had had
more ability to create the illusion of whim-
sey — a dual personality both lovable and
cruel, he would have had greater appeal,
but as it is he commands no sympathy. How-
ever the plot is novel and different and will
have passing interest for a general adult
audience. It is the story of a lying black-
mailer, a chauffeur, who upsets the menage
downstairs and upstairs alike by his immoral
and cruel acts. Finally dislodged from one
household he is last seen seeking employ-
ment at another impressive establishment
where we feel sure he will continue his
evil and predatory behavior.
Adolescents, 12 to 16 Children, 8 to 12
No No
DR. X » »
Lionel Atwill, Fay Wray, Lee Tracy, Pres-
ton Foster. Direction by Michael Curtis.
First National.
It seems incredible that there should be
enough demand for pictures of this sort to
encourage producers to make them. This one
is an extreme example of the horror variety.
By a combination of insane notions and
pseudo science, murders are committed and
mysteries solved. There seems to be such an
obvious effort to out-do open horror pictures
Motion Picture Reviews
Five
that the result fortunately is probably too
artificial to produce dire results in the
audience.
Adolescents, 12 to 16 Children, 8 to 12
Not advised Certainly not
•v
THE FIRST YEAR » »
Janet Caynor, Charles Farrell. Adapted from
the play by Frank Cravin. Direction by
William Howard. Fox.
A friendly little story of the trials en-
countered by a young couple in their first
year of married life is told in charming
fashion. The sophisticated theatre-goer may
miss the inimitable comedy of Frank Cravin
in the character “Tommy” now played by
Charles Farrell, but on the whole the pro-
duction is excellent and the story with its
gay thread of humor running through even
its most serious moments, is refreshing and
out of the ordinary in its simplicity of ap-
peal.
Adolescents, 12 to 16 Children, 8 to 12
Good No interest
FOR GLORY AND A GIRL » »
Reviewed in June issue under title “Hud-
dle.” According to “Unbiased Opinions,”
published by Fox West Coast Theatres. Re-
leased under title “For Glory and a Girl” in
Southern California only.
GUILTY AS HELL » »
Adrienne Ames, Victor McLaglen, Edmund
Lowe. From play by Daniel Rubin. Direc-
tion by Erie Kenton. Paramount-Publix.
A murder drama in which an innocent
man barely escapes execution for another’s
crime. It is novel in treatment in that the
audience sees the murder and then follows
the efforts of the police to find the guilty
person. Lowe and McLaglen resume their
vulgar banter, this time in the guise of re-
porter and policeman, but even their ad-
mirers will find it difficult to overlook the
bad taste in direction and a light and coarse
attitude toward life and death which is very
offensive. On the whole it is pretty dull.
Adolescents, 12 to 16 Children, 8 to 12
No No
HOLD ’EM JAIL » »
Bert Wheeler, Robert Woolsey, Edna May
Oliver, Roscoe Aates. Direction by Norman
Taurog. R.K.O.
A rollicking slapstick comedy in the
Wheeler and Woolsey manner. The back-
ground for the funsters is a prison with Edna
May Oliver as the Warden’s sister. A foot-
ball game in burlesque provides a large
share of the entertainment. Reviewers agree
that it is a cure for the blues and good hot
weather entertainment for the entire family.
Adolescents, 12 to 16 Children, 8 to 12
Good Good
■V
HORSE FEATHERS » »
The Four Marx Brothers. Direction by Nor-
man McCloud. Paramount-Publix.
The inanities of the Marx brothers have
amused and delighted many audiences in the
past, but in this picture their penchant for
coarse vulgarity and blatant puns seems to
have obscured their genius as comedians. It
is a pity when actors of ability relinquish
wit in favor of dirt.
Adolescents, 12 to 16 Children, 8 to 12
Unsuitable No
IGLOO » »
Esquimo cast. Photographed by Roy H.
Klafki. Direction by Ewing Scott. Universal.
This is a film showing the stark drama
of Esquimaux life; walrus hunts, terrific
storms, continuous bitter cold, actual starva-
tion. Though a love story joins the various
episodes, the plot is not an important factor.
The skillful management of the native cast,
the photographic and scenic effects, and the
stoicism of the tribe in its struggle against
the elements make an intensely interesting
and dramatic picture with a great deal of
grim realism.
Adolescents, 12 to 16 Children, 8 to 12
Interesting Too emotional
JEWELL ROBBERY » »
William Powell, Kay Francis. Directed by
William Dieterle. Warner Bros.
A light comedy, gay, flippant with more
than a touch of sophistication, “Jewel Rob-
bery” is a clever adaptation to the screen
of a Viennese play. It seems to have re-
tained the combination of frivolity and satire
one associates with smart comedies of for-
eign theatres. A beautiful reckless coquette,
the much indulged wife of a very rich man,
is greatly bored with life until she encoun-
ters the most expert thief in Vienna. The
plot is extravagant, the settings beautiful,
the lines double-edged, and Kay Francis most
alluring. William Powell will probably ac-
quire new piles of fan mail.
Adolescents, 12 to 16 Children, 8 to 12
Too sophisticated No
THE JUNGLE MYSTERY » »
Tom Tyler, Noah Beery, Jr., Cecilia Parker,
Carmelita Gherharty. Direction by Ray
Taylor. Universal. Serial in twelve chap-
ters (six previewed).
Six
Motion Picture Reviews
An exciting series of adventures in Africa
in which a hidden hoard of ivory and a lost
son (brother of the heroine) are the inspira-
tion for the action. In some respects the
plot is better than many serials, for the
modern gangster with his low intrigues is
absent. Here the setting is the jungle and
war-like natives and wild animals provide
the thrills. It is obviously an imitation of
Tarzan, but its producers do not seem to
realize that the appeal of “Tarzan” lay
in its greater simplicity and in a closer ad-
herence, if not to reality, at least to proba-
bility. These are lacking in “The Jungle
Mystery” and the whole is overcharged with
exaggerated thrills. It is not recommended
for junior matinees because of the many
younger children who are in attendance.
Adolescents, 12 to 16 Children, 8 to 12
Passable Too emotional
LATIN LOVE » »
Sari Maritza, William Freshman. Direction
by Sinclair Hill. Golden Arrow Production.
(Seen in theatre preview.)
A hackneyed, story of the loves of a
little Italian cabaret singer. It is a vehicle
to show the charm of the star, but unfortu-
nately it is too poor a story, and is too un-
pleasant and tiresome in detail to hold audi-
ence attention.
Adolescents, 12 to 16 Children, 8 to 12
No No
THE LAST OF THE MOHICANS » »
Harry Carey, Hobart Bosworth, Junior Cogh-
lan, Edwina Booth, Lucile Brown, Walter
Millar, Bob Kortman, Walter McGrail.
Serial in twelve chapters, adapted from
novel by James Fenimore Cooper. Direction
by Reaves Easen and Ford Beebe.
“The Last of the Mohicans” is an exciting
story of Indian warfare in Colonial days
when France with her Indian allies was
struggling to hold her colonies against the
English. Excellent explanatory remarks pre-
ceed each chapter and help to keep the his-
tory of the period before the audience so
that the personal plot has added significance.
The action is necessarily thrilling and ex-
citing, with massacres, hairbreadth escapes,
warlike fighting, but the direction is in such
good taste that there are no gruesome touches
and the general effect is restrained without
loss of dramatic interest. It is real “story
book” adventure, a serial of distinction,
which the average junior matinee audience
of nine and over will undoubtedly acclaim
as “keen” entertainment.
Adolescents, 12 to 16 Children, 8 to 12
Very good Very good
MADAME RACKETEER » »
Alison Skipworth, Richard Bennet, J. Far-
rell MacDonald, Evelyn Knapp, Gertrude
Messinger. Direction by Alexander Hall
and Harry Wagstaff Gribble. Paramount-
Publix.
Adults will find the adventures of the
“Countess,” a lovable old lady racketeer, de-
liciously comic. Alison Skipworth’s artistry
in characterization is a delight, and the
story has a nice sense of humor, admirable
continuity, and particularly “chuckly” dia-
logue. It is the story of a parole interlude
in the life of a much-jailed confidence woman
and is amusing and entertaining. While the
production does not put the stamp of ap-
proval on the woman, we cannot estimate
how accurately children might judge her
code of ethics and we therefore question
the suitability of the story for their enter-
tainment.
Adolescents, 12 to 16 Children, 8 to 12
Doubtful No
•w
THE MAN CALLED BACK » »
Conrad Nagel, Doris Kenyon, John Halliday.
Direction by Robert Florey. Tiffany.
The story starting amid South Sea scenes
reveals the regeneration of a doctor through
the interest of a wealthy, unprincipled Lon-
doner and his young, beautiful wife. There
are sufficient variations on the triangle theme
to keep one fairly well entertained, but it
should not be seen in a hypercritical mood,
as there are too many weak spots in plot
development, dialogue and direction to make
it an outstanding play.
Adolescents, 12 to 16 Children, 8 to 12
Better not No
MILLION DOLLAR LEGS » »
W. C. Fields, Hugh Herbert, Jack Oakie,
Susan Fleming, Andy Clyde, Lyda Roberti.
Direction by Eddie Cline. Paramount.
This up-to-the-minute burlesque has a
novel plot and a lot of good clean humor.
The mythical kingdom of Klopstokia is in
need of money and in order to raise the
necessary funds, the government officials and
some of the citizens organize themselves into
an Olympic team. The story amusingly
illustrates the triumph of brawn over brain
and burlesques almost everything in recent
motion pictures.
Adolescents, 12 to 16 Children, 8 to 12
Entertaining Good
THE PURCHASE PRICE » »
Barbara Stanwyck, George Brent. Direction
by Warren Wellman. Warner Bros.
This adaptation of Arthur Stringer’s
Motion Picture Reviews
Seven
“Mud Lark,” opening in a night club and
ending in the drabness of a dirty farmhouse,
is the story of a city girl who learns to love
an inarticulate farmer. The soiled realism
and repulsive brutality are overemphasized,
and the dramatic possibilities have been
sacrificed to sordid details. The film version
seems to have missed most of the real values
in an excellent story.
Adolescents, 12 to 16 Children, 8 to 12
No No
SKYSCRAPER SOULS » »
Warren William, Maureen O’Sullivan, Ver-
ree Teasdale, Anita Page, Wallace Ford,
Norman Foster. Direction by Edgar Selwyn.
From the story by Faith Baldwin. M.G.M.
Those who lost money in the descent of
the stock market should avoid this picture, as
it evokes many painful recollections. The
main figure is a New York banker who
combines moral laxity with financial dis-
honesty on a huge scale. To show the extent
of his power there is an attempt to carry
four concurrent plots in the manner of
“Grand Hotel,” without accomplishing any
end, however, except that of making the pro-
duction more elaborate and tedious. Artis-
tic settings and a certain amount of good
acting become ineffective when used to em-
bellish a production which is grim and
sordid to the core.
Adolescents, 12 to 16 Children, 8 to 12
Decidedly not No
xr
STRANGER IN TOWN » »
Chic Sale, Ann Dvorak, David Manners,
Noah Beery, Raymond Hatton. Direction
by Erie C. Kenton. From the play “Com-
petition.”
Chic Sale on the screen is usually a cro-
chety downright old man with a way of
getting the better of his enemies and worm-
ing his way into the affections of his friends.
In “Stranger In Town” he appears again as
the same old codger, this time the proprietor
of a grocery store in a one-horse town.
Threatened by competition in the form of
a chain store grocery, he handles the situa-
tion with his usual humor and acumen. In
spite of a somewhat attenuated scenario the
picture is pleasantly diverting.
Adolescents, 12 to 16 Children, 8 to 12
Good Passable
SHORT SUBJECTS
HOLD THAT LION » »
(Three reels) Floyd Pyle, hunter. Photo-
graphed by W. Earle Frank. Narration writ-
ten by Harry Chandler. A Principal Ad-
venture Picture. Distributed by Principal
Distributing Corp.
A graphic, beautifully photographed por-
trayel of a lion hunt in the magnificent rough
mountain country of Arizona. The picture
excels technically. The beauty of scenery,
the accompanying sounds, and the action all
combine to make an unusually interesting
whole. The narrative spoken by Wilfred
Lucas is also well chosen. The chase is ex-
citing, and of course these lion hunts are
necessary because the beasts are so destruc-
tive, yet one’s sympathy goes out somewhat
to the hunted wild thing which after all was
only living after the tradition of its kind.
Adolescents, 12 to 16 Children, 8 to 12
Excellent Very exciting
xr
MAN EATER » »
Supervised by Elmer Clifton. Released by
the Beverly Hills Productions Exchanges.
The man-eating shark is the menace that
titles this short, which shows men diving
for pearls and treasure. A tragedy mars the
film for sensitive children. Its most interest-
ing features are scenes of wharf life in
foreign ports.
NURI » *
Supervised by Elmer Clifton. Made in
conjunction with a group, headed by
Lola Krentzberg of Amsterdam, Holland.
Released by Beverly Hills Production Ex-
change.
Like a model short story, this projection
with a wealth of detail and delightful in-
formation, will leave upon an audience a
vivid impression of life among the teeming
multitudes of India. The life of a typical
Indian family is shown through the eyes of
their old burden-bearing elephant Nuri, and
his wise comments on the doings of his mas-
ters are amusing and interesting. It is an
excellent production for all audiences.
ROMANCE SENTIMENTALE » »
A French picture by Serge Eisenstein.
A series of unique and beautiful photo-
graphic studies is accompanied by music in
appropriate moods to illustrate the theme of
Serge Eisenstein’s “Romance Sentimentale.”
The blending of sound and visual beauty is
skillfully achieved and actually produces the
impression of the various emotions.
Adolescents, 12 to 16 Children, 8 to 12
Good Confusing and hard
on the eyes
t
MOTION
PICTURE
REVIEWS
THE WOMEN'S UNIVERSITY CLUB
LOS ANGELES, CALIFORNIA
SEPTEMBER 1932
THE WOMEN’S UNIVERSITY CLUB
Los Angeles Branch American
Association of University Women
943 SOUTH HOOVER STREET
Telephone DRexel 2177
COPYRIGHT NINETEEN THIRTY-TWO
WOMEN S UNIVERSITY CLUB
WEBBCRAFT PRINTERS,
B5I ARLINGTON AVE , I OS ANGELES
Motion Picture Reviews
Three
MOTION
• PICTURE •
REVIEWS
Published, monthly by
THE
WOMEN’S UNIVERSITY
CLUB
LOS ANGELES BRANCH
AMERICAN ASSOCIATION OF UNIVERSITY WOMEN
Mrs. Gerard A. Murray Mrs. Madison J. Keeney
Mrs. Bruce A. Findlay
Preview Chairman
Business Manager
Asst. Business Manager
Mrs. John Vruwink - Co-Chairmen - Mrs. Palmer Cook
EDITORS
Mrs. J. Allen Davis
Mrs. John Vruwink
Mrs. Walter Van Dyke
Mrs. Palmer Cook
Mrs. Arthur Jones
Mrs. F. H. Partridge
Address all communications to The Women’s University Club, 943 South
Hoover St., Los Angeles, Calif.
10c Per Copy - - $1.00 Per Year
Vol. Ill
SEPTEMBER, 1932
No. 9
BASIS FOR EVALUATING FILMS FOR
CHILDREN'S ENTERTAINMENT
In deciding what children may or may not
see in movies we find a very definite prob-
lem because normal, healthy children vary
greatly, and what they get out of a movie
will depend upon:
(1) Physical differences (nervous system
especially) .
(2) Mental and emotional development.
(3) Cultural background.
(4) Moral background.
But there are several specific rules which
must be insisted upon. Children should not
be forced to see pictures which emphasize:
(1) Cruelty
(2) The criminal side of life.
(3) So called fast society untrue to the fun-
damental core of life.
And these specifications are necessary be-
cause we believe that there are several fun-
damental needs of childhood which must be
considered. Psychologists tell us that these
fundamental needs are:
(1) A feeling of security.
This is purely physical for infants.
But as children grow older it is dan-
gerous and cruel to condition them by
pictures which tend to give them a
feeling of insecurity, to inform them
of dangers never suspected, and mo-
tives which they never knew existed.
They realize that society may be in-
securely organized and that there is
a division of authority. This is socially
disastrous in the training of children.
(2) They need to have curiosity satisfied.
Movies may do this if they portray
true conditions. Most movies do not,
and may stimulate morbid curiosity.
(3) There is a need for motor activity.
Movies too frequently indulged in limit
this.
(4) There is a need for mental activity, and
pictures too mature or unhealthy in
theme may stimulate and precipitate
emotional stages too early in develop-
ment.
Fear of noise and lack of support in infants
are said to be the only inherent fear reactions.
Others are the result of environment and
experience. Highly organized nervous sys-
tems are frequently shocked, and children
may be severly handicapped by visual ex-
periences.
Ethical Standards in Detail
I. Theme
(1) Is the theme suitable? Is it within a
child’s understanding? Does it connect
Four
Motion Picture Reviews
in any way with a child’s own experience
or understanding? If not, when atten-
tion lags single incidents out of the con-
text may give wrong impressions, and
the child may lose the meaning of the
whole. Nervousness may result from
forced attention. A child may become
sophisticated from frequent attendance
at too mature pictures.
(2) Does it teach a positive morality?
“Good endings” do not offset the impres-
sions of crime which a picture leaves
which emphasizes criminal characters
and criminal activities.
(3) Are the emotions aroused wholesome
ones? Under stress of intense emotion
as hate, fear, joy, grief, admiration, love,
experiences may leave an indelible im-
print on a child's mind and character.
(4) Are the characters of the story the kind
of persons you would wish a child to
know ?
(5) Are the incidents wholesome, probable,
true to life? Ugly scenes may not do
more harm than an insincere and light
portrayal of life. Certain standards
should be upheld.
(a) Theme should not make light of
social institutions such as marriage.
(1) Farces about ugly family rela-
tions and divorce are unsuit-
able.
(2) Jealousy between husband and
wife.
(3) Infidelity or suspicion of in-
fidelity.
(4) Unpleasant family relations
such as irreverent children, the
mother-in-law “problem," etc.
(b) Theme should not make light of
morality.
(1) Sex irregularities.
(2) Breaking the 18th Amendment.
(3) Breaking social conventions
such as chance acquaintance
between girls and men, visits
to men’s rooms unchaperoned,
etc., for they give children dis-
torted ideas of life.
(c) Theme should not make light of the
church or church dignitaries, re-
ligion, social workers.
(d) Theme should not make light of the
law or police.
(e) Theme should encourage respect for
the Government.
(f) Theme should not foster race prej-
udice.
(6) Picture should not show excessive cruelty
to persons or animals.
II. Production
(1) Is the production of a standard of excel-
lence which will create discrimination
and appreciation? Or are the thrills and
action too exaggerated to be reasonable
or humanly possible?
(2) Are the titles grammatical, profane,
vulgar ?
(3) If synchronized, is dialogue in good
taste ?
(4) Is the humor in good taste? Is the fun
in the form of pranks, practical jokes,
and cruel, thoughtless mischief which
are made so funny that a child might
think them worthy of imitation?
III. Is the final impression left an inspiring
one, leading children to strive for some-
thing fine? Does it arouse constructive,
wholesome curiosity and intelligent in-
terest? Does it entertain with clean ro-
mantic adventure? Or by wholesome
narrative about pleasant persons and in-
cidents? Does it at least amuse, leaving
a happy remembrance of good fun?
Motion Picture Reviews
Five
FEATURE FILMS
♦
BIC CITY BLUES » »
Eric Linden, Joan Blondell, Walter Catlett.
Direction by Mervyn LeRoy. Warner Bros.
In this film we are shown an elaboration
of the old story of what happens to an inno-
cent country boy when the “big city slickers”
get him. The part of the boy is well acted by
Eric Linden, and Joan Blondell as a gold
digger who has a change of heart, provides
the sentimental interest. An irrepressible
confidence man is the comedy relief which
helps to lighten the depressing effect of the
sordid background and a murder. The pic-
ture offers nothing particularly new in enter-
tainment.
Adolescents, 12 to 16 Children, 8 to 12
Very unsuitable No
BILL OF DIVORCEMENT » »
John Barrymore, Billie Burke, Katherine
Hepburn. Direction by George Cukor. From
play by Clemence Dane. R.K.O.
It is a pleasure to be able to recommend this
production in superlatives. It is a serious
drama, almost Ibsenesque in its sombre theme
of insanity as it affects the various members
of a family. In the opinion of our reviewers
it is a splendid example of the possibility
that good stage drama may become equally
powerful on the screen. It achieves the in-
timacy of the stage, due in part to the excel-
lence of the seasoned cast. Mr. Barrymore
gives a most effective performance as the
husband — the best of his screen career; Kath-
erine Hepburn’s sincerity as his daughter is
deeply moving, and Miss Burke is also very
satisfying in a role which possibly is less
sympathetic. Special credit is due also to the
taste and care with which the details of set-
ting and direction are carried out, making a
production which critical audiences will not
wish to miss.
Adolescents, 12 to 16 Children, 8 to 12
If mature enough, be- No, too mature
cause of merit
production
BLESSED EVENT » »
Lee Tracy, Mary Brian. Adapted from the
play by Manuel Seff and Forest Wilson.
Direction by Roy Del Ruth. Warner Bros.
A picture of this type cannot be said to
be particularly elevating entertainment. It
follows the columnist cycle and portrays a
ruthless, breezy individual whose specialty is
announcing the approaching arrival of
babies, whether ‘ffdessed events” or other-
wise. His cruelty in publishing the gossip
which ruins one girl’s life is only an incident
in his career, although the crisis it precipi-
tates proves highly embarrassing and even
dangerous to him personally. The production
is swift moving, risque, amusing, and like
the play will appeal to many adult audiences.
Adolescents, 12 to 16 Children, 8 to 12
Not suitable No
BLONDE VENUS » »
Marlene Dietrich, Herbert Marshall, Cary
Grant, Dickie Moore. Direction by Joseph
von Sternberg. Paramount-Publix.
The central idea of this picture is not easily
determined. The director has used intense
local color and atmospheric details which give
the production a certain vividness, but the
lost threads of the story, abruptly disconnec-
ted scenes, and sudden transitions so destroy
its continuity both in plot and in emotional
effect that in viewing it one must continually
shift one's sympathies and readjust one’s con-
ception of the characters. Marlene Dietrich
herself contributes the chief entertainment
value, but her role is not a convincing one.
She plays the part of a woman who is fond
enough of her husband to sacrifice herself to
aid him when he is ill but in so doing be-
comes infatuated with another man. Her con-
sequent tragic decline is dramatically presen-
ted, but the lack of logic in it all counteracts
its effectiveness, and the mother’s selfishness
in subjecting her child to such a sordid and
precarious living alienates the sympathy of
the audience. One is disappointed that a
talented director and a fine cast should not
have accomplished something better.
Adolescents, 12 to 16 Children, 8 to 12
Unsuitable No
BROADWAY TO CHEYENE » »
Rex Bell, Marceline Day, Huntley Gordon.
Directin by Harry Fraser. Monogram. (Seen
at a theatre preview and subject to
changes.)
Gangsters of Broadway go West, closely
followed by our hero, a detective on vacation.
Coincidence and melodrama are administered
in a heavy dose. The same machine gun that
killed the beer baron of Broadway is used on
the cattle of Cheyenne. Yes, the villian suf-
fers, and the hero has his happy reward in
Six
Motion Picture Reviews
the person of Marceline Day. If the plot
were not so hypothetical, the scenery and
smoothness of the direction might offset the
ridiculous. A picture full of “bangs!”
Adolescents, 12 to 16 Children, 8 to 12
Too juvenile Too distorted
CHANDU, THE MAGICIAN » »
Edmund Lowe, Bela Lugosi, Irene Ware.
Direction by Marcel Varnel, Wm. Cameron
Menzies. Fox.
Adults may find that “Chandu” is more
effective on the radio, but these exciting and
fantasic adventures as portrayed on the
screen have at least the advantage of pic-
turesque scenic background to add credence
to the story. It is not a significant picture
but a highly romantic tale of magic and
mystery which is not intended to be taken
seriously. It will appeal particularly to
youth radio fans, and older children will
undoubtedl}' appreciate and accept its un-
reality. Chqndu, the Magician, rescues his
brother-in-law and family from Raksor,
the evil influence of the East, using hypno-
tism and astounding magic as his tools.
Sound and photography are combined ingen-
iously to create weird effects. Many will find
this tale pleasantly entertaining.
Adolescents, 12 to 16 Children, 8 to 12
Probably very entertaining If not too exciting
DEVIL AND THE DEEP » »
Cary Cooper, Tallulah Bankhead, Charles
Laughton, Cary Grant. Direction by Marion
Cering. Paramount-Publix.
The magnificent performance of Charles
Laughton, who is to us a new actor on the
American screen, makes this morbid picture
worth seeing. As the insanely jealous hus-
band of a beautiful and susceptible wife, his
acting is so superb that the inconsistencies
of the plot are not so obvious. The action
takes place at a submarine base on the coast
of Africa, and the naval scenes mitigate
somewhat the sordid trend of the story. It
is, however, one which sophisticated audi-
ences will enjoy only for the acting of Mr.
Laughton.
Adolescents, 12 to 16 Children, 8 to 12
No No
'W
DIVORCE IN THE FAMILY » »
Jackie Cooper, Conrad Nagel, Lewis Stone,
Lois Wilson, Maurice Murphy. Direction by
Charles Reisner. M.C.M.
Divorce in the family brings tragedy to a
little boy who loves both parents and who is
called upon to adjust himself to the new hus-
band. It is a rather pathetic little story
which touches melodrama in its climax, but it
is gaily lightened by humorous incidents and
by the appealing personality of Jackie
Cooper. To those who are willing to concede
that a woman is justified in divorcing her
husband because of his too great devotion
to the study of archaeology the story will be
very appealing. In any case it is an interest-
ing study of a child’s reaction to an unhappy
situation which is finally relieved by his
joyous acceptance of two “fine fathers.”
Adolescents, 12 to 16 Children, 8 to 12
Questionable Not necessary
•w
EXPOSURE * »
Lila Lee, Walter Bensen, Lee Moran, Tully
Marshall, Bryant Washburn. Direction by
Norman Hansen. Tower Productions.
(Seen at a theatre preview and subject to
change. )
A famous newspaper reporter of a New
York tabloid awakens in a California rail-
road depot as the finale of a prolonged visit
to a speakeasy. After this introduction the
story unfolds with newspaper competition,
varied love interest, and an abundance of
newspaper characters. The plot is not
smooth, the climaxes are mild. As a whole
this picture recommends loyalty and temper-
ance but borders on melodrama enough to
be unconvincing.
Adolescents, 12 to 16 Children, 8 to 12
Not recommended No interest
HAT CHECK GIRL » »
Sally Eilers, Ginger Rogers, Monroe Owsley,
Ben Lyon. Direction by Sidney Lanfield.
Fox.
A stale plot poorly presented in a series of
tawdry incidents makes this production a
waste of time and very objectionable. The
plot presents the trials and tribulations of
a hat check girl who is surrounded by every
possible bad influence and an amazing group
of unpleasant people, bootleggers, night club
habituees and rich men about town. It exem-
plifies the acme of bad taste in motion
pictures.
Adolescents, 12 to 16 Children, 8 to 12
Impossible Impossible
-v
HELL’S HIGHWAY » »
Richard Dix, Rochell Hudson. Direction by
Rowland Brown. R.K.O.
“Hell’s Highway” is a convict picture, fol-
lowing “The Big House” and others of that
character, but more tragic and gruesome.
Here the propaganda is directed against the
horrors of working in prison road camps. It
is vividly presented with swift and gripping
Motion Picture Reviews
Seven
action in the final scenes. Inasmuch as
Richard Dix takes the leading part it will
probably be seen by a large number of chil-
dren, which is unfortunate, as it is over-
stimulating and will arouse morbid curiosity.
The treatment is starkly realistic, and one is
given the impression that such conditions are
general, whereas in some states excellent
roads have been built by convict laborers
who are permitted to do such work only as
a reward for good behavior, who take great
pride in their skill and require very few
guards. If the purpose of this film is to pro-
test conditions recently reported to be found
in a southern prison camp, it may possibly
have its place, but it is depressing and un-
pleasant— decidedly not entertaining, and it
is questionable whether a picture of this type
ever accomplishes any social reform.
Adolescents, 12 to 16 Children, 8 to 12
No Absolutely not
LIFE BEGINS » »
Loretta Young, Eric Linden. From play
by Mary McDougall Axelson. Direction by
James Flood and Elliott Nugent. Warner
Bros. First National.
“Life Begins” has the advantage of perfect
casting, emotional scenes which avoid maw-
kish sentimentalism, excellent dialogue, sus-
tained action and a novel setting — although
many will challenge the use of a maternity
ward of a city hospital as setting for a motion
picture. Into this ward come cases of many
types, and each baby’s birth brings its quota
of joy or sorrow. But the fault of the picture
lies in the producers’ ignorance or willful dis-
regard of hospital methods and obstetrical
care, in the vicious disregard of truthful real-
ism. To create “drama” they needlessly sac-
rifice a young mother, callously give false
impressions, implant unnecessary fear and
suspicion in prospective mothers. In this
day of enlightened medical procedure it is
unfortunate that a producer should so un-
fairly place a handicap upon hospitalization
and physicians.
Adolescents, 12 to 16 Children, 8 to 12
No No
•vr
LOVE ME TONIGHT » »
Maurice Chevalier, Charles Ruggles, Jean-
nette McDonald, C. Aubrey Smith, Myrna
Loy, Charles Butterworth. Direction by
Rouben Mamoulian. Paramount-Publix.
Here is real entertainment, witty, gay,
frivolous, pictorially perfect and enormously
satisfying. Froth, spice and sentiment are
combined in a whimsical fairy story about the
romance of an ultra modern princess and a
poor tailor. An accompaniment of inter-
polated songs adds gaiety and sparkle, and
gives the whole a rythmic balance. The pic-
ture is perfectly cast, even to the most humble
lackey, but the distinctive quality of the pro-
duction is due to the superb direction of Mr.
Rouben Mamoulian, who has managed to
combine Shakesperian touches with Gilbert
and Sullivan nonsense while concocting some-
thing entirely original.
Adolescents, 12 to 16 Children, 8 to 12
Good Harmless but mature
MI5TER ROBINSON CRUSOE » »
Douglas Fairbanks, William Farnum, Earle
Browne. Direction by Edward Sutherland.
United Artists.
Douglas Fairbanks again appears in a
charmingly intelligent and wholesome piece
of entertainment, the adventures of a modern
Robinson Crusoe, done with a light touch
and a fine appreciation of humorous possibili-
ties. It is not only amusing, but it trans-
ports the onlooker to a land of romance far
removed from everyday problems. It is a
welcome tonic after a weary array of mor-
bid tales.
Adolescents, 12 to 16 Children, 8 to 12
Excellent Excellent
■v
THE MOST DANGEROUS GAME » »
Joel McCrea, Leslie Banks, Fay Wray, Bob
Armstrong. Direction by Edward Schoed-
sack and Irving Pichel. R.K.O.
The picture is horrible in detail. It pur-
ports to point the moral expressed in the line:
“We call a beast fighting for his life savage,
and a man hunting him for sport, civilized,”
A shipwrecked sportsman realizes the force
of the sentiment when he encounters a mad-
man whose passion is hunting men and pre-
serving their heads in his trophy room.
Hardly recommended for entertainment!
Adolescents, 12 to 16 Children, 8 to 12
Very objectionable No
▼
THE NIGHT OF JUNE I 3TH » »
Clive Brook, Frances Dee, Charlie Rugles.
Direction by Stephen Roberts. Paramount-
Publix.
Again we have an innocent man on trial
for murder, but the treatment of the story is
so unusual that it is excellent entertainment.
It is a story of life on a street and of the
manner in which more or less innocently, all
of the neighbors are involved in the tragedy.
When called as witnesses, each for personal
reasons conceals some facts which would
clear the suspect, and the interest centers in
the character studies portrayed. It is logical
and realistic and unusually interesting.
Adolescents, 12 to 16 Children, 8 to 12
If mature enough No interest
Eight
Motion Picture Reviews
“OKAY AMERICA” » »
Lew Ayres, Maureen O’Sullivan, Louis Cal-
hern, Walter Catlett, Allan Dinehart, Nance
O’Neil. Direction by Tay Carnett. Univer-
sal Pictures Corp.
Ever since the Lindbergh tragedy we have
cringed at the very suggestion of kidnapping.
In this drama we find a solution such as
everybody longed for in that case. It shows
our desperate situation in the country, with
the increasing power of the gangster ele-
ment, and yet it gives assurance that there
are men in our nation who are strong enough
and brave enough to save us from the enemy
within. Action is precipitated by a young
columnist (the Walter Winchell idea). The
story is swift moving, the direction is un-
usually good, and the strongly patriotic note
makes it far more constructive than the usual
crime picture.
Adolescents, 12 to 16 Children, 8 to 12
Doubtful subject Too mature
and exciting
ONCE IN A LIFETIME » »
Jack Oakie, Sidney Fox, Aline MacMahon,
Russell Hopton, Louise Fazenda, Gregory
Ratoff, Zasu Pitts. Direction by Russell
Mack. Universal.
Hollywood motion picture people with their
foibles and their blunders, are the targets of
this unsparingly satirical burlesque. It ad-
heres closely to the original play and will
amuse varied audiences whether or not they
are familiar with the motion picture industry.
Though the play is almost entirely devoted
to an expose of Hollywood’s weaknesses, the
fun is sufficiently exaggerated not to seem
illnatured. Its humor is of the modern wise
cracking variety and the vulgarities are held
down to the minimum.
Adolescents, 12 to 16 Children, 8 to 12
Entertaining Very little interest
'w
ONE WAY PASACE » »
William Powell, Kay Francis. Direction by
Tay Carnett. Warner Bros.
A man and a woman exchange glances in
a Hong Kong bar and each is instantly in-
fatuated with the other. When chance brings
them together on an ocean liner they fall ro-
mantically in love. Though the audience is
allowed to share in the knowledge that the
lovers are fated to die, she from illness, he
to pay the penalty for a crime, the picture
is neither sordid nor tragic. It is purely a
romantic episode illumined by the glamorous
charm of Kay Francis’ personality.
Adolescents, 12 to 16 Children, 8 to 12
Too sophisticated No
THE PAINTED WOMAN » »
Peggy Shannon, Bill Boyd, Irving Pichel,
Spencer Tracy. Direction by John Blyth-
stone. Fox.
While this is not the most desirable type of
picture, it offers both adventure and thrills
without introducing the grotesque and super-
natural that have such a large share in many
current melodramas. It is the story of a
young girl who is caught in the snares of an
unfortunate mode of life in a South Sea
island cabaret, and pictures her almost hope-
less efforts to escape her fate. Peggy Shan-
non in the leading role does a good piece of
work, and Spencer Tracy as usual is both
humorous and likable. To most audiences
the intricate plot will seem consistent. Skill-
ful direction and good acting are responsible
for offsetting the blight of a very bad title
and an old and sordid theme.
Adolescents, 12 to 16 Children, 8 to 12
Unsuitable No
A PARISIAN ROMANCE » »
Lew Cody, Chester Franklin, Gilbert Row-
land, Marion Shilling. Direction by Chester
Franklin. (Seen at theatre preview and
subject to change.)
A light sophisticated comedy for adults
who are not offended by the theme of a girl
temporarily deserting her poor but faithful
lover for the attention of a rich and profligate
French baron, with the consequent suggestive-
ness of his gay life. The cast is good and the
settings attractive, including Paris streets,
French countryside, studios and “baronial’’
apartments. Its general tone is of comedy,
although it lapses into melodrama for a few
scenes. Not an important contribution to the
screen but amusing to some audiences.
Adolescents, 12 to 16 Children, 8 to 12
No No
PASSPORT TO HELL » »
Alexander Kirkland, Warner Oland, Paul
Lukas. Direcfion by Harry Hervey. Fox
Film Corp.
The East African Coast with the physical
discomfort of life in the jungle, the uncon-
ventional social status of the characters and
lax moral background, provides the setting
for an “eternal triangle.” Melodramatic in-
trigue of a sophisticated nature, in which
questionable sex situations are deftly handled
by inference is presented by Miss Landi as
a well born English girl, Alexander Kirkland
as the jealous husband, and Paul Lukas as
the “other man.” Warner Oland is excellent
as a German militaristic disciplinarian.
Divorce scandal, stolen war plans, suicide
Motion Picture Reviews
Nine
and espionage are some of the dramatic ele-
ments. It is a story well told in smooth, rapid,
interest-holding action. It is sophisticated
melodrama but avoids actual vulgarity in
its presentation.
Adolescents, 12 to 16 Children, 8 to 12
No No
■v
RAIN »
Joan Crawford, Walter Huston. From play
by Somerset Maugham. Direction by Lewis
Milestone. M.C.M.
Any actress who essays to follow in Jeanne
Eagle’s footsteps in “Rain” labors under a
tremendous handicap. It is impossible for
anyone who saw the original to avoid com-
parisons, which is perhaps unfair to the pic-
ture. However, in the earlier scenes others
in the cast besides Miss Crawford seemed to
be playing roles and to become unaffected
and real only as the climax neared. In the
emotional scenes of repentance Miss Craw-
ford achieves her most sincere effect. Mr.
Huston is admirable as the minister or “re
former” (as censorship demands that he be
designated). The play was distasteful to
some. The picture will no doubt arouse equal
antagonism and controversy. It is the story
of a wretched prostitute caught by circum-
stances in the power of a ruthless reformer.
In the emotional stress of her position she is
moved to repentance and sacrifice only to
loose faith in mankind again through a tragic
occurrence. Mr. Milestone’s direction is ex-
cellent, but the play achieved more dramatic
results without the greater latitude in scene
and action which the screen affords. Even
the steady downpour of rain fails to seem
as depressing as it did on the stage. However
it is a sincere effort to reproduce a dramatic
success and as such deserves attention and
commendation.
Adolescents, 12 to 16 Children, 8 to 12
No No
■sr
70,000 WITNESSES » »
Phillips Holmes, Johnny Mack Brown, J.
Farrell MacDonald, Dorothy Jordan. From
novel by Cortland Fitzsimmons. Direction
by Ralph Murphy. Paramount-Publix.
“70,000 Witnesses” is a mystery melodrama
and as such is entertaining, but it would be
a mistake to confuse it with the usual foot-
ball picture, because the sport is only a back-
It is not a child’s picture and might give
children a distorted and disillusioning im-
pression of amateur games. But for the de-
votee of mystery tales interest is kept at high
peak, and the audience is baffled till the end.
The murderer’s method might be questioned
medically but that is after all not too im-
portant. It seems plausible during the action.
Adolescents, 12 to 16 Children, 8 to 12
Doubtful No
•sr
SPEAK EASILY » »
Buster Keaton, James Durante, Ruth Sel-
wyn, Thelma Todd, Hedda Hopper. Direc-
tion by Edward Sedgwick. M.C.M.
The audience will find this comedy disap-
pointing. It is monotonous, not very funny
and rather vulgar. Buster Keaton is less
amusing than he should be, and though the
other members of the cast and the director
seem to have struggled hard, we cannot
recommend their efforts.
Adolescents, 12 to 16 Children, 8 to 12
No No
■sr
TWO AGAINST THE WORLD » »
Constance Bennett, Neil Hamilton. Direc-
tion by Archie Mayo. Warner Bros.
This production is a skilful combination
of situations apparently gleaned from recent
films and a sensational trial lately reported in
the newspapers. It is full of glamour and has
all the trimmings of the sophisticated modern
social drama. The plot concerns a young law-
yer who, while taking up the cudgels against
capitalism, falls in love with the spoiled
daughter of a very rich man. There is a
murder committed by a brother to protect
his sister's reputation, and inevitably we see
the court room interior and the beautiful
heroine on the witness stand. But in spite of
this lack of originality the quality of the act-
ing and direction is good enough to make
the picture fairly interesting.
Adolescents, 12 to 16 Children, 8 to 12
Not recommended No
T en
Motion Picture Reviews
WHITE ZOMBIE » »
Johnny Harron, Madge Bellamy, Robert
Frazer. Direction by Victor Halperin. Pro-
duced by Halperin Brothers.
While the weird superstitions of the natives
of Haiti offer real basis for a story of the
powers of the witch doctors, this tale is only
fantastic and unbelievable, like the creation
of a crazed brain. To many, its horrors are
piled on so thickly that they are only ludic-
rous. The plot concerns the evil machina-
tions of Murder, a madman who by means
of drugs induces a state of mental coma in
his victims. These “unburied dead” obey his
orders, and under this spell comes a young
bride who becomes the “White Zombie.” Her
rescue constitutes the action. Into this night-
mare Joseph Cawthorn brings the only breath
of reality: The rest of the cast find the story
too great a handicap. The picture is unwhole-
some and tiresome.
Adolescents, 12 to 16 Children, 8 to 12
No Perfectly terrifying
SHORT SUBJECTS
PATHE AUDIO REVIEW No. 12 » »
R.K.O.-Pathe.
Diversified subjects in review — beautiful
Alaskan scenes; night life at Ciro’s London,
(of little interest) ; interesting shots of curi-
ous creatures of the sea; picturesque scenes
of an ancient towered city in northern Italy
compared with modern New York.
SATAN’S PLAYGROUND » »
Produced and directed by George Allen.
Released by the Beverly Hills Production
Exchange.
This short subject is to be especially rec-
ommended. It is delightfully entertaining,
beautifully photographed, with fascinating
subject matter. Produced by a noted natura-
list it shows the interesting flora, fauna, in-
sects, and reptiles found in Death Valley,
California, and is a picture which cannot
fail to arouse enthusiastic approval from
all audiences (of all ages).
WALPURCIS NIGHT » »
Ettore Compana. Producers, Kendall-De
Vally Operalogue Company, Ltd. Direction
by Howard Higgin. Educational.
Inspired by Goethe’s “Faust” but having
more resemblance to a Hollywood modern-
istic ballet, this short musical subject is a
distinct disappointment. Only the beauty of
Compana’s voice compensates. Not recom-
mended for any audience, particularly
children.
•w
WHAT PRICE GLORIA » »
First in a “Baby Burlesque" series. Educa-
tional Pictures, Inc.
This sort of picture is inexcusable. It
is a stupidly vulgar take-off on the most
sophisticated type of war play, and features
baby actors. The association of children with
cheap innuendoes is extremely revolting.
Adolescents, 12 to 16 Children, 8 to 12
Impossible Impossible
t
MOTION
PICTURE
REVIEWS
THE WOMEN’S UNIVERSITY CLUB
LOS ANGELES, CALIFORNIA
OCTOBER 1932
THE WOMEN’S UNIVERSITY CLUB
Los Angeles Branch American
Association of University Women
943 SOUTH HOOVER STREET
Telephone DRexel 2177
COPYRIGHT NINETEEN THIRTY. TWO
WOMENS UNIVERSITY CLUB
WEBBCRAFT PRINTERS. I85t ARLINGTON AVE
LOS ANOEl.ES
Motion Picture Reviews
Three
MOTION • PICTURE • REVIEWS
Published monthly by
THE WOMEN’S UNIVERSITY CLUB
LOS ANGELES BRANCH
AMERICAN ASSOCIATION OF UNIVERSITY WOMEN
Mrs. Chester Ommaney, Preview Chairman Mrs. Madison J. Keeney, Bus. Manager
Mrs. George Bauer, Assistant Mrs. Bruce A. Findlay, Asst. Business Manager
Mrs. John Vruwink - Co-Chairmen - Mrs. Palmer Cook
EDITORS
Mrs. J. Allen Davis Mrs. Palmer Cook Mrs. Arthur Jones Mrs. F. II. Partridge
Mrs. John Vruwink Mrs. Walter Van Dyke Mrs. Margaret Argo
Address all communications to The Women's University Club, 943 South Hoover St., Los Angeles, Calif.
10c Per Copy - - $1.00 Per Year
Vol. Ill OCTOBER, 1932 No. 10
FEATURE FILMS
♦
AIR MAIL » »
Ralph Bellamy, Slim Summerville, Pat
O’Brien, Russell Hopton, Leslie Fenton, Lil-
lian Bond, Gloria Stuart. Direction by John
Ford. Universal. (Seen at theatre preview
and subject to change.)
Tremendously exciting, showing the terrific
dangers of the air mail service and the dar-
ing chances with the elements taken by the
pilots to keep to the mail schedule, this picture
has too many thrills for the nervously in-
clined. The interest is entirely centered on
the dramatic flying, frightful accidents and
heroic rescues of brave pilots. The direction
is splendid for this type of story and the men
in the cast are admirable.
Adolescents, 12 to 16 Children, 8 to 12
Very exciting Too terrifying
v
ALL AMERICAN » »
Richard Arlen, John Darrow, James Gleason.
Direction by Russell Mack. Universal.
A pertinent comment on the American cus-
tom of idolizing athletes, this cleverly paints
the picture of a football star who progresses
into the business world with his “All Ameri-
can” halo as his chief qualification for suc-
cess. He has a bad time but makes his own
adjustment and protects his younger brother
from a similar awakening. It has a sound
plot and good comedy, and for lovers of
football, vastly entertaining shots of the game
including famous coaches and players from
many teams of the country.
Adolescents, 12 to 16 Children, 8 to 12
Good Too mature
THE BIG BROADCAST » »
Stuart Erwin, Leila Hyams, Sharon Lynn. Di-
rection by Frank Tuttle. Paramount-Publix.
Anyone who is conversant with the per-
sonalities of radio stars will find this picture
particularly entertaining, for it affords an op-
portunity to come face to face with a dozen
favorites performing in a most amusing com-
edy of life behind the microphone. To that
rare person to whom the cast are strangers it
offers a wholesome story, hilarious fun, and
pleasing music.
Adolescents, 12 to 16 Children, 8 to 12
Good Good
TT
BLONDIE OF THE FOLLIES » *
Marion Davies, Robert Montgomery, Billie
Dove. M-G-M.
Two little working girls achieve the
“Follies,” apartments on Fifth Ave., and
“patrons.” To insure sympathy with our
heroine her patron seems to be away duck
shooting most of the time, thus giving greater
assurance of her morals. But her friend’s
Prince Charming falls in love with Blondie
and green-eyed jealousy drives the jilted girl
to revenge. Then we find our injured hero-
ine again in her mother’s simple flat to our
bewilderment, and the bitterness of the
family, be it said, who loved “daughter’s
social position.” At last Prince Charming
offers her a wedding ring with her next
apartment. It’s pretty bad from any point
of view — ethical or artistic.
Adolescents, 12 to 16 Children, 8 to 12
No No
Four
Motion Picture Reviews
BREACH OF PROMISE » »
Chester Morris, Mae Clark, Mary Doran,
Theodore Von Eltz. Direction by Paul Stein.
Educational Pictures, Inc.
There is nothing to recommend this dreary
melodrama to anyone of any age. A young
girl, to escape her sordid surroundings, sues
an innocent man and wins a $50,000 breach
of promise suit. Of course she repents and
confesses, but the whole depressing attempt
is not worth the effort of production!
Adolescents, 12 to 16 Children, 8 to 12
Unwholesome No
EMIL UND DIE DETEKTIVE
(EMIL AND THE DETECTIVE) » »
Fritz Rasp, Kathe Haack. Direction by Ger-
hard Lamprecht. U. F. A. (All German dia-
logue.)
This is Germany’s first contribution to juv-
enile audiences, and it will appeal equally
to American children because of its plot and
the fact that the action is clearly understand-
able in spite of the German dialogue. An
imaginative boy, who loves to play detective,
is entrusted with a sum of money for his
grandmother. En route he is robbed, and he
enlists the aid of a gang of Berlin children
to track down the thief, who proves to be a
long sought criminal. The clever photo-
graphy, naturalness of the children, and un-
usually interesting background combine to
make a very entertaining picture which chil-
dren will enthusiastically approve.
Adolescents, 12 to 16 Children, 8 to 12
Cood Good
-v
THE COLDEN WEST » »
George O’Brien, Janet Chandler. Adapted
from Zane Grey's novel. Direction by David
Howard. Fox.
Adequate comment in the technique of this
picture is handicapped by the fact that,
through an error, one reel was missing at the
preview. It is a Western, opening in the ro-
mantic South, where a feud between two
families prevents the marriage of the young
people. Next we find their descendants simi-
larly attracted and their romance meets all
the stirring obstacles consistent with the ad-
vance of a railroad through hostile frontier
country. It has perhaps greater interest for
children than for adults.
Adolescents, 12 to 16 Children, 8 to 12
Fair Fair
xr
HERITAGE OF THE DESERT » »
J. Farrell McDonald, David Landau, Sally
Blane. From the novel by Zane Grey. Direc-
tion by Henry Hathaway. Paramount-Publix.
A stereotyped and unsophisticated Western
tale of an old homesteader who, with the
help of a young engineer, holds on to his
property and successfully revenges himself on
the thieves in spite of the perfidy of his son.
His ward supplies the romantic interest. Ade-
quate direction and acting and interesting des-
ert and mountain scenery make this simple
story of pioneer days entertaining for those
who enjoy the type.
Adolescents, 12 to 16
Good
HOUSE OF DEATH
N. P. Kemelev, N. A. Podcorny, N. M. Vi-
toiv. Direction by V. F. Fedorer. Produced
in Russia by Mejrobpom film. Presented by
Amkino. (Russian dialogue but English
titles superimposed.)
The film dramatizes the spiritual struggles
of Dostogevski — his life's history and his final
acceptance as a prophet in his own country.
It is tremendously interesting in treatment,
stressing mood and atmosphere — rather than
action, building effects photographically and
by means of music. Undoubtedly propoganda
for the Soviet, it is too depressing in theme
and treatment to appeal generally to an
American public.
Adolescents, 12 to 16 Children, 8 to 12
No No
Children, 8 to 12
Yes
»
THE KING MURDER » »
Conway Tearle, Natalie Moorhead, Marceline
Day. Direction by Richard Thorpe. Chester-
field Production. (Seen in preview and sub-
ject to change.)
A murder mystery in which the plot is con-
cerned with the mystery rather than the de-
tails of the killing. No scenes of violence are
shown and yet the mystery loses none of its
interest. The revelation of the murderer
comes as a clever surprise and is not obvious
at anv time. To Conway Tearle goes the
glory of the solution as well as the laurels for
a good performance. Mr. Tearle is well sup-
ported and for those who enjoy this type of
story the suspense will be sufficiently enter-
taining.
Adolescents, 12 to 16 Children, 8 to 12
Interesting Too mature
KLONDIKE » »
Lyle Talbot, Thelma Todd, Captain Frank
Hawks, H. B. Walthall. Direction by Phil
Rosen. Monogram.
A doctor fails in a difficult operation, and in
order to escape disgrace flies to Alaska, where
he finds the opportunity to rebuild his life.
This problem play, melodramatic in tone,
seems to be lacking in sincerity, possibly be-
cause Lyle Talbot, who takes the principal
part, does not coincide with our preconceived
Motion Picture Reviews
Five
ideas of surgeon. As a whole the acting is
disappointing, except for the modest role of
Captain Hawks, which is ably performed by
the flier himself. At times the movement is
deliberate, and again it is jerky; the produc-
tion in its entirety does not merit any en-
thusiasm.
Adolescents, 12 to 16 Children, 8 to 12
No Unsuitable
■v
THE LAST MILE » »
Preston S. Foster, Howard Phillips, George
Stone, Noel Madison. Direction by Sam
Bishoff. World Wide Production.
Except for a few explanatory shots, the
scene of “The Last Mile” is the death house
of a prison. It is the development of an inci-
dent and has no plot other than the slim
thread of events leading to the conviction on
circumstantial evidence of an innocent young
man. It is a powerful drama of fear and hate
and futility, with its strongest note the smold-
ering hate of Killer Mears for the death house
guard. The introduction of the outside scenes
somewhat weakens the picture in comparison
with the stage production, but nevertheless it
is very fine and beautifully acted, although
almost unbearably tragic and depressing.
Adolescents, 12 to 16 Children, 8 to 12
No Absolutely not
LIEBE 1ST LIE8E (LOVE IS LOVE) » »
Kalthe M. Nagy, Haus Albers. Direction by
Paul Martin. Supervision by Eric Pommer.
U. F. A. (All German dialogue.)
This German dialogue operetta is very en-
tertaining even to an English speaking audi-
ence, for the direction and pantomime make
the action and humor perfectly clear. It is
an amusing comedy, Continental in treatment
and full of absurdities. It tells the story of
an impecunious youth who, through methods
acceptable only in farce, wins the wealthy
lady of his choice.
Adolescents, 12 to 16 Children, 8 to 12
Passable Mature
•w
LITTLE ORPHAN ANNIE » »
Mitzie Green, Buster Phelps, May Robson.
Based on comic strip by Harold Gray. Direc-
tion by John Robertson. R-K-O.
An amusing little tale sprinkled with
pathos, of two attractive youngsters who
win one’s sympathy, and of a crochety but
lovable old lady who finally befriends them
both. Children will adore the story and
especially the michievious (though harmless)
adventures of the small orphans. An inter-
esting commentary may be added that for
once social workers are shown in a favor-
able light on the screen — as kindly persons
actually capable of humor and understand-
ing.
Adolescents, 12 to 16 Children, 8 to 12
Good Very good
v
MADISON SQUARE GARDEN » »
William Collier, Jack Oakie, Warren Hymer,
Thomas Meighan. Direction by Harry Joe
Brown. Paramount-Publix.
No doubt this picture will appeal particu-
larly to those who are interested in prize
fights and in the men who have been head-
liners in the sport world of Madison Square
Garden. It is a clean picture, the story of a
square sportsman confronting the crookedness
of racketeering in the management of fights
and pugilists. William Collier as Doc JVil-
liams gives a sympathetic portrayal of the
honest, good hearted and loyal manager who
won’t be bought to betray his “boys.” The
sets of Madison Square Garden, the really
exciting fight and the introduction on the
screen of many well known managers and
fighters give realism to the production.
Adolescents, 12 to 16 Children, 8 to 12
No interest
MAGIC NIGHT » »
Jack Buchanan, Anna Neogle. Herbert Wil-
cox Production. British Dominion Pictures.
United Artists.
A sentimental little story telling of a ro-
mance between an Austrian officer in the
World War and a pretty little flower girl
in Vienna. It is musical and lightly enter-
taining.
Adolescents, 12 to 16 Children, 8 to 12
Harmless No interest
MOVIE CRAZY » »
Harold Lloyd, Constance Cummings, Louise
Closser Hale. Direction by Clyde Bruck-
man. United Artists.
Don’t miss this delicious comedy — original,
clean in every detail, different, and in spite
of all its slap stick, holding a real interest
in a sincere little love story. The background
of a movie studio is very intriguing and
entertaining. We feel certain in recommend-
ing this for fans of any age.
Adolescents, 12 to 16 Children, 8 to 12
Good Good
•w
PACK UP YOUR TROUBLES » »
Laurel and Hardy, Paulette Goddard, Donald
Diloway. Direction by Ray McCarey and
George Marshall. M-G-M.
The whole family will enjoy the antics of
Laurel and Hardy as reluctant World War
recruits and then as anxious foster parents
Six
Motion Picture Reviews
of their dead comrade’s child. It's an enter-
taining farcical comedy, yet the unexpected
bits of pathos give it depth and a charm that
is altogether delightful.
Adolescents, 12 to 16 Children, 8 to 12
Excellent Good
yr
PAYMENT DEFERRED » »
Charles Laughton, Dorothy Peterson,
Maureen O'Sullivan, Veree Teasdale, Neil
Hamilton. From play by Jeffrey Dell,
adapted by Ernest Vajda. Direction Lothar
Mendes. M-G-M.
This is an amazing picture of the disin-
tegrating effect of fear and of final retri-
bution being visited upon a murderer after
a respite of years. It is grim tragedy, an
approach to the classical form which has for
its purpose “purging the mind with pity and
fear.” It is a beautiful production, smooth
in direction, excellent in dialogue, and dis-
tinguished by perfect casting.
Adolescents, 12 to 16 Children, 8 to 12
No No
yr
THE PHANTOM PRESIDENT » »
George M. Cohan, Claudette Colbert, Jimmy
Durante. Direction by Norman Taurog.
Paramount-Publix.
Jimmy Durante and George M. Cohan (the
latter in a double characterization) make a
nonsensical trio who rollick their way
through this most exhilirating satire on
modern American politics. Musical comedy
effects adroitly used, witty jibes at the weak-
nesses in our democracy and an ingenious
plot make this picture one to be highly
recommended as excellent diversion for all
audiences.
Adolescents, 12 to 16 Children, 8 to 12
Excellent Entertaining
RED DUST » »
Jean Harlow, Clark Cable, Mary Astor,
Tully Marshall. Direction by Victor Flem-
ing. M-G-M.
This is a picture which seems temporarily
interesting but which is rather cheap in re-
trospect. Into the wildnerness of a rubber
plantation where the only white men are
the planter, his foreman and engineers, come
two women of opposite types, a prostitute
and the ultra civilized wife of the new en-
gineer. The atmosphere, already over-
charged by monotony, grows increasingly
electric and the veneer of civilization wears
very thin indeed. Crude vulgarities in
dialogue, scenes, and action are possibly in
keeping with the milieu, but many suggestive
details are both unnecessary and inartistic.
To Jean Harlow, cast as the prostitute, is
given the comedy part which she plays with
consistent ease. Clark Gable is sufficiently
convincing in the personification of carnal
man, and Mary Astor contributes the kind
of beauty that can survive even tropical
storms.
Adolescents, 12 to 16 Children, 8 to 12
Very unsuitable No
SIX HOURS TO LIVE » »
Warner Baxter, Miriam Jordan, John Boles,
Ceorge Marion, Sr. Adapted from the story
“Auf Wiedersehen” by Cordon Morris. Di-
rection by William Dieterle. Fox.
In making this picture the producers have
attempted something so unusual and so diffi-
cult that complete success is hardly possible.
Its very title compels one to thoughtful con-
sideration of the meaning intended. An in-
spirational treatment of a fanciful idea, it
portrays the interval between apparent death
and the final passing of a man who is resusci-
tated and given six hours to live. It is in-
tensely interesting, but fails to be universally
convincing both because the plot relies upon
the use of an improbable pseudo scientific in-
vention, and because the emotional appeal is
dependent upon the individual spectator’s in-
terpretation of the abstract theories presented.
Adolescents, 12 to 16 Children, 8 to 12
Mature No
SMILIN’ THROUGH » »
Norma Shearer, Frederic March, Leslie How-
ard, O. P. Heggie. From play by Jane Cowl
and Jane Murfin. Direction by Sidney
Franklin. M-C-M.
The greatest charm of this sentimental ro-
mance on the screen is the very evident sin-
cerity of the production. Exquisite settings,
satisfying casting and the spiritual appeal of
the charming love story combine to create
something rare and beautiful.
Adolescents, 12 to 16 Children, 8 to 12
Excellent Probably little interest
v
THIRTEEN WOMEN » »
Ricardo Cortez, Irene Dunne, Myrna Loy,
Kay Johnson, Florence Eldridge. Direction
by C. Archainbaud. R-K-O.
This is the tragic story of a half-caste
girl. Her sworn revenge on the twelve
school girls who barred her from their
society, and its subsequent working out make
an unusual theme extremely well handled
by director and actors. Tragedy comes to
each one of the twelve girls through means
of hypnosis and suggestion used by the half-
caste against them. It is gripping entertain-
ment for adults interested in the psychologi-
Motion Picture Reviews
Seven
cal significance of suggestion. It is not to be
recommended for the nervous or easily de-
pressed.
Adolescents, 12 to 16 Children, 8 to 12
No By no means
"V
THOSE WE LOVE » »
Mary Astor, Kenneth McKenna, Lilyan Tash-
man. World Wide Production. Direction by
Robert Florey. Educational.
The age old problem of a husband who
feels himself neglected and succumbs to the
temptress, is presented by a capable cast. It
is simply told and might deserve passing com-
mendation except for the questionable taste
of discussing the infidelity before a very
young son, in spite of the ultimate reconcilia-
tion.
Adolescents, 12 to 16 Children, 8 to 12
No No
TIGER SHARK » »
Edward C. Robinson, Zita Johann, Richard
Arlen. Author: Houston Branch. Direction
by Howard Hawks. Warner Bros.
“Tiger Shark” tells the human, tragic story
of the romance of “Mike,” a picturesque Por-
tuguese fisherman, uncouth, lovable and kind
until crazed by the loss of the woman he
loves. Robinson is remarkable in his por-
trayal, and Zita Johann’s unique loveliness
and personality rpake a strong appeal. The
story is brutal, not only in the bitter theme,
but in the scenes of mutilation and death in
the attacks of sharks. But the theme is orig-
inal and the background of tuna fishing has
tremendous interest. It is probably best de-
scribed as a man’s picture, virile, thrilling,
unsentimental, and the treatment makes it
passable for older young people.
Adolescents, 12 to 16 Children, 8 to 12
Depends on children Too exciting
•v
TOO BUSY TO WORK » »
Will Rogers, Marion Nixon, Frederic Bur-
ton, Dick Powell. From a story by Ben
Ames Williams. Direction by John Bly-
stone. Fox.
The best all-round picture that Will
Rogers has made. The story, sentimental but
pleasant, is a delight, and “Jubilo’s” kindly,
witty philosophy warms the heart. He is a
drifting tramp, a returned war veteran who
tries to locate a family which has long since
passed out of his life. The sincere presen-
tation of the character, the deliciously funny
situations and natural and amusing dialogue
combine to provide excellent entertainment.
Adolescents, 12 to 16 Children, 8 to 12
Good Good, but little action
TROUBLE IN PARADISE » »
Herbert Marshall, Miriam Hopkins, Kay
Francis, Charles Ruggles, Edward Everett
Horton, Audrey Smith. Direction by Ernest
Lubitsch. Paramount Publix.
An international thief loses his heart and
his money to a charming and clever pick-
pocket. He becomes temporarily interested
in a lovely lady, but she finally accepts her
defeat gracefully. Without the arresting
technique of its presentation the story would
be nothing, but the unique use of light and
shade, musics, photographic tricks, and pan-
tomime embellish the production, and comedy
overbalances the sophistication until we have
a fresh, amusing and rather glamorous farce
suitable for adult appreciation.
Adolescents, 12 to 16 Children, 8 to 12
No No
WAR CORRESPONDENT » »
Jack Holt, Ralph Craves, Lila Lee. Direction
by Columbia.
Jack Holt as a soldier of fortune joins the
National Army of China. Graves is there as
an American war correspondent. Neither is
shown in an admirable light, so that one is
not much interested in their rivalry over a
girl of questionable character. Violence and
excitement, and some excellent photography
of stirring aerial warfare, add little to a trite
and unpleasant story.
Adolescents, 12 to 16 Children, 8 to 12
Hardly No
WILD GIRL » »
Joan Bennett, Charles Farrell. From the
story "Salomy Jane” by Bret Harte. Direc-
tion by Raoul Walsh. Fox.
A picture to be viewed as pure fiction, and
as such it can be thoroughly enjoyed. It de-
picts life in the stage coach days, when justice
was meted out to bandits and murderers in
short order. There are beautiful scenes among
the Big Trees as a background for swift ac-
tion; it is skillfully directed throughout and
the dialogue adds humor and interest. Those
acustomed to Joan Bennett in more civilized
surroundings may doubt her complete transi-
tion to frontier simplicity, but her delicate
beauty and charm are inescapable. Eugene
Pallette is outstanding, and the minor parts
are unusually well taken. Too vivid portrayal
of hangings and killings makes it unsuitable
for children.
Adolescents, 12 to 16 Children, 8 to 12
Probably good Better not
Eight
Motion Picture Reviews
SHORT SUBJECTS
♦
FLOWERS AND TREES » »
A Silly Symphony in color. Produced by
Walter Disney. United Artists.
An exquisite symphony of color, sound and
rhythmic action. A fairy tale of trees and
flowers. Delightful for any audience.
MICKEY IN ARABIA » »
A Mickey Mouse Cartoon. Produced by Wal-
ter Disney. Columbia.
Mickey in an Oriental setting rescuing
Minnie from an Arabian Sheik will delight
the family.
v
WINGS OVER THE ANDES » »
Three reels. Directed and photographed by
members of the Shippee-Johnson Expedition.
A splendid travelogue taking one by air-
plane into a remote country and among un-
known people; an adventure no one will care
to miss. Educational and fascinating enter-
tainment.
Principal Distributing Corporation
CHICAGO » »
One of “Great American Cities” series. One
reel.
A flight over the city, showing the sky line,
the loop, University of Chicago, stock yards,
new Fair site and other points of interest.
Interesting.
■w
DANGERS OF THE ARCTIC » »
Three and one-half reels photographed by
Earl Rossman.
A very interesting selection of scenes por-
traying Eskimo life. Educational as well as
entertaining.
SAN FRANCISCO » »
One of “Great American Cities” series. One
reel.
Entertaining views of Civic Center, China-
town, Golden Gate, University of California,
etc. Interesting but not comprehensive.
WALPI » »
A short subject of India. One reel.
Ceremonial dances and song of the Hopi
Indians on the Painted Desert. Color adds
beauty to this excellent subject.
)
%
I
MOTION
PICTURE
REVIEWS
THE WOMEN S UNIVERSITY CLUB
LOS ANGELES, CALIFORNIA
NOVEMBER 1932
THE WOMEN’S UNIVERSITY CLUB
Los Angeles Branch American
Association of University Women
943 SOUTH HOOVER STREET
Telephone DRexel 2177
COPYRIGHT NINETEEN THIRTY-TWO
WOMENS UNIVERSITY CLUB
WEBBCRAFT PRINTERS, 1881 ARLINGTON AVE., LOS ANGELES
Motion Picture Reviews
Three
FEATURE FILMS
4
CABIN IN THE COTTON » »
Richard Barthelmess, Bette Davis, Dorothy
Jordan. Direction by Michael Curtis. First
National.
Distinguished by beautiful photography,
and the luxurious setting of the fertile south-
ern cotton country, the problem of poor white
tenants and overbearing ignorant planters, is
unfolded slowly and without inspiration. It
does not pretend to champion either side, and
the story is depressing in its presentation of
dreary conditions. Barthelmess is not in his
best role as the school boy, the planter’s pro-
tege, divided in his loyalty between his people
and his benefactor. Bette Davis is excellent,
and Dorothy Jordan convincing. To appre-
ciate the theme some understanding of the
problem is needed, which limits its interest to
adults who will find it fair entertainment.
Adolescents, 12 to 16 Children, 8 to 12
Too mature and sad No
THE CRASH » »
Ruth Chatterton, Ceorge Brent. Direction
by William Dieterle. Taken from the play,
“Children of Pleasure,” by Larry Baretto.
Warner Bros.
Like several recent pictures in which Miss
Chatterton has starred, “The Crash” is thor-
oughly disappointing. The plot is illogical ;
the shallow heroine flits from one man to an-
other and back again with perfect composure
and smug self-satisfaction ; the atmosphere is
one of selfishness and triviality, with a de-
pressing background of the collapse of the
stock market. We find no grounds upon which
to commend this production.
Adolescents, 1 2 to 1 6 Children, 8 to 12
Unsuitable No
•W
EVENINGS FOR SALE » »
Herbert Marshall, Mary Boland, Sari Marit-
za. From story by I. A. R. Wylie. Direction
by Stuart Walker. Paramount Publix.
The theme presents a phase of life in which
the breaking of home ties creates a release
from standard conventions. A wealthy Amer-
ican widow goes to Vienna in search of love’s
“swan song” — a last grasp at romance — and
the guilelessness of the lady and her final
recognition of latent values are amusing. It
is sophisticated farce deftly treated, and the
result is fresh, light and pleasant entertain-
ment, but not particularly exceptional.
Adolescents, 12 to 16 Children, 8 to 12
Objectionable Too mature
•w
HE LEARNED ABOUT WOMEN » »
Stuart Erwin, Alison Skipworth, Susan Flem-
ing. Directed by Lloyd Corrigan. Para-
mount Publix.
This is an uncommonly diverting and gay
little comedy, well conceived, well directed
and well acted. The story revolves around a
young man who inherits an enormous fortune,
and upon advice of counsel, steps out from
Four
Motion Picture Reviews
his previous bookish existence to learn about
life and love. The course of his education
furnishes good fun, refreshingly natural dia-
logue and much laughter for all the rest of
us. The direction, cast and story are delight-
ful— only the title is unwarranted.
Adolescents, 1 2 to 1 6 Children, 8 to 1 2
Yes Yes
HOT SATURDAY » *
Cary Grant. Nancy Carroll. Direction by
William Seiter. Paramount.
Almost as silly as its name, “Hot Saturday”
is the story of a small town girl who is ma-
ligned by ill natured gossips, cast out by her
family and her fiance, and rescued by a play
boy. She totters through blinding rainstorms
and limps on high heels through the woods,
even faints at the feet of her childhood sweet-
heart, but still she is misunderstood. Even if
one admires Nancy Carroll’s soft prettiness
and Cary Grant’s suave conceit, the picture
is hard to accept.
Adolescents, 12 to 16 Children, 8 to 12
Not recommended No
•w
IF I HAD A MILLION
Based on story by Robert D. Andrews.
Written for screen by: Claude Binyon,
Whitney Bolton, Malcolm Stuart Boyland,
John Bright, Sidney Buchman, Lester Cole,
Isabel Dawn, Boyce DeGaw, Walter De-
Leon, Oliver H. P. Garrett, Harvey Gates,
Crover Jones, Ernst Lubitsch, Lawton
Mackall, Joseph L. Mankiewicz, William
Slavens McNutt, Seton I. Miller, Tiffany
Thayer.
THE DIRECTORS: Ernest Lubitsch, Nor-
man Taurog, Stephen Roberts, Norman
McLeod, James Cruze, William A. Seiter,
H. Bruce Humberstone.
CAST: Gallagher, Gary Cooper; Violet,
Wynne Gibson; Eddie Jackson, George
Raft; the Clerk, Chas. Laughton; John
Clidden, Richard Bennett; Mulligan, Jack
Oakie; Mary Wallace, Frances Dee; Henry
Peabody, Charlie Ruggles; Emily, Alison
Skipworth; Rollo, W. C. Fields; Mrs. Pea-
body, Mary Boland; O’Brien, Roscoe
Karns; Mrs. Walker, May Robson; John
Wallace, Gene Raymond; Zeb, Lucien
Littlefield.
“If I Had a Million” is unusual in theme
and treatment. It tells the story of a multi-
millionaire who presents $1,000,000 to eight
different individuals unknown personally to
him, and shows the reaction of each to the
unexpected fortune. The episodes are by
different writers: they are presented by dif-
ferent directors and each has its own star
cast. It is particularly unique and interesting
because of this variation in technique and
the theme, in recognizing the frail ideals of
mankind, is rather biting satire but thor-
oughly human. It is uneven in production
as might be expected in so great a range in
treatment. If all the sketches reached the
perfection of two or three, it would have
been a remarkable production. There are
stories as clever as the best of O. Henry or
De Maupassant ironical, witty, perfect, with
outstanding photography, acting and direc-
tion. We recommend especially “The Ex-
plosion,” “The Forger” and “The China
Shop.” The motivation of the plot is splen-
didly conceived by Norman Taurog, and
also the opening sequences of “The Old
Ladies’ Home.” The curtain is certainly a
sop to “Pollyanna,” but the whole is vastly
entertaining and should have appeal for
many audiences.
Adolescent, 12 to 16 Children, 8 to 12
Probably Good Too Mature
I AM A FUGITIVE FROM
THE CHAIN GANG » »
Paul Muni. Direction by Mervyn Le Roy.
Based on the book, “I am a Fugitive from a
Georgia Chain Cang,” purporting to be an
authentic biography. Warner Bros.
Very definitely bitter propaganda against
glaring injustices in the treatment of chain
gangs, this is a picture to make one’s blood
run cold. Paul Muni gives an extraordinary
performance in his tragic role and has excel-
lent support in the cast. The photography and
direction also are remarkably good, but the
insistence on the crusading intent of the pro-
duction makes the whole an impassioned plea
for reform rather than entertainment.
Adolescents, 12 to 16 Children, 8 to 12
No No
THE KID FROM SPAIN » »
Eddie Cantor, Lyda Roberti. Direction by
Leo McCarey. Samuel Coldwyn Production.
United Artists.
Admirers of “The Follies” will not be
disappointed in this elaborate extravaganza:
stunning girls, sophisticated costumes, catchy
tunes, gorgeously rhythmic ensembles, and
a bull fight which is “immense.” Eddie
Cantor carries the show with his naughty
but absurd humor. Too bad he is not on the
scene all the time.
Adolescents, 12 to 16 Children, 8 to 12
Cood Passable
Motion Picture Reviews
Five
MASK OF FU MANCHU » »
Boris Karloff, Lewis Stone, Karen Morley,
Myrna Loy. Direction by Charles Brabin.
M-C-M.
Undoubtedly there is a contest going on
among Hollywood producers as to who can
make the most horrible and revolting pic-
ture. So far the award goes to M.G.M. for
“The Mask of Fu Manchu.” This picture is
not only unpardonable ghastly but, by em-
phasizing cruelty and cunning, it gives an
ignorant and offensive portrayal of Chinese
life and character.
Adolescents, 12 to 16 Children, 8 to 12
No No
MEN ARE SUCH FOOLS » »
Vivienne Osborne, Leo Carrillo, Earle Foxe.
Direction by William Nigh. R-K-O.
Little excuse can be offered for this por-
trayal of a distasteful subject. An ungrate-
ful and immoral woman accepts the help of
a man and is the cause of his imprisonment,
once for beating her paramour and finally
for killing him. There is little to be said
for the production either ethically or artistic-
ally. A very slight exaggeration would have
placed it definitely in the class of burlesque.
Adolescents, 12 to 16 Children, 8 to 12
No No
■yr
MEN OF AMERICA » »
Chic Sale, William Boyd, Dorothy Wilson,
Ralph Ince. Direction by Ralph Ince. R-K-O.
Gangs are moving West! This time they
pick their locale in a peaceful little Califor-
nia Valley. Machine guns sputter and a
full quota of murders is committed before
this crowd of big city racketeers is brought
to justice by the town’s leading citizen, Chic
Sale, and his vigilantes. It is possibly an
attempt to reveal the rugged American
spirit to be found in a melting pot of Chi-
nese, Indians and Americans. When the
peaceful life of Paradise Valley is threatened
by gangster methods, its inhabitants rise and
crush the menace. But over emphasis of
brutality spoils the picture for our taste.
Adolescents, 12 to 16 Children, 8 to 12
Not recommended Absolutely not
•w
THE MONKEY S PAW » »
C. Aubrey Smith, Ivan Simpson, Louise Car-
ter. Adapted from the one-act play by W.
W. Jacobs. Direction by Wesley Ruggles.
R-K-O.
An unusual and rather remarkable theme
has been ruined by its treatment. The story
is based on a belief in the magic power of
a monkey’s paw which will grant three per-
sons three wishes each, although each will
regret the wishes he made. The threat of
this prophecy is fulfilled by gruesome trag-
edy, but the producer has weakened the
whole by striving only for effects without
regard for story or consistency. The result
is hodgepodge — “neither fish nor fowl, nor
good red herring.”
Adolescents, 12 to 16 Children, 8 to 12
Absolutely not Absolutely not
THE PHANTOM OF CRESTWOOD » »
Karen Morley, H. B. Warner, Robert Mc-
Wade. Direction by J. Walter Ruben. R-K-O.
This is a mystery tale which sets a stan-
dard above the average. It has a surpris-
ing list of good actors for one picture, and
they move through a story which keeps one
in high nerve tension. The old California
ranch setting, wild storms, mysterious music,
and shadowy photographic work furnish an
appropriate atmosphere. It will interest be-
cause of its well developed characters, har-
rowing suspense, and logical if somewhat
obvious solution.
Adolescents, 12 to 16 Children, 8 to 12
Questionable ethics, very exciting No
PROSPERITY » »
Marie Dresslar, Polly Moran. Direction by
Sam Wood. M-C-M.
Boisterous slapstick, but clean and whole-
some nevertheless, this comedy may be
recommended to all ages. The scene is any
American small town today, turned hys-
terical by the thoughtless act of a malicious
person. Miss Dresslar, acting, president of
the bank, carrying on the high principles of
her late husband, stems the theatrical run.
It is kindly, human, thoroughly amusing, and
encourages a laugh at the expense of “de-
pression.”
Adolescents, 12 to 16 Children, 8 to 12
Good Good
iV
RACKETY RAX » : *
Victor McLaglen, Greta Nissen, NelJ O'Day,
Arthur Pierson. Direction by, Alfred
Werker. Fox. I
Victor McLaglen, a gangster, seeing his
first football game and impressed by 'the
gate receipts, decides to start a racket in
the game. He buys a bankrupt college, puts
his boys on the field and the fun begins. The
humor is broad, and some of it is vulgar.
It reduces the gangster hero to absurdity'.
For those who like their9 burlesqued it ii
Six
Motion Picture Reviews
amusing. However, most people are suffi-
ciently tired of gangster pictures to wish
that some research be done and the results
presented on another phase of life as lived
in these United States.
Adolescents, 12 to 16 Children, 8 to 12
No No
~w
SCARLET DAWN » »
Douglas Fairbanks, Jr., Nancy Carroll.
Adapted from novel by Mary McCall. Direc-
tion by William Dieterle. Warner Bros.
Too bizarre photographic shots and overly
pictorial settings show a belabored effort to
catch a fitting Russian atmosphere for a
story of an officer in the Czar’s guards and
a peasant servant girl caught in the whirl
of revolutions. The sincerity of the cast is
apparent and the love story makes an appeal
to the heart in spite of the fact that the plot
is melodramatic and fantastic and the whole
uneven in its presentation.
Adolescents, 12 to 16 Children, 8 to 12
Overemphasis on sordid phases No
SECRETS OF THE FRENCH POLICE » »
Frank Morgan, Murray Kinnell, Gregory
Ratoff, Gwili Andre. Direction by Edward
Sutherland. Story by Ashton Wolfe. From
series of articles appearing in the American
Weekly. R-K-O.
A vivid and grotesque picture involving a
plot to hypnotise a young Parisian flower girl
so that she can impersonate the Grand
Duchess Anastasia. The scene is the castle
of the evil General Maloff, who has con-
trived a strange method of murdering his
enemies. This is another of the horror
thrillers, and while it is developed in a
rather ingenious manner with the fascinat-
ing Gwili Andre as the heroine, it is not
a film which can be recommended except to
those with a taste for the morbid in enter-
tainment.
Adolescents, 12 to 16 Children, 8 to 12
No Impossible
'W
SHERLOCK HOLMES » »
Clive Brook, Miriam Jordan, Ernest Torrence,
Reginald Owen. Direction by William K.
Howard. Fox.
To satisfy the vast following of Sherlock
Holmes is an achievement. Clive Brook de-
serves great credit for appearing so defin-
itely in character, and Mr. Howard, for
building sustained suspense throughout
while adding the thrill of keen satire in
this modernized version. Delightful dia-
logue is also part of the attraction. The
story tells of the final capture of that arch
criminal, Moriarity, and will delight lovers
of detective tales.
Adolescents, 12 to 16 Children, 8 to 12
Good Unsuitable
•V
SILVER DOLLAR * »
Edward G. Robinson, Helen McMahon, Bebe
Daniels. Direction by Alfred Greene. War-
ner Bros.
Starting at the time of the founding of
Denver, Colorado, this story of pioneer days
sketches the dramatic part played by the
discovery of silver in the life of a fictitious
character, Yates Martin. Probably the model
for Yates Martin is Senator Tabor of Colo-
rado since the incidents in the story conform
closely to known incidents in the life of
the senator, and on this account the picture
will have special interest for persons who
are acquainted with this period of political
and economic history. Standing on its own
merits as a screen drama, “Silver Dollar” is
interesting, virile and particularly vivid in
atmospheric details, but falls short in drama-
tic value because Edward G. Robinson is
not quite convincing in his role and because,
in an effort to explain the economic signifi-
cance of the deflation of silver, there is too
much dialogue. An overemphasis on the
vulgar extravagances of the newly rich
politicians makes a somewhat one-sided pic-
ture of pioneer life.
Adolescents, 12 to 16 Children, 8 to 12
Mature Very little interest
•w
SPORT PARADE » »
Joel McCrea, William Cargan, Walter Cat-
lett, Marian Marsh. Direction by Dudley
Murphy. R-K-O.
The only distinctive part in this picture is
the uproarious satire on radio broadcasting
done to a turn by Robert Benchley. Other-
wise the plot is a rehash of the much worn
theme of athletes - going professional and
then mixing in shady deals. It is reminiscent
of “All American” but is too confused in
motives and action to be worth while. The
cast is good.
Adolescents, 12 to 16 Children, 8 to 12
Better not No
sr
20,000 YEARS IN SINC SING » »
Spencer Tracy, Walter Hymer, Bette Davis.
Direction by Michael Curtiz. First National.
Seen in theatre preview and subject to
change.
A dapper and very tough criminal is
Motion Picture Reviews
Seven
brought to Sing Sing. His expectations of
a favored existence due to his political con-
nections are rudely broken when the warden
informs him that any favors he receives will
have to be earned. His somewhat uneven
career as a prisoner shows a development
in character which transcends the swanking
bravado of his former self, and eventually
leads him to make a brave and thoroughly
noble sacrifice. Spencer Tracy imparts to
this characterization a gamin-like quality
which amuses almost as much his burlesque
of a prisoner in “The Big House.” With him
again is Warren Hymer, though in a less
conspicuous part. The theme is fast moving,
coherent and logically developed.
Adolescents, 12 to 16 Children, 8 to 12
Interesting Too mature
■v
UNDER COVER MAN » »
George Raft, Nancy Carroll, Lew Cody. Di-
rection by James Flood. Paramount. Seen
in theatre preview and subject to change.
This is not a steoreotyped gangster picture.
The interest centers in an “under cover man”
whose duty it is to supply information to
the police but who must work alone and, like
a spy, without recognition from either fac-
tion. George Raft plays this part to per-
fection, and skillfully makes the most of the
many dramatic moments of the plot. His
quiet restraint gives significance to each
slight gesture and carefully spoken line.
Though we may deplore the predominance
of screen plays dealing with criminals, this
can be recommended to adults at least for
its dramatic suspense and quality of acting.
Adolescents, 12 to 16 Children, 8 to 12
Not advised No
v
YOU SAID A MOUTHFUL » »
Joe E. Brown, Ginger Rogers. Direction by
Lloyd Bacon. Warner Bros.
The good natured Mr. Brown gulps and
wallows his way through surf and seaweed
to win a twenty-mile swimming race and a
fiancee. This is absurd nonsense, too long
drawn out perhaps, but delightfully cheerful.
Adolescents, 12 to 16 Children, 8 to 12
Yes Yes
FOREIGN FILMS
CITTA ENDECKT IHR HERZ » »
(“CITTA DISCOVERS HER HEART”)
Citta Alpar, Gustav Froehlich. Direction by
Carl Froehlich. Froehlich Film, Germany.
A refreshing and charming operetta which
is recommended for lovers of light musical
themes. It is a typical romance of this type —
love at first sight — misunderstanding — a final
happy ending. The melodies are tuneful,
the cast adequate, and while an understand-
ing of the German language aids greatly
in following the action, it is not absolutely
essential to enjoyment of the film.
Adolescents, 12 to 16 Children, 8 to 12
Good No objection
•w
THE THEFT OF MONA LISA » »
Willy Forst, Trude Von Molo. Direction by
Ciza Von Bolvary. A Tobis Super Film Pro-
duction.
The plot is based on the true story of the
theft of the famous painting and is artistic-
ally and dramatically produced with fascin-
ating Parisian and Florentine background to
enhance the interest. The interpolated Eng-
lish dialogue is execrable and takes from
the entertainment value.
Adolescents, 12 to 16 Children, 8 to 12
If it entertains Harmless
ZWEI HERZEN UND EIN SCHLAC » »
(“TWO HEARTS THAT BEAT AS ONE”)
Lilian Harvey, Wolf Albach-Retty. Direc-
tion by Wilhelm Thiele. U-F-A.
The story of this German Operetta con-
cerns a young married woman who is in-
duced by her worldly aunt to seek adventure
on the stage. The beauty and personality of
the principals, the charming singing and
dancing have real entertainment value but
the dialogue in a foreign language may seem
lengthy to the average American audience.
Adolescents, 12 to 16 Children, 8 to 12
Too sophisticated No
Eight
Motion Picture Reviews
SHORT SUBJECTS
COCK EYED ANIMAL WORLD » »
Four reels. Carveth Wells Production.
Principal Distributing Corporation. (Running
time 34 minutes.)
A trip from Sydney, Australia, along the
South and West coasts, with adventures into
the interior. Very interesting and unusual
pictures of flora, fauna, natives, and the
principle industries. Excellent entertainment.
'W
HOLLYWOOD, CITY OF CELLULOID » »
Two reels. Principal Distributing Corpora-
tion.
Not very interesting sightseeing tour show-
ing Hollywood and the homes of movie stars.
IMPORTANCE OF SPOKEN ENGLISH » »
Electrical Research Products.
Excellent lesson in correct speaking.
accompanying descriptive narrative of life
on a South Sea island. Contains much action,
under water swimming and handling of frail
canoes in the heavy surf of a coral reef.
Recommended for the family.
■sr
PIANO TOONERS » »
A “Tom and Jerry Cartoon.” R-K-O-
Pathe.
A bit of vulgarity mars this otherwise
original and amusing cartoon on unique
methods of fixing piano keys. Adults.
v
PARIS VAGABOND ADVENTURE » »
R-K-O-Pathe.
Views of the French capital, evidently not
recent, but interesting. The interpolated
comments might be improved upon! Family.
-sr
VENICE VAMP » »
ISLES OF DESIRE »
Three reels. Principal Distributing Corpora-
tion.
Beautifully photographed travelogue with
A “Tom and Jerry Cartoon."
Pathe.
R-K-O-
Syncopated nonsense. Clever and very
funny traversy on grand opera. Family.
Principal Distributing Corporations
VIRGIN OF BALI » »
Three reels. Principal Distributing Corpora-
tion.
A delightful travelogue with
ing narrative dealing with the every day
life and customs of the natives of Bali. Very
well presented with lovely photography and
sustained interest in the fortunes of one par-
ticular family. More interesting for adults
than for children.
accompany-
Walter Disney Productions — United Artists
BUGS IN LOVE » »
A Silly Symphony cartoon in color.
A most delectable Silly Symphony. The
scene is in a dump-pile, where the bugs are
making music on all sorts of discarded junk.
Very good family entertainment.
•w
TRADER MICKEY » »
A Mickey Mouse Cartoon.
Mickey Mouse and his faithful hound
emulate Trader Horn and convey a boat-
load of musical instruments up an African
river infested with crocodiles and “hippos.”
Entertaining family picture.
•w
THE WHOOPEE PARTY * »
Mickey Mouse Cartoon.
Minnie plays the piano, while Mickey runs
the whole orchestra, and all the animal
guests as well as the furniture, kitchen
utensils, and materials for the banquet, dance
merrily. Amusing for the whole family,
though not one of the best cartoons.
Four Zane Grey Travelogues — One Reel Each
ON THE BLUE PACIFIC » »
ISLAND OF LOVE »
The natural beauties of animal and veget-
able life on an island off the coast of Mexico
are presented in delightful fashion. Excellent
for all.
▼
SOUTHERN SEAS » »
A detailed and exceptional portrayal of
life on the lonely islands of New Zealand.
Family.
Life on Tahiti — a paradise of beauty.
Family.
PRIMITIVE » »
A fascinating picture of a modern (Maori)
Robinson Crusoe who emigrates to another
island with his wife and babies and starts
a new home, having to produce every neces-
sity for the venture. Interesting to all — and
especially delightful for children.
MOTION
PICTURE
REVIEWS
THE WOMEN'S UNIVERSITY CLUB
LOS ANGELES, CALIFORNIA
DECEMBER 1932
THE WOMEN’S UNIVERSITY CLUB
Los Angeles Branch American
Association of University Women
943 SOUTH HOOVER STREET
Telephone DRexel 2177
COPYRIGHT NINETEEN THIRTY-TWO
WOMEN’S UNIVERSITY CLUB
WEBBCRAFT PRINTERS . I3SI ARI INGTON AVE
l OS ANGEI ES
Motion Picture Reviews
Three
MOTION • PICTURE * REVIEWS
Published monthly by
THE WOMEN’S UNIVERSITY CLUB
LOS ANGELES BRANCH
AMERICAN ASSOCIATION OF UNIVERSITY WOMEN
Mrs. Chester Ommaney, Preview Chairman Mrs. Madison J. Keeney, Bus. Manager
Mrs. George Bauer, Assistant Mrs. Bruce A. Findlay, Asst. Business Manager
Mrs. John Vruwink - Co-Chairmen - Mrs. Palmer Cook
EDITORS
Mrs. J. Allen Davis Mrs. Palmer Cook Mrs. Arthur Jones Mrs. F. H. Partridge
Mrs. John Vruwink Mrs. Walter Van Dyke Mrs. Margaret Argo
Address all communications to The Women’s University Club, 943 South Hoover St., Los Angeles, Calif.
10c Per Copy - - $1.00 Per Year
Vol. Ill DECEMBER, 1932 No. 12
FEATURE FILMS
♦
CALL HER SAVAGE * »
Clara Bow. Monroe Owsley, Gilbert Row.
land. Direction by John Francis Dillon. Fox.
Clara Bow is the heroine of what might
be called an old-fashioned melodrama. Given
a mixture of White and Indian blood boiling
in her veins she flames her way through
every situation known to an experienced
director: wild parties, marriage to a crazed
playboy, poverty, death of her child, street
walking, finally rest in the arms of Mother
Nature and a faithful half-caste sweetheart.
It is an unimportant, cheap portrayal, and
a pathetic exploitation of Clara Bow’s very
apparent and much publicized charms.
Adolescents, 12 to 16 Children, 8 to 12
No No
■v
THE CONQUERORS » »
Richard Dix, Anne Harding, Edna May Oli-
ver, Cuy Kibbee. Direction by William
Wellman. Story by Howard Estabrook.
R.K.O.
A cross section of an epoch, following par-
ticularly the changes which have occurred in
the economic structure of our nation from
1873 to the present time. Three major de-
pressions are portrayed with their effects
on various members of one family through
three generations. It is chiefly interesting
because of the historical period covered and
the effort which has been made toward
authenticity in costumes and setting. It is
stimulating because of the problems involved,
and because it attempts to prove the folly
of economic despair. It is too long a pic-
ture, introducing so many episodes and crises
that the dramatic effect is weakened. The
cast inevitably leads to comparison with
“Cimarron” but it fails to have the epic
significance of that film probably because
one feels that this is more of a glorified
news reel than a human narrative. How-
ever, it is very sincere and Ann Harding’s
personal charm (especially as the pioneer
woman) and Edna May Oliver’s flair for
comedy make one remember the play in spite
of the distracting elements.
Adolescents, 12 to 16 Chldren, 8 to 12
Mature Too brutally realistic in
several scenes.
CYNARA » »
Ronald Colman, Kay Francis, Phyllis Barry.
Based on the stage play of the same name.
Direction by King Vidor. A Samuel Gold-
wyn production. United Artists.
“I have been faithful to thee Cynara in
my fashion.” This quotation is the motivat-
ing stimulus for the problem of whether a
woman can forgive a man who has been
unfaithful to her but who nevertheless loves
her devotedly. The play is sincere, charm-
ing and sympathetic in its interpretation.
Without being clinical, Mr. Vidor has suc-
ceeded in presenting us with a graphic psy-
chological study of three people whose in-
stincts lead them into conflict with tradition
Four
Motion Picture Reviews
and social standards. Technically it is an
harmonious welding of all the elements of
the modern talking picture. The characteri-
zations are so well done as to warrant a
recommendation for acting merit to each
member of the cast. Mr. Colman’s is especi-
ally noteworthy for its restraint and delicate
shading. The picture has unusual interest
for an adult audience.
Adolescents, 12 to 16 Children, 8 to 12
No No
■v
FAITHLESS » »
Tallulah Bankhead, Robert Montgomery.
Direction by Seymour. M.C.M.
A luxury-loving, selfish girl, losing her
money, descends the social ladder, touching
every rung of humiliation and degradation.
The wretched vehicle effectively conceals
any personal charms of the stars.
Adolescents, 12 to 16 Children, 8 to 12
No No
■v
FLESH » »
Wallace Beery, Karen Morley. Direction by
John Ford. M.C.M.
A simple hearted, kindly German waiter
who is also a wrestler in a beer garden be-
comes champion, and is brought to America
where he is exploited by unscrupulous
men and women. The director has created
very interesting and Continental atmosphere
in the earlier scenes in Germany, the people
seem human, and Wallace Beery gives a sin-
cere and lovable portrayal of the credulous
and amusing athlete. But under the high
pressure of life in America the plot acquires
a more melodramatic cast, professional sport
is again shown in a disreputable light, and
the resulting tragedy leaves us sad and dis-
illusioned. The picture is, however, better
than its misleading title leads us to expect.
Adolescents, 12 to 16 Children, 8 to 12
Not recommended No
■w
THE HALF NAKED TRUTH » »
Lee Tracy, Lupe Velez, Eugene Pallette.
Direction by Gregory La Cava. R.K.O.
A trouper in a cheap carnival becomes a
Follies’ star through the original and absurd
publicity of her manager who then super-
sedes her by publicizing another girl in even
more outrageous “stunts.” Lee Tracy as the
manager is noisy, reckless, daring, unmoral,
rather funny. It is very light entertainment,
not very elevating, but gives perhaps a well
deserved dig at modern publicity methods.
Adolescents, 12 to 16 Children, 8 to 12
Not recommended No
MAEDCHEN IN UNIFORM » »
Emilia Unda, Dorothea Weick, Hedwig
Schlichter, Herta Thiele, Ellen Schwannecke.
Directed by Leontine Sagan. Artistic super-
vision by Carl Frielich. Dialogue in Cer-
man. English titles.
This is a penetrating study of adolescent
psychology, direct and simple in presentation,
exquisitely natural in casting. Perhaps un-
familiarity with the actresses creates a
greater illusion of reality for us in America,
but we do not believe that we have ever seen
a picture in which personality is more sub-
servient to the characters portrayed. Here
is perfection of art without exaggeration in
acting, setting or story. It is suggested that
it depicts the decline of Prussian disciplinary
educational methods. This we cannot know,
but it is an amazing picture of girls in board-
ing school, of one particularly sensitive in-
dividual, and of a just but understanding
woman. Whether the school be German or
English, French or American, adolescent
problems seem much the same, and “Maed-
chen in Uniform” brings us closer to them.
Adolescents, 12 to 16 Children, 8 to 12
Good but emotional Too mature
•w
ME AND MY CAL » »
Spencer Tracy, Joan Bennett. From the
story by Barry Conners and Philip Klein.
Direction by Raoul Walsh. Fox.
In spite of the good cast there is nothing
praiseworthy about this picture. It is a con-
glomeration of gangsters, low comedy and
vulgar drinking scenes with a confused
scenario. It tells the morbid story of a girl,
once enamoured of a gangster, who is black-
mailed and terrorized by him when he is
released from prison.
Adolescents, 12 to 16 Children, 8 to 12
No No
~w
THE PASSION PLAY » »
Filmed by Passion Players, Freiburg, Baden.
(Silent film.) Release, the Passion Play
Committee, 1576 West Washington Blvd.,
Los Angeles, Calif.
Views of the Holy Land and a dramatiza-
tion of the Passion Play as presented by the
German peasant players of Freiburg. It is
done with sincerity and reverence. Interest-
ing and educational for the family.
•w
PENQUIN POOL MURDER » *
Edna May Oliver, Robert Armstrong, James
Gleason. From novel by Stuart Palmer.
Direction by Ceorge Archinbaud. R.K.O.
The Aquarium in New York is the scene
Motion Picture Reviews
Five
of a mysterious murder which is solved by
the persistence of an old maid school teacher,
Edna May Oliver. The story is one of the
best of its kind, original in idea, full of
surprises, laughter, novel situations and
thrills, and the speed with which things
happen reminds one at times of “Seven Keys
to Baldpate.” James Gleason as a “dyed
in the wool” detective is the foil for Miss
Oliver’s dry humor.
Adolescents, 12 to 16 Children, 8 to 12
Amusing Too mature
'W
RENEGADES OF THE WEST * »
Tom Keene, Betty Fellows. Direction by
Albert Shelby Levino. R.K.O.
Tom Keene, with his very likeable per-
sonality, is an ideal cowboy and deserves a
better opportunity than he receives in this
stereotyped melodrama of the Wild West.
There is a good deal of fighting but it is
too improbable to be really objectionable,
and the lines are obvious. But it is hum-
orous and full of action which will appeal
to children.
Adolescents, 12 to 16 Children, 8 to 12
Fair Exciting
yr
ROCKABYE » *
Constance Bennett, Paul Lucas, Joel Mc-
Crea, Jobyna Howland. Direction by George
Cukor. R.K.O.
A lachrymose and sentimental tale of an
actress whose reputation (past and present)
prevents the satisfaction of her maternal in-
stincts by adopting a baby. The story is
curiously hectic, resorting to slapstick of the
custard pie vintage and a continuously
drunken woman as comedy relief. One is
quite unimpressed by the heroine’s “noble
gesture” of renunciation in the face of defeat.
Adolescents, 12 to 16 Children, 8 to 12
By no means No
•w
A STRANGE ADVENTURE » »
Regis Toomey, June Clyde, Jason Robards.
Direction by Phil Whitman. Allied Pro-
ductions. (Seen in Preview, subject to
change. )
A murder mystery with all the accompany-
ing “scares,” the only innovation being that
the audience is very much present at the
murder yet does not see how it happens until
it is later diagramed and shown from an-
other angle by the camera. There is the
atmosphere of a mystery thriller, but the plot
is melodramatic and far fetched and serves
to provide only a quota of spinal chills.
Adolescents, 12 to 16 Children, 8 to 12
Doubtful No
STRANGE JUSTICE » »
Reginald Denny, Richard Bennett, Marian
Marsh, Norman Foster, Irving Pichel. Direc-
tion by Victor Schertringer. R.K.O.
An exceedingly melodramatic story of an
embezzling bank president who is black-
mailed by his villainous vice-president into
framing an innocent boy for his own faked
murder. Whatever interest the picture can
claim is due to good acting and the nerve
wracking suspense of watching an innocent
victim almost brought to execution by a chain
of circumstantial evidence.
Adolescents, 12 to 16 Children, 8 to 12
No No
TESS OF THE STORM COUNTRY > »
Janet Gaynor, Charles Farrell, Claude Cill-
ingwater. From story by Grace Miller
White. Direction by Alfred Santell. Fox.
The story is the romance of a sea captain’s
daughter living in a squatter settlement, and
the son of a rich and tyrannical land-owner.
It is old fashioned, pleasantly sentimental
melodrama with a measure of pathos, and
a dash of comedy supplied by a very divert-
ing monkey. The Gaynor-Farrell whole-
someness is maintained in this little tale of
the “rough and stony path of true love” with
its happy ending.
Adolescents, 12 to 16 Children, 8 to 12
Good A little mature
THREE ON A MATCH » »
Joan Blondell, Bette Davis, Ann Dvorak,
Warren William. Direction by Mervyn Le
Roy. First National.
Pare Lorenz in “Vanity Fair” magazine
suggests calling certain pictures “toughies.”
“Toughies” he says are lively and dramatic
and deal with contemporary life in “no minc-
ing manner,” but they contain no good writ-
ing and have little value artistically. “Three
on a Match” seems to belong in this category.
It is a story of three young women who have
been little girl chums at school. Meeting
accidentally they lunch together and light
their three cigarettes on one match. Hence
the rather obscure title. The plot thereafter
is developed by following the fortunes of the
three through various vicissitudes and the
utter degradation and final suicide of one.
The acting and direction are better than the
story.
Adolescents, 12 to 16 Children, 8 to 12
No No
Six
Motion Picture Reviews
TRAILING THE KILLER » »
Caesar the wolf dog, Francis McDonald,
dog owner. Direction by Herman C. Ray-
make. World-Wide-Zeidman. Educational
Pictures, Inc.
A simple story of herding and trapping
with a wolf-dog as the hero. Caesar is
falsely accused of killing sheep and accom-
plishes his own vindication. He is an ad-
mirable actor and with his mate and puppies
will undoubtedly win his audiences (especi-
ally the juniors).
Adolescents, 12 to 16 Children, 8 to 12
Interesting Good
■v
WASHINGTON MERRY GO ROUND » »
Lee Tracy, Constance Cummings. Direction
by James Cruze. Columbia.
A glimpse of national politics for the un-
initiated in which Lee Tracy is a newly
elected congressman who exposes and cleans
up a powerful political ring. The thread
of romance running through the story is
secondary to the sincere effort of the play to
show the menace of gigantic boss manipula-
tion of government, and the crime of indif-
ference on the part of the voting public. It
is entertaining and thought provoking. (It
is not a dramatization of the book with same
title.)
Adolescents, 12 to 16 Children, 8 to 12
Interesting Mature
WILD HORSE MESA » »
Randolph Scott, Sally Blane, Lucile La
Verne, Fred Kohler. From story by Zane
Grey. Direction by Henry Hathaway. Para-
mount Publix.
Western melodrama with a new twist to
the plot, superb scenery and a competent
cast to recommend it. The action is swift,
retribution certain and the lovers are left
to “live happy ever after.”
Adolescents, 12 to 16 Children, 8 to 12
Entertaining Good
FOREiCN FILMS
LIEBESWALZER » »
(LOVE WALTZ)
Lilian Harvey, Willy Fritsch, Ceorg Alex-
ander. Direction by Wilhelm Thiele. U.F.A.
The plot of this German musical comedy
is pleasantly entertaining; the cast, delight-
ful; and the music, tuneful. The heroine is
a princess who falls in love with the wrong
person, in this case a rich young American,
and the audience has the opportunity to ob-
serve royalty in the light-hearted pursuit of
diversion.
Adolescents, 12 to 16 Children, 8 to 12
Harmless No interest
LUISE, KOENIGEN VON PREUSSEN » »
(LOUISE, QUEEN OF PRUSSIA)
Henny Porten. From novel “Luise” by Wal-
ter von Mold. Directed by Carl Froelich.
Associated Cinemas. (Titles in English.)
A beautifully produced historical film giv-
ing episodes in the life of Queen Louise of
Prussia during the Napoleonic era. It car-
ries a plea for the futility of war.
Adolescents, 12 to 16 Children, 8 to 12
Cood Good but rather tedious
because of German dialogue
MAGIC NIGHT » »
Jack Buchanan, Anna Neagle. Direction by
Herbert Wilcox. British and Dominion Film
Corp., Ltd. English dialogue. United Artist
release.
A light, romantic operetta with Viennese
characters and setting, tells the story of
lovers parted by the sudden doom of the
Great War, and of their reunion years later.
British direction, and Cockney humor lessen
the illusion of Vienna of the period and while
the musical score is alluring, the whole is
disappointing.
Adolescents, 12 to 16 Children, 8 to 12
Passable; not recommended No
ZWEI HERTZEN AUF DRE!
VIERTAL TAKT » »
(TWO HEARTS IN WALTZ TIME)
Walter Janneson, Willy Forst, Oscar Katl-
weiss, Irene Eisenger, Gretl Theimer. Direc-
tion by Geza von Bolvary. Lichtspiel Pro-
ductions (in Cerman).
Delightfully romantic comedy based on
the idea that musicians must be inspired to
achieve their best. It combines beautiful
music, delicious humor, and an interesting
and unusual plot. It is well worth seeing.
Adolescents, 12 to 16 Children, 8 to 12
Good Good
Motion Picture Reviews
Seven
SHORT SUBJECTS
FLAME OF THE PACIFIC » *
Three reels. Producer and Director, Elmer
Clifton. Beverly Hills Exchanges.
A fantasy of the South Seas, based on the
legend of appeasing the wrath of the spirit
of Pelee through human sacrifice. Good
photography and interesting details of native
life and customs. Family.
HOW TO FLY » »
Supervisor, Jack Nelson. Air Epics, Inc.
An interesting lesson in flying, demon-
strating the plane and its use. Family.
KING NEPTUNE » »
Silly Symphony in color. Walt Disney.
United Artists.
Neptune sends all the creatures of the sea
to rescue a mermaid captured by pirates.
Beautiful color effects, and good music com-
bine to create an exquisite cartoon. Family.
KLONDIKE KID » »
Mickey Mouse Cartoon. Walt Disney.
United Artists.
Mickey rescues Minnie from a bandit in
the Klondike gold rush. It has more plot
than usual, but is not in as good taste as we
expect from these cartoons. Adults.
MICKEY’S REVIEW » »
Mickey Mouse Cartoon. Walt Disney.
United Artists.
Mickey leads the orchestra; Minnie dances
with a chorus of strange animals. Ingenious
and amusing for all.
SANTA’S WORKSHOP » »
Silly Symphony in color. Walt Disney Pro-
duction. United Artists.
“Santa’s Workshop” deserves to be placed
in the category with “Peter Pan” — something
that every child should see at Christmas.
It is the personification of the jolliest Santa
Claus any child ever imagined, and a record
of rollicking Brownies who hammer and
chisel at as fascinating a bundle of toys as
ever were loaded into a reindeer sleigh.
■w
TERRORS OF THE AMAZON » »
Three reels. Producer and Director, Elmer
JClifton. Beverly Hills Exchanges.
Well chosen episodes depicting native
family life on the Amazon — its pleasures and
dangers. Interesting and educational. Family.
•w
TRAPPING KENTUCKY
MOONSHINERS » »
Two reels. Supervisor, Jack Nelson. Borden
Picture Co.
An interesting picture of the sparsely set-
tled hills of Kentucky, the Cannel coal mines,
and a raid of “revenuers” on a hidden still.
Family.
yr
TOUCHDOWN * »
Mickey Mouse Cartoon. Walt Disney.
United Artists.
Burlesque on football. Entertaining for
all.
■w
A HOLIDAY SUGGESTION
“Mr. Robinson Crusoe” has at last reached
Southern California. What better vacation
treat could a family desire than to be trans-
ported by Douglas Fairbanks into this land
of gay and fanciful romance?
Eight
Motion Picture Reviews
INDEX JULY TO DECEMBER, 1932
FEATURE FILMS )
A
Age of Consent, The
_
.
August
Air Mail -
.
_
October
All American
_
_
October
American Madness
-
.
_
July
A Nous La Liberte
.
_
_
July
Attorney for the Defense
B
"
-
July
Bachelor’s Affairs
July
Back Street
.
_
-
August
Beyond the Rockies
.
.
-
July
Big Broadcast, The
.
_
October
Big City Blues
-
-
-
September
Bill of Divorcement
.
.
.
September
Bird of Paradise
-
-
August
Blessed Event
-
.
-
September
Blonde Venus
-
-
-
September
Blondie of the Follies
.
-
October
Breach of Promise
_
_
_
October
Bring ’em Back Alive
-
-
July
Broadway to Cheyenne
-
-
-
September
Brown at Culver
C
July
Cabin in the Cotton
_
_
November
Call Her Savage
.
-
-
December
Chandu, the Magician
-
-
September
Congorilla
-
-
August
Congress Dances
-
-
-
July
The Conquerors
.
-
December
Crash, The
-
-
-
November
Crooner, The
.
-
.
August
Cynara -
D
December
Dark Horse, The
_
_
_
July
Devil and the Deep
-
-
-
September
Divorce in the Family
-
-
September
Downstairs
_
-
-
August
Down to Earth
-
July
Dr. X
E
■
"
August
Evenings for Sale
November
Exposure -
F
■
September
Faithless -
December
False Justice
-
-
-
December
First Year, The
-
-
August
Flesh -
_
_
December
For Glory and a Girl (Reviewed
C
as “Huddle”)
June
Golden West, The
_
_
_
October
Guilty as Hell
H
August
Half Naked Truth
_
_
_
December
Hat Check Girl
.
-
-
September
He Learned About Women
_
_
-
November
Hell’s Highway
-
-
-
September
Heritage of the Desert
Hold ’em Jail
-
-
October
-
-
August
Horse Feathers
-
-
August
Hot Saturday
i
"
"
November
I Am a Fugitive From the Chain
Gang
November
If I Had a Million
.
-
_
November
Igloo -
-
.
August
Is My Face Red
-
-
-
July
Jewell Robbery -
_
August
Jungle Mystery, The
K
“
•
August
Kid From Spain, The
November
King Murder, The
.
_
October
Klondike -
L
-
-
October
Lady and Gent -
July
Last Mile, The -
.
_
October
Last of the Mohicans, The
_
.
August
Latin Love -
-
.
August
Life Begins -
-
-
September
Little Orphan Annie
_
October
Love Is a Racket
-
.
July
Love Me Tonight
-
-
September
M
Madame Racketeer
_
August
Madison Square Garden
_
October
Make Me a Star -
_
_
July
Man Called Back, The
-
_
August
Man from Yesterday
-
_
July
Mask of Fu Manchu
_
_
November
Me and My Gal -
_
December
Men Are Such Fools
_
November
Men of America -
_
-
November
Million Dollar Legs
_
August
Miss Pinkerton -
.
_
July
Mister Robinson Crusoe
-
_
September
Monkey’s Paw, The
.
_
November
Most Dangerous Game, The
-
_
September
Movie Crazy - - -
.
-
October
My Pal the King
-
-
July
Mystery Ranch -
-
-
- July
N
New Morals for Old
_
.
July
Night of June 13th, The
-
-
September
0
Okay America -
_
September
Old Dark House, The
-
-
July
Once in a Lifetime
-
_
September
One Way Passage
p
_
-
September
Pack Up Your Troubles
October
Painted Woman, The
-
-
September
Parisian Romance, A
-
-
September
Passion Play, The
-
-
December
Passport to Hell -
-
-
September
Payment Deferred
-
-
October
Penquin Pool Murder
_
_
December
Phantom of Crestwood
_
.
November
Phantom President, The
_
_
October
Prosperity - - ' -
-
-
November
Purchase Price, The
R
”
■
August
Rackety Rax -
November
Rain -
-
-
September
Rebecca of Sunnybrock Farm
-
-
July
Red Dust -
-
-
October
Red Headed Woman
_
_
July
Renegades of the West
-
-
December
Roar of the Dragon, The
-
-
July
Rockabye -
s
*
“
December
Scarlet Dawn -
November
Secrets of the French Police
-
.
November
70,000 Witnesses -
-
-
September
Motion Picture Reviews
Nine
Strange Adventure
_
-
December
Sport Parade -
-
-
November
Sherlock Holmes -
-
-
November
Silver Dollar -
-
-
November
Sinners in the Sun
-
-
July
Six Hours to Live -
-
-
October
Skyscraper Souls -
Smilin’ Through -
-
-
August
-
-
October
Speak Easily - - -
-
-
September
Strange Interlude
-
-
July
Strange Justice -
-
-
December
Stranger in Town
-
-
August
Strangers of the Evening
-
-
July
Street of Women, The
-
-
July
Successful Calamity, A
T
■
July
Tess of the Storm Country
December
Thirteen Women -
-
-
October
Those We Love -
_
-
October
Three on a Match
-
-
December
Thunder Below -
-July
Tiger Shark - - -
-
-
October
Too Busy to Work
-
-
October
Trailing the Killer
-
-
December
Trouble in Paradise
-
-
October
Twenty-six Martyrs of Japan
-
-
July
20,000 Years in Sing Sing
-
-
November
Two Against the World
u
"
September
Unashamed - - -
July
Under Cover Man
-
-
November
V
Venice Vamp - - -
_
_
November
What Price Gloria
-
-
September
w
War Correspondent
October
Washington Masquerade
-
-
July
Washington Merry Go Round
-
-
December
Week Ends Only -
-
-
July
What Price Hollywood
-
-
July
White Zombie - - -
-
-
September
Wild Girl -
.
-
October
Wild Horse Mesa
_
-
December
Winner Take All -
-
-
- July
Y
You Said a Mouthful ...
FOREIGN FILMS
November
Emil und die Deketive
-
-
October
(Emil and the Detective)
Gitta-Endeckt Ihr Herz
-
-
November
(Gitta Discovers Her Heart)
House of Death -
-
-
October
Liebeswalzer (Love Waltz)
-
-
December
Liebe 1st Liebe (Love Is Love)
-
-
October
Luise, Koeniger on Preussen
-
December
(Louise, Queen of Prussia)
Maedchen in Uniform
-
-
December
Magic Night -
October and December
Opera Ball -
-
-
July
Theft of Mona Lisa, The
-
-
November
Zwei Hertzen in Viertal Takt
-
-
December
(Two Hearts in Waltz Time)
Zwei Herzen und Ein Schlag
(Two Hearts That Beat As One)
-
November
SHORT SUBJECTS
Engineer’s Daughter, The
-
-
July
Golf Chump, The
-
-
July
How to Fly -
-
-
December
Importance of Spoken English
-
-
November
Mad King, The - - -
-
-
July
Magic Carpet Series
-
-
July
( 1 ) With the Foreign Legion
(2) Over the Yukon Trail
(3) The World at Prayer
Trapping Kentucky Moonshiners
-
-
December
Mickey Mouse Cartoons
Klondike Kid
-
-
December
Mickey in Arabia
-
-
October
Mickey’s Review
-
-
December
Touchdown Mickey
-
-
December
Trader Mickey
-
-
November
Whoopee Party, The
-
-
November
Pathe Audio Review No. 12
-
September
Piano Tooners -
-
-
November
Romance Sentimentale
-
-
August
Silly Symphony Cartoons
Bugs in Love
-
-
November
Flowers and Trees
-
-
October
King Neptune
-
-
December
Santa’s Workshop
-
-
December
Travelogues
Chicago - - - -
-
-
October
Cock Eyed Animal World
-
-
November
Dangers of the Arctic
-
-
October
Dream World
-
-
July
Flame of the Pacific
-
-
December
Forgotten Island
-
-
- July
Hold that Lion
-
-
August
Hollywood, City of Celluloid
-
-
-November
Island of Love
-
-
November
Isles of Desire
-
-
November
Man Eater -
-
-
August
Nuri - - - -
-
-
August
On the Blue Pacific
-
-
November
Paris Vagabond Adventure
-
-
November
Primitive -
-
-
November
San Francisco
-
-
October
Satan’s Playground
-
-
September
Southern Seas
-
-
November
Terrors of the Amazon
-
-
December
Virgin of Bali
-
-
November
Walpi -
-
-
October
Wings Over the Andes
-
-
October
Walpurgis Night
-
-
September
Scanned from the collection of
Margaret Herrick Library
Academy of Motion Picture Arts and
Sciences
Coordinated by the
Media History Digital Library
www.mediahistoryproject.org
Funded by a donation from
University of South Carolina Libraries and
College of Arts and Sciences
Live Music
Archive
Librivox
Free Audio
Metropolitan Museum
Cleveland
Museum of Art
Internet
Arcade
Console Living Room
Open Library
American
Libraries
TV News
Understanding
9/11